WEBVTT 00:00.960 --> 00:01.920 Give me that baby. 00:03.840 --> 00:05.120 I want that baby. 00:08.240 --> 00:10.720 Give me that baby, you warthog from hell. 00:13.120 --> 00:16.600 It's two Dads one Movie. It's the podcast where two middle aged 00:17.100 --> 00:20.720 dads sit around and shoot the shit about the movies of the 80s and 90s. 00:20.880 --> 00:24.080 Here are your hosts, Steve Paulo and Nick Brianna. 00:24.960 --> 00:28.120 Hello, everybody. It's another episode of 2 Dads 1 Movie. 00:28.620 --> 00:32.030 I'm Steve. And I'm Nick. And. And today we are continuing down the pathway of 00:32.530 --> 00:35.990 cagevember, which is super exciting, and we have 00:36.490 --> 00:39.990 got a whole new, amazing Nicolas Cage centered film 00:40.490 --> 00:42.230 to talk to you all about from an earlier part of his career. Actually, 00:42.390 --> 00:45.470 absolutely not from the mid-90s that we spent the last 00:45.970 --> 00:48.950 couple weeks at with the Rock and before that, Con Air. But this time we're 00:49.450 --> 00:52.950 going to look at Raising Arizona, starring Cage and Holly Hunter. 00:53.350 --> 00:56.590 And it's the second feature film from the Coen brothers, who would go on. 00:57.090 --> 01:00.380 To do amazing stuff. A number of ridiculously good 01:00.880 --> 01:04.820 things over the years. Personally from the Coens, I was never 01:05.320 --> 01:08.460 as into this movie, and I'll get into why in a second as some 01:08.960 --> 01:12.140 of the other ones. I love Big Lebowski. Yeah, that was huge for our 01:12.640 --> 01:16.260 age range too. And oh, Brother, Where Art Thou? Was fantastic, but this 01:16.760 --> 01:20.540 was also really good. So, Nick, you picked Raising Arizona for us. Tell us a 01:21.040 --> 01:24.100 little bit about your history with it. Yeah, so I have actually only seen this 01:24.600 --> 01:26.820 once, and I think I'm kind of the same as you. I enjoy the Coen 01:27.320 --> 01:30.960 Brothers work. This movie. People rave about this movie. This isn't 01:31.460 --> 01:35.160 uncovering a undiscovered gem or anything. This is thought of as 01:35.660 --> 01:39.040 a great film, and I thought it would be fun to kind of juxtapose along 01:39.540 --> 01:43.400 with our other Nicolas Cage cagevember selections. And kind of is 01:43.900 --> 01:46.160 a little bit of a change of pace from the last two with Con Air 01:46.240 --> 01:49.600 and the Rock, where we had Nicolas Cage being 01:50.100 --> 01:52.640 in some sort of a prison at some point, and in this movie, he. 01:53.440 --> 01:56.720 Darn, so many prisons. More Cage in a cage. 01:57.220 --> 01:59.890 No. So I just thought it would be fun to go to a different kind 02:00.390 --> 02:03.450 of phase of his career and see if maybe we're seeing the same things about 02:03.950 --> 02:07.370 him. Nice. Because the other movies were one year after another or like the same 02:07.870 --> 02:11.770 year or something. So, yeah, I thought it would be interesting. And the cast is 02:12.270 --> 02:15.610 killer, and the pedigree of this film speaks for itself. 02:16.110 --> 02:18.970 So I'm looking forward to chat about it, but I'm not super familiar with it, 02:19.470 --> 02:22.130 so I'm kind of coming in as a semi new person here. That's cool. 02:22.630 --> 02:25.770 Yeah. When you recommended this movie for us, I was like, oh, cool. Raising Arizona. 02:26.270 --> 02:29.040 Like, awesome Coen Brothers. This will be so much fun. Boy, I haven't seen it 02:29.540 --> 02:31.160 in a long time. And then as I'm watching it, I go, oh, no, 02:31.660 --> 02:34.200 I've never actually seen this movie all the way through. So I watched it like 02:34.700 --> 02:37.120 three or four days ago, and that was actually the first time I'd ever watched 02:37.620 --> 02:40.400 it all the way through. So this will be an interesting, you know, sort of 02:40.900 --> 02:44.640 conversation, I think both of us coming in with more maybe experience around Cage 02:45.140 --> 02:48.840 and around the Cohen's than this film in particular. It was really interesting 02:49.340 --> 02:53.520 even just coming into it and thinking through comparing this to other Coen brothers movies 02:54.020 --> 02:56.950 and other Nicholas Cage performances and seeing, you know, 02:57.450 --> 02:59.710 where things line up and where they're different. And I think that's going to make 03:00.210 --> 03:03.510 for. For a really interesting conversation. Cool. All right, let's jump into the facts. 03:04.010 --> 03:07.390 Yeah, let's look at some facts on Raising Arizona. So Raising Arizona was released 03:07.890 --> 03:11.350 on March 13, 1987 with a PG13 rating. 03:11.669 --> 03:14.830 It has a running time of 94 minutes. Directed by, I think 03:15.330 --> 03:17.870 in the credits we said it was just Joel Cohen listed and then Ethan Cohen 03:18.370 --> 03:21.670 is a producer. Yes, I believe so. But on IMDb they do list both Joel 03:22.170 --> 03:25.770 and Ethan as directors. So they both directed, maybe sort of written by. 03:25.850 --> 03:29.050 Flip the names around. Ethan Coen and Joel Cohen. Nice work. It's kind of how 03:29.550 --> 03:33.210 the Coen brothers always operated, at least until recently. Good for them. Yeah. Starring Nicolas 03:33.710 --> 03:36.570 Cage, Holly Hunter and John Goodman. I was actually surprised. I did not remember how 03:36.810 --> 03:40.450 much John Goodman is in this, which is great because Goodman in Coen 03:40.950 --> 03:44.050 brothers movies is like peak height of Goodman's work. Yeah, 03:44.550 --> 03:46.890 the perfect fit for him. Absolutely. Rotten tomatoes. 03:47.210 --> 03:51.100 91% fresh on rotten tomatoes. Critics love this in general. 03:51.600 --> 03:54.980 IMDb gave it a 7.3 over time. That's a very respectable score 03:55.480 --> 03:58.980 from IMDb. Our buddies Siskel and Ebert, we got a thumbs up from Gene Siskel 03:59.480 --> 04:02.340 and a thumbs down from Roger Ebert. What is going on, Rog? 04:02.840 --> 04:06.220 Yeah, so I actually looked at Roger's review because I was surprised to see 04:06.720 --> 04:09.420 that. And he. And I think they rate them out of five on his website 04:09.920 --> 04:11.620 or whatever. Out of four. Okay, so it was one and a half out of 04:12.120 --> 04:15.860 four that he gave. And his big beef with it was the dialogue. 04:16.350 --> 04:20.030 He felt like it was unrealistic that all the characters have such, 04:20.530 --> 04:23.950 you know, extensive vocabularies and everything. But it's like. Yeah, but you didn't 04:24.450 --> 04:26.510 know the Coen Brothers yet because that's kind of what they do in a lot 04:27.010 --> 04:30.910 of situations. And I've never seen Blood simple, which is the first Coen Brothers feature. 04:31.150 --> 04:34.710 So I don't know if the same vibe kind 04:35.210 --> 04:37.430 of plays through that movie in the same sort of. Yeah, like, cadence to the 04:37.930 --> 04:41.310 characters and the kind of cartoonishness of them, if that's in Blood simple as well. 04:41.880 --> 04:45.280 But it certainly is prevalent in every Coen Brothers movie after this 04:45.780 --> 04:49.160 one, for sure. You know, that's. It's very much their style. But care not. 04:49.660 --> 04:53.040 Not for Raj, apparently. The film did not win any awards and didn't 04:53.540 --> 04:56.400 get any major nominations that I was aware of, so there's that. On a $6 04:56.900 --> 04:59.960 million budget, however, it pulled in $29 million at the box office, which is, 05:00.460 --> 05:03.800 you know, small potatoes, but almost five times what it costs. So congratulations. 05:03.960 --> 05:08.160 Cohen's not surprising why they continued to get booked and got 05:08.660 --> 05:11.640 to make movies that they wanted to make. That's. That's good stuff. So. All right, 05:12.140 --> 05:15.800 man, you want to kick us off? Yeah, let's get into it. And I 05:16.300 --> 05:19.880 was delighted throughout the first 10 minutes of this movie with 05:20.380 --> 05:23.920 the voiceover narration kind of getting us up to speed with who our characters 05:24.420 --> 05:26.880 are and how they end up in the situation they begin in. 05:27.920 --> 05:31.360 And we have this great montage where, Hai, who's Nicolas 05:31.860 --> 05:35.600 Cage's character, and he's a petty criminal, 05:35.840 --> 05:39.350 kind of a doofus who keeps, you know, doing dumb stick ups and getting caught 05:39.850 --> 05:43.710 for whatever goes into jail. He's getting his mugshot taken by a very serious 05:44.210 --> 05:47.870 woman police officer and turned to the right, you know, and he's immediately 05:48.370 --> 05:50.630 smitten by her. You could tell he's really flirty with her and everything. 05:51.190 --> 05:54.470 And she's all business. It's kind of funny. He asked what her name is. 05:54.710 --> 05:58.310 She goes, ed. And he's 05:58.810 --> 06:01.630 like, well, Ed. That's a strange name for a woman. She's like, short for Ed. 06:02.130 --> 06:05.970 We need to turn to the right. All business and everything. So we 06:06.470 --> 06:08.770 have this scene of kind of his life, you know, going in and out of 06:09.270 --> 06:12.450 prison. So he gets his mug shot, then he's in prison, and then he's in 06:12.950 --> 06:16.050 the prison counseling session, which is a really entertaining thing to see. 06:16.550 --> 06:19.210 Yes. And then he'd be in front of the parole board, and then it would 06:19.710 --> 06:22.730 show him kind of how he gets back into prison getting his mug shot again. 06:23.230 --> 06:25.570 So this goes on for about, you know, five minutes here at the beginning, 06:26.070 --> 06:28.970 and it's really delightful. Absolutely. And I think a few things to point out. 06:29.470 --> 06:32.890 One, clearly I don't know about current state of Arizona criminal law, but apparently 06:33.390 --> 06:36.610 no three strikes laws in Arizona in the 80s. Yeah. Because these were. 06:36.990 --> 06:40.470 Sheriff Joe Arpaio came in because these are clearly felonies. 06:40.970 --> 06:43.950 Although we do get high does mention specifically that the gun that he uses, 06:44.030 --> 06:47.630 has always used in his stick up robberies of convenience stores is never loaded. 06:47.870 --> 06:51.470 That way he can't actually get busted for armed robbery or at 06:51.970 --> 06:56.190 least not for, you know, the, the kind of additions to 06:56.690 --> 06:59.990 sentencing you would get from using a weapon in crime. Right, so, so there's that 07:00.490 --> 07:02.510 which is. I don't know if that's, I'm not a lawyer, I don't know if 07:03.010 --> 07:05.270 that's legit or was back then, but it certainly is true in the story. 07:05.770 --> 07:08.450 Good enough for this film, right? Yeah, exactly. So. So, yeah, so he is a 07:08.950 --> 07:12.810 bit of a recidivist, which for the parole board tells us specifically that as 07:13.310 --> 07:16.490 he keeps going in and out. One thing I'll note as well, just having watched 07:16.990 --> 07:20.290 Con Air, this accent by Nicholas Cage, far superior and 07:20.790 --> 07:24.050 much more pleasant and it's still got a bit of that southern, you know, 07:24.550 --> 07:26.970 and it is a little more southwestern, a little closer to Texas, you know, 07:27.470 --> 07:30.130 kind of style, but it's, it's, but it's a good job. 07:30.930 --> 07:34.610 Yeah, exactly. So why couldn't he just do his, his high 07:34.690 --> 07:38.090 voice in Con Air? I don't know, but it would have. Been funny if he 07:38.590 --> 07:42.070 was just, if high. Just like if Cameron Poe and Con Air 07:42.570 --> 07:46.190 was just an older version of high. Like he got, 07:46.690 --> 07:50.510 he like went straight by going to the Rangers or. Yeah, it exists in the 07:51.010 --> 07:54.590 same universe. Yeah. A couple things to point out here. So in the prison 07:55.090 --> 07:58.310 counseling session, we're introduced to a couple of other fellow prisoners who were 07:58.810 --> 08:02.310 kind of his buddies in jail. Right. And it's William Forsyth and John Goodman. 08:02.810 --> 08:05.070 That's right. And they're. I forget the names, I'm just going to call them the 08:05.570 --> 08:09.720 jailbirds, whatever. His buddies, the brothers. There's a really funny line where the 08:10.220 --> 08:13.880 counselor's asking, telling them that if you want a life and 08:14.380 --> 08:17.280 a family, jail should not be an acceptable option for you. 08:17.440 --> 08:20.920 And John Goodman says something like, well, some of us just have 08:21.420 --> 08:22.880 to sometimes put career ahead of family. 08:25.520 --> 08:28.960 So. Yeah, I mean, the way this kind of self awareness that even the 08:29.460 --> 08:32.480 supposedly dumbest characters have is very fun in this film. 08:32.980 --> 08:36.489 Absolutely. And we should point out we saw William Forsyth last week in 08:36.989 --> 08:40.329 the Rock. That's a very different role. Ten years after this or nine years 08:40.829 --> 08:43.089 after this or whatever like that. But it's just so funny to think of the 08:43.589 --> 08:46.929 characters in these two movies. They were so different from each other. Oh, absolutely. 08:47.429 --> 08:51.169 And played so differently in such range. Very interesting. But, yeah, so. 08:51.669 --> 08:54.769 Yeah. So one of the times that that High goes back into jail, 08:55.089 --> 08:58.569 poor Ed is bawling. She's clearly been crying. You know, she's trying to hold it 08:59.069 --> 09:01.409 back because she's trying to be professional, but she's crying. He asks, you know, 09:01.909 --> 09:04.960 what happened, you know, whatever. And she goes, my finance left me. I love the 09:05.460 --> 09:09.600 way she says, it's fantastic. Really good. So. But. But this, you know, clearly the 09:10.100 --> 09:12.760 High sees this as an in. Right? Like, and he. And he tells her, 09:13.260 --> 09:15.480 like, tell me who he is. I'll tell him what an idiot he is. 09:15.640 --> 09:18.680 Deal. And she kind of, like, goes, oh, maybe this guy's not so bad. 09:19.180 --> 09:21.280 And he's obviously is a handsome dude. You know, he's got a full head of 09:21.780 --> 09:24.280 hair. You know, I'm sure the standards couldn't have been that high in Arizona in 09:24.780 --> 09:28.240 the late 80s, so. Sure. Yeah. What the heck? I mean, he. A little bit 09:28.740 --> 09:32.930 of the bad boy stuff, you know? Yeah, yeah. So he 09:33.430 --> 09:36.570 ends up, you know, he goes into jail again. And it also shows a scene 09:37.070 --> 09:39.290 of him, like, laying on the bottom bunk while his bunk mate on the top 09:39.790 --> 09:43.050 bunk is just rattling off all this nonsense, which is kind of a precursor to 09:43.550 --> 09:47.530 Bubba in Forrest Gump, Baby O in Con Air. 09:47.610 --> 09:50.890 I think these movies exist in the same universe. Oh, man. So connected. 09:52.010 --> 09:55.210 So. But he kind of makes a decision, like, kind of based on, I'm in 09:55.710 --> 09:58.530 love with this woman and this guy's boring the shit out of me. I'm not 09:59.030 --> 10:01.590 coming back to jail. And he finally gets paroled again, 10:03.110 --> 10:07.790 and he goes straight to the booking right 10:08.290 --> 10:12.230 to the police station there. The intake. Yeah, exactly. And immediately proposes to 10:12.730 --> 10:16.070 Ed. And then while he's doing that, he turns to the guy who's currently getting 10:16.570 --> 10:20.190 his mugshot taken and being like, oh, hey, Greg. Like, just so casually, 10:20.690 --> 10:23.910 really funny. Oh, man. So, yeah, so he gets a real job. 10:24.070 --> 10:27.290 Hi and Ed get together, they get married, and hi has to, you know, 10:27.790 --> 10:30.050 he's not going to knock up convenience stores anymore. So he's got a real job 10:30.550 --> 10:32.530 working at. Looks like maybe like a metal sheet. Metal sheet. Metal plane. Right. 10:33.030 --> 10:35.450 That's something like that. And I love it because he's chit chatting with this guy, 10:35.530 --> 10:39.250 the thing and that. We saw him in another 2Dads episode. He was the 10:39.750 --> 10:43.970 doctor in Fletch that's right. Right. Who gave the. The anal exam? 10:44.470 --> 10:48.250 Rectal exam, I guess, to. To Mr. Babar. But yeah, 10:48.750 --> 10:52.330 so that's good. And then. And then I believe it's shortly after that point 10:52.830 --> 10:56.510 we actually get a title card. Well, so leading up to this, two things I 10:57.010 --> 10:59.630 want to point out. One is the wedding scene is very funny because it's just 11:00.130 --> 11:04.150 like three straight, like very brief one second shots. And it's just, I do. 11:04.390 --> 11:07.910 And then Nick Cage says, you bet I do. And then the priest just says, 11:08.410 --> 11:11.270 okay, then. Okay then. And so he says, 11:11.990 --> 11:15.030 hai says having a critter was the next logical step. 11:15.530 --> 11:18.830 And he's talking about how they're trying to have a kid and they're unsuccessful with 11:19.330 --> 11:23.120 that. That's right. She comes home from work, she's crying, 11:24.400 --> 11:28.600 and he's like, what's wrong? She said, I'm barren. So it shows the doctors pointing 11:29.100 --> 11:32.280 to this diagram of the reproductive system. And this is the quote that I love 11:32.780 --> 11:36.840 from high so much. He says, the doctor explained that her insides were a rocky 11:37.340 --> 11:40.600 place where my seed could find no purchase. Like, 11:41.100 --> 11:44.880 God damn, such Coen brothers. Would you look, you stop for a second. 11:44.960 --> 11:47.760 And you know, like I said, I was watching this going, I think I'd seen 11:48.260 --> 11:50.640 this opening before, but like, generally speaking, I'm not super familiar with the movie, 11:51.140 --> 11:54.880 so I was like, enjoying it as like a fresh watch. But lots of 11:55.380 --> 11:58.920 context from future Coen brothers stuff and like the similarities in 11:59.420 --> 12:02.640 just the way these people are talking to Big Lebowski and Fargo. And I felt 12:03.140 --> 12:06.560 especially, oh, brother, where art thou? Right. Which even though that was deliberately set back 12:07.060 --> 12:10.280 in like the twenties or the thirties of the Great Depression. Right. Like, you know, 12:10.780 --> 12:15.570 much, much further in the past of this movie. There's just so many hints 12:16.070 --> 12:19.290 at what's to come kind of from the Coen brothers imagination in this 12:19.790 --> 12:23.170 movie. And certainly the purple prose of these characters 12:23.250 --> 12:26.490 is a big part of that. Yeah. But. Yeah, so after they find out they 12:26.990 --> 12:30.170 can't have kids, that's when we get the title card, which is 11 minutes 12:30.670 --> 12:32.650 into the movie. I had to go back and look because we've had a lot 12:33.150 --> 12:35.730 of like, cold opens. Like, I realized we've a ton of movies that have had 12:36.230 --> 12:39.170 cold opens. Right. The Fugitive had a cold open. You know, Con Air had a 12:39.670 --> 12:43.240 cold open. You know, Demolition man has a cold open. Right. This was 12:43.740 --> 12:47.560 an 11 minute long cold open. Crazy. It's almost like a short film leading up 12:48.060 --> 12:51.480 to this film. It's like the prequel. They just put it at the beginning of 12:51.980 --> 12:54.720 the Movie to get us all set up. But. Yeah, but basically that brings us 12:55.220 --> 12:58.440 to, you know, the, the existence of these two. 12:58.940 --> 13:01.480 They have this like kind of double wide trailer they live in. And they're drifting 13:01.980 --> 13:05.720 apart, you know, throughout this, you know, lack of success and trying to conceive 13:06.220 --> 13:08.560 and everything. Wanting to have kids was huge for both of them. And so, 13:08.880 --> 13:12.140 yeah, it really puts a strain on their relationship and. 13:12.380 --> 13:16.220 Yeah. And that's when we find out about the Arizona Quints. 13:16.720 --> 13:19.780 Yes. So Ed and hi are just kind of like slumped on the couch eating 13:20.280 --> 13:23.380 off a TV tray. It's just the classic relationship that's not going 13:23.880 --> 13:27.420 well. View. And on the TV comes this 13:27.920 --> 13:30.780 big news story that there were quintuplets born to the Arizona family. 13:31.420 --> 13:34.700 And it's a big deal and they get the idea. 13:35.180 --> 13:38.900 And the Arizonas are rich people, basically. Nathan Arizona 13:39.400 --> 13:42.760 and his wife, whose name I forget now, but whatever. 13:42.840 --> 13:46.480 Nathan Arizona owns and runs the Unpainted Arizona, 13:46.980 --> 13:51.360 which is like the state's largest retail store specifically 13:51.860 --> 13:55.720 for unpainted wood furniture. I believe it's very specific. But he's got this saying 13:56.220 --> 13:58.440 where he always says on his commercials, you know, like, you get the best price 13:58.940 --> 14:01.480 here or my name isn't Nathan Arizona. Yeah. And of course the funny part we 14:01.980 --> 14:04.880 find out later is he changed his name to Nathan Arizona. Really good. But yeah, 14:05.380 --> 14:07.760 very funny, Very funny guy. But they kind of see this and they go, 14:08.260 --> 14:11.560 man, that's not fun. Like, why should they have five babies 14:12.060 --> 14:16.080 and we can't even have one? Right? And then we're shown the Arizonas 14:16.160 --> 14:19.640 sitting there and it's set up, you know, just like a stage play, basically like 14:20.140 --> 14:23.600 an unmoving scene where they're both on their chairs. It's settled in for the night. 14:24.100 --> 14:28.360 She's sitting there reading Dr. Spock's like baby care book. And he's 14:28.860 --> 14:32.720 just yelling at people on the phone like businessmen do. There's one really funny thing 14:33.220 --> 14:37.060 because it gives us the location. Yeah. And then he's 14:37.560 --> 14:41.020 talking to somebody on the phone and then it says 8:45pm and right as he's 14:41.520 --> 14:44.540 saying, oh, what time is it? It's 8:45. Like he says it right after. 14:44.780 --> 14:48.140 It's really just a funny. A funny way to do that. 14:49.340 --> 14:52.540 Yeah. And they're hearing noises upstairs because, 14:53.420 --> 14:56.780 well, somebody's there. Yeah. Right. And. And so 14:57.280 --> 14:59.300 there's a lot of bouncing and banging and we cut up to the top before 14:59.800 --> 15:02.780 the Arizona's make any real reaction. But we got up to the top and it's 15:03.280 --> 15:06.900 high, high is up in the nursery, there's this enormous. Looks like something out 15:07.400 --> 15:10.780 of Snow White and the Seven Dwarfs, like, huge bed for like five wide crib, 15:11.280 --> 15:14.460 you know, Five wide crib. And it's got the baby's names on it. And for 15:14.960 --> 15:17.980 whatever reason, their names are Harry, Barry, Gary, 15:18.460 --> 15:20.620 Larry and Nathan Junior. 15:21.819 --> 15:25.300 Why they needed to rhyme everybody but the Junior, who knows. Really nice touch, 15:25.800 --> 15:28.900 though. But it's so funny. Hai is treating this like going to, like the pound 15:29.400 --> 15:31.340 to get a dog. Right. He's, like, trying to play with different ones. He's trying 15:31.840 --> 15:33.870 to keep them quiet, but he's also sort of trying to see, you know, 15:33.950 --> 15:36.870 does this one like me? Does this one react well? What if I pick this 15:37.370 --> 15:39.030 one up? You know, he's almost like kind of like trying to figure, like, 15:39.530 --> 15:42.150 which one do I take? Because, you know, we. We understand how he's climbed up 15:42.650 --> 15:45.510 through the window. Right. Because the last time we saw High and Ed, they were 15:46.010 --> 15:48.590 driving away from their trailer with a ladder on the roof of the car. 15:48.670 --> 15:52.230 So this is what. Is what they decided. Arizona's have enough babies. They need 15:52.730 --> 15:54.830 a baby. And so they're going to go take them. But, you know, they're making 15:55.330 --> 15:58.510 a lot of noise. The babies are making noise. High stumbling around. Yeah. Finally, 15:59.010 --> 16:00.790 Nathan Arizona tells his wife, you know, why don't you go look at him? 16:01.290 --> 16:04.730 Want to go check on them, see what they need? Yeah. And this 16:05.230 --> 16:08.610 is great comedy by Nick Gage. I mean, again, he is really, 16:09.110 --> 16:13.410 really funny, really good in this scene. And it's slightly 16:13.910 --> 16:17.010 surreal. It's almost like 30% the Pee Wee universe. Almost. 16:17.410 --> 16:20.770 There's some bit of surreality to it, 16:21.410 --> 16:24.490 but, yeah, he's testing the babies and everything. And Mrs. 16:24.990 --> 16:28.570 Arizona is coming upstairs to check on him. And then looks in the crib 16:29.070 --> 16:31.990 and sees the babies are all just sitting there. They're fine. They're fine. He has 16:32.490 --> 16:34.750 left, gone back to the car to Ed and say, I didn't get any of 16:35.250 --> 16:36.790 them. Like, I couldn't tell which one to take. Like, whatever. I don't know about 16:37.290 --> 16:39.430 this. And she is not having it. Ed is like, she won't let him in 16:39.930 --> 16:42.510 the car. Yeah. She, like, locks the door, rolls the window up. You get back 16:43.010 --> 16:45.390 in there, you get me a baby, you know? Yeah. When he comes back, 16:45.890 --> 16:48.070 he says, it didn't. It just didn't work out. It didn't work out. 16:49.910 --> 16:53.190 So. So, so he goes in and, you know. 16:53.830 --> 16:57.230 Yeah, the. So Mrs. Arizona has gone back downstairs. Nathan or 16:57.730 --> 17:00.760 High goes up, grabs a baby, comes back out. He says, she goes, 17:01.260 --> 17:04.120 which one did you get? He goes, I think it's Nathan Junior. I also love, 17:04.620 --> 17:06.720 like, I know it was the 80s, so it's like. But I've been thinking about 17:07.220 --> 17:10.760 it from the perspective of someone who had kids in like the mid 20 teens. 17:11.080 --> 17:14.520 That house is not baby proofed at all. Like, there's. There's no, there's no gate 17:15.020 --> 17:17.960 at the top of the stairs. There's nothing. Like that is like not a safe 17:18.460 --> 17:21.880 house. I mean, even the crawl babies. Yeah. Like if the babies can 17:21.960 --> 17:24.840 crawl on top of each other, you make like a World War Z kind of 17:25.340 --> 17:29.029 like zombie stack to get out of there. Like, also definitely do that. How long 17:29.349 --> 17:32.589 has it been? Because we just saw the news report, we assume like that day 17:33.089 --> 17:35.109 or the day before. Right. Like not a lot of time has passed. These are 17:35.609 --> 17:39.229 clearly like six month old babies. Like maybe 40 or four to six 17:39.729 --> 17:43.188 months old or something at least. Like, these are not. These are not newborns in 17:43.688 --> 17:46.909 the Arizona household for sure. But High is very proud of the baby that he 17:47.409 --> 17:50.109 got because he was kind of making faces to them as the mom was checking 17:50.609 --> 17:53.760 on them before she left the room. Went back downstairs and he gets in the 17:54.260 --> 17:57.880 car and she's. Ed is now clutching this baby. She's in 17:58.380 --> 18:02.040 love with this High saying, he's awful damn good. I think I got the 18:02.540 --> 18:05.520 best one. Yeah. And because he said damn, Ed has to tell him, don't you. 18:06.020 --> 18:09.000 Don't you cuss around him? I love. He says, oh, he don't know a cuss 18:09.500 --> 18:12.440 word from Shinola. Because I love don't know shit from Shinola as a saying. 18:12.940 --> 18:16.800 So that was fun. So. So they bring him back to their trailer and 18:17.300 --> 18:19.320 they have it prepared with this kind of welcome homestead. Oh, yeah, yeah, yeah. 18:19.820 --> 18:23.380 They had already planned on it. Hai runs inside, goes to 18:23.880 --> 18:27.220 the bedroom really quickly and realizes he has a Playboy hidden or 18:27.720 --> 18:29.980 sitting out. So he goes to put it under the bed and then he's like, 18:30.480 --> 18:33.180 huh. Pulls it out, takes one last look and then puts it under the bed. 18:33.680 --> 18:37.260 It's so bizarre. There is so much like cartoonishness about this. I think 18:37.760 --> 18:40.740 the comparison to Pee Wee is very apt. I think that there's a fair amount. 18:41.240 --> 18:44.780 I think if you really look at the entire catalogs of the Coen 18:45.280 --> 18:48.780 brothers as filmmakers and Tim Burton and maybe Wes Anderson, there's a ton 18:49.280 --> 18:52.550 of stylistic overlap. Not. Not that any of them took from each other, but just 18:53.050 --> 18:56.350 like the approaching a live action movie as if it is at 18:56.850 --> 19:00.510 least partly animated. Yes. And is inspired by like Mel Blanc, 19:01.010 --> 19:03.950 you know, And Jack Kirby, like, a little bit. Right. You know, both Looney Tunes 19:04.450 --> 19:07.710 and maybe, like, comic books. Right. Really, really cool stuff. And the set 19:08.210 --> 19:12.390 design in this, too, like, the. The baby nursery set is beautiful 19:12.890 --> 19:16.430 looking. It's really well composed. I mean, there's so much thought put into that whole 19:16.930 --> 19:20.290 thing. Even earlier, when they were doing the montage, he was talking about how Ed 19:20.790 --> 19:23.250 had become kind of. Because of not being able to have a baby, had become 19:23.750 --> 19:26.930 too depressed to do the laundry or whatever, and she's sitting there on the bed 19:27.430 --> 19:31.010 and all this dirty laundry is scattered, but in such a beautiful way. So this 19:31.510 --> 19:34.570 really has, like, the hunger of kind of young filmmakers all 19:35.070 --> 19:38.330 over. Yes, absolutely. So I think it's around here that we get a cutaway to 19:38.830 --> 19:42.210 a different scene outside of the prison. Right. Yeah. Okay. Yeah, 19:42.710 --> 19:46.010 sorry. So he's holding the baby, and she says, the baby's very tired. Yeah, 19:46.510 --> 19:48.210 yeah. And he goes and puts him on the couch and he says, hey, 19:48.710 --> 19:50.070 pop those dogs up and take a load off. 19:52.150 --> 19:54.950 And they're doing a. She wants to get a photo or he wants to get 19:55.450 --> 19:58.550 a photo. That's right. And bust out this camera on a tripod. And she's very 19:59.050 --> 20:00.990 concerned. She's trying to talk to him. She's trying to look at the baby. 20:01.490 --> 20:05.310 And he's just holding his smile for the longest time. He's so nervous about missing 20:05.810 --> 20:08.670 the opportunity of the photo. He's like, we're set to pop here. Yeah, we're set 20:09.170 --> 20:11.670 to pop your honey. He says it a couple times really good. Oh, my God. 20:12.170 --> 20:14.790 And they ended up with a very funny pose. So, yeah, now we're. Now we're. 20:15.290 --> 20:18.120 So we cut elsewhere. We cut to, I mean, a prison, but we can assume 20:18.620 --> 20:21.280 it's the prison that High has spent time in. And sure enough, the brothers William 20:21.780 --> 20:25.200 Forsyth and John Goodman, they start climbing up through the ground, right. As if 20:25.700 --> 20:29.640 they were buried alive and in graves. But really they're pulling kind of a Shawshank 20:29.960 --> 20:34.000 several years before, where they had to. Where they tunneled out of the prison and 20:34.500 --> 20:37.880 got into, like, the sewage system and come up just covered in human 20:38.380 --> 20:41.400 waste. But they are able to pull out. I love John Goodmass. Reach down and 20:41.900 --> 20:45.000 grab William Forsyth by the leg and sort of pull him upside down. Like, 20:45.500 --> 20:47.360 it is like, how do you get upside down? How'd you get backwards in the 20:47.860 --> 20:50.940 first place? It's like a cross between. Yeah. The breech birth through the. 20:51.340 --> 20:54.620 Through the prison hole. It's like a cross between Shawshank 20:55.120 --> 20:58.140 and the rhino birth from Ace Ventura. Oh, my God. Yes. 20:58.380 --> 21:02.140 Yes. They really, they really nailed it. Which, which also then reminds me of. 21:02.640 --> 21:04.860 Of Frank Reynolds in the couch and It's Always Sunny in Philadelphia. 21:06.300 --> 21:08.620 That was some Frank Reynolds looking stuff. 21:08.780 --> 21:12.340 Absolutely. Yeah. So. So they go to kind of clean 21:12.840 --> 21:15.540 themselves up. The brothers do in like probably. It must be like a gas station 21:16.040 --> 21:19.720 bathroom or something like that. And they have the 21:20.040 --> 21:23.520 just mind boggling amount of pomade that they are putting in their 21:24.020 --> 21:27.400 hair. Like, absolutely gobs. And just the only way it's 21:27.900 --> 21:30.000 like. They use the whole tin between the two of them, which is like, 21:30.500 --> 21:33.640 that tin should last you like a couple of months. Right, Right. Doing your hair. 21:34.140 --> 21:36.600 So they are just loading themselves up with pomade, which probably smells better than the 21:37.100 --> 21:40.200 shit they're covered in. Yeah. You know, and it's raining, so maybe you're waterproofing yourself 21:40.700 --> 21:44.200 to some degree. Yes. Really? Yeah, Very funny with that. 21:44.280 --> 21:47.880 And they, they end up showing up. Yeah. There's a, there's a knock at the 21:48.380 --> 21:51.040 door at High and Ed's place when they're enjoying their brand new baby at like 21:51.540 --> 21:55.200 2:00am, right. And their friends very hilariously are saying, it's the 21:55.700 --> 21:59.400 police. Open up. But so, yeah, so the 21:59.900 --> 22:03.000 brothers come in and High's happy to see them, you know, and, oh, honey, 22:03.080 --> 22:05.800 these are the boys from the joint. You know, they just got out. And of 22:06.300 --> 22:09.000 course it comes through because they're covered in shit. And John Goodman mentions like, 22:09.500 --> 22:11.840 oh, well, you know, when we're on our way out, we got into the sewer 22:12.340 --> 22:15.650 system. Which is when Ed realizes, oh, you boys broke out of jail. 22:16.150 --> 22:19.610 Oh, okay, you're not, you weren't like, released, like, you know. Yeah. And from Jump 22:20.110 --> 22:23.490 Street. I feel like John Goodman's character is absolutely suspicious of this whole situation 22:23.990 --> 22:27.210 with the baby and stuff. Like, immediately he's got a lie asking questions about 22:27.710 --> 22:29.570 why does it say welcome home, son? And they have to like, you know, 22:30.070 --> 22:32.130 they do that classic thing where they both try to tell a lie at the 22:32.630 --> 22:35.450 same time, but they haven't talked to each other. So they're different lies about where 22:35.950 --> 22:38.810 the baby was and why. Like, why would a baby be anywhere not with his 22:39.310 --> 22:42.610 parents. Right. This doesn't make any sense. But he's immediately suspicious of what's going on. 22:43.110 --> 22:45.670 But also, hai agrees to let him stay for a little bit. Got nowhere else 22:46.170 --> 22:48.790 to go right now, so it's kind of like, all right, cool. But Ed, 22:49.030 --> 22:52.150 Ed is suspicious of these guys, right? Well, she's a cop. I mean, you just 22:52.650 --> 22:56.190 retired. Yeah, she, she, she knows she's a cop. So she's like, this is not. 22:56.690 --> 22:59.630 I don't want these people around my baby kind of thing. And they say she's 23:00.130 --> 23:03.070 asking them about, you know, what are they doing here. And I think William Forsyth 23:03.570 --> 23:05.910 says, we released ourselves on our own recognizance. 23:06.070 --> 23:09.590 Recognizance. It's like, that's not how that works, buddy. 23:09.910 --> 23:13.270 So, so funny. So she basically goes to the bedroom. She's like, you guys got 23:13.770 --> 23:15.990 to get out of here. I'm going in the bedroom with the. With the baby, 23:16.070 --> 23:19.570 and at Nick Cage, and they're like, you know, I think she's got you on 23:20.070 --> 23:22.730 a pretty tight leash. And then he looks and gives the funniest wink to them. 23:23.230 --> 23:26.410 Yeah, Like, I've got. Don't worry, I've got a genius plan. And his genius plan 23:26.910 --> 23:29.570 is that he just says, hey, they're gonna stay for a couple. Yeah, just for 23:30.070 --> 23:32.610 a couple nights. Just for, like, two nights. Not for long. I also love this 23:33.110 --> 23:37.250 interesting thing here where. Where so High tells. In the. In the intro segment, 23:37.410 --> 23:40.050 he says his name is hi. Right. But call me High. 23:40.610 --> 23:44.290 And William Forsyth's character always does call him High. John Goodman's character always 23:44.790 --> 23:48.290 calls him hi. And I don't know if there's, like, something really ingrained 23:48.790 --> 23:51.410 there we're supposed to understand about his relationship, or maybe he doesn't actually like High 23:51.910 --> 23:54.050 as much as he pretends to. I don't know. But there's an interesting thing where 23:54.550 --> 23:58.090 Goodman's character always calls him H. I never calls him High. Forsyth's character 23:58.590 --> 24:01.290 always calls him High. Ed always calls him High. I don't think John Goodman ever 24:01.790 --> 24:04.930 called him High. You know what's funny now that you bring that up? When they 24:05.430 --> 24:08.770 introduce the baby to these guys, they say, this is Junior. 24:09.270 --> 24:12.770 Right, Right. And William Forsyth's character says, J.R. like the TV show. 24:13.270 --> 24:16.730 Yeah, yeah, yeah. So, like, he's doing the initials now instead of pronouncing it. 24:17.650 --> 24:21.050 It's so funny. And now we are back talking to Mr. 24:21.550 --> 24:27.450 Arizona. That's right. The authorities are talking to Mr. Arizona. And this 24:27.950 --> 24:30.970 is funny. They say, Mr. Arizona, which tot. Was abducted. And he 24:31.470 --> 24:35.370 goes, Nathan Junior. I think. Well, they're all, you know, they're looks like they're identicals. 24:35.870 --> 24:39.410 So, yeah, that's rough. And he's going on a rant about how these cops 24:39.910 --> 24:41.850 don't have any leads. And I think we have some of the same kind of 24:42.350 --> 24:46.520 interagency drama we talked about during Con Air with, you know, the FBI 24:47.020 --> 24:49.800 versus the cops or. Whoever he had look at The. It's like the local sheriff. 24:50.300 --> 24:52.640 Yeah, it's like the local sheriff is there. They're the ones more uniformed. And then 24:53.140 --> 24:54.880 there's the two guys in the suits. I think they introduce themselves as FBI. 24:55.380 --> 24:58.480 Right. Kidnapping and whatever else. And I guess that's an FBI kind of thing. 24:59.280 --> 25:02.160 But, yeah, they. They are not. They are not happy with each other. They're both 25:02.660 --> 25:05.320 trying to ask questions of Mr. Arizona at the same time and kind of talking 25:05.820 --> 25:08.720 over each other. So those two law enforcement agencies are not operating well. And that 25:09.220 --> 25:11.280 pisses Mr. Arizona off even more. And he's kind of. That's when he kind of 25:11.780 --> 25:13.880 goes on his rant. Yeah. You know, and everything. But he basically is like, 25:14.380 --> 25:17.940 you guys need to find this baby. Like, so he's like, you're leaving microbes everywhere. 25:18.440 --> 25:22.220 And he's, like, picking up this. And the cops have left this, like, super disrespectful 25:22.720 --> 25:25.900 mess. He's like, you're all hanging out in the one house in this world that 25:26.400 --> 25:29.300 we know my kid is not at. Good point. Which is a very good point. 25:29.800 --> 25:31.900 Good point. Oh, and he does say that his wife and the other four babies 25:32.400 --> 25:35.020 have left. Gone to, like, her mom's house or something. So they're not there anymore. 25:35.520 --> 25:38.580 Right. Just as a thing. So. Yeah, but. So Mr. Arizona alone at home. 25:39.540 --> 25:42.020 Cut back to Ed and high. 25:42.670 --> 25:46.750 And the whole thing is like, the boys can't hang out. The jailbird 25:47.250 --> 25:49.550 boys can't hang out in the day because some of their friends are coming over. 25:49.630 --> 25:52.750 Some of their proper friends. Proper. Whatever. Yeah, exactly. Proper friends. 25:53.310 --> 25:56.510 So it's Frances McDormand, and I can never remember the actress. Lance McMurray. 25:57.010 --> 25:59.830 One of the best. So great. And he's in, I mean, so much stuff. 26:00.330 --> 26:03.670 We'll see him. We've seen him. Yeah. I mean, from 80. Yeah. We're covering 80 26:04.170 --> 26:06.990 to 99. That guy was probably in 150 movies from 80 to 99. 26:07.950 --> 26:11.270 Great actor. He. He's a good best friend to the main guy. 26:11.770 --> 26:15.030 And that's his position in a lot of situations. Absolutely. But, yeah, he adds 26:15.530 --> 26:19.630 a ton to it. So they show up and they're this family that have five, 26:20.130 --> 26:23.470 six kids. They got a whole bunch of kids, right? Demon children. Absolute demon children. 26:24.030 --> 26:28.190 Every archetype of the worst kind of kid. Like, every different type of bad kid 26:28.430 --> 26:32.230 they have. They're writing on the walls. They're throwing things around, wrestling and 26:32.730 --> 26:36.430 screaming and getting into whatever kind of trouble. And of course, the parents are just 26:36.930 --> 26:39.790 oblivious, essentially, to this. They don't care either. They don't notice or they don't care. 26:39.870 --> 26:42.950 Yeah. And Frances McDormand, like, all she wants to do is see the baby. 26:43.450 --> 26:46.590 She wants to see the new baby. But she's, you know, like that classic, 26:46.990 --> 26:49.990 like Coen Brothers. And this is so great, too. Again, like, just to take a 26:50.490 --> 26:53.030 step back a second to watch these actors who would later go on to be 26:53.530 --> 26:56.510 in many more Coen Brothers movies, and to see I. Again, I don't. I haven't 26:57.010 --> 26:58.990 seen Blood simple, so I'm assuming, at least for a few of these, is their 26:59.490 --> 27:02.690 first encounter with the Coens as filmmakers. And it's just they fit so well. 27:03.190 --> 27:07.010 Goodman and McDormand in particular, fit so well into these roles 27:07.090 --> 27:10.290 and the style, because the overacting is such a part of it, 27:10.530 --> 27:13.850 you know? And to get the right Coen Brothers vibe, there's gotta be 27:14.350 --> 27:17.690 overacting. You know, if you think about the big Lebowski, Goodman overacts huge in that. 27:18.190 --> 27:21.850 As. So as Walter Sobchak and Jeff Bridges even does a little bit by 27:22.350 --> 27:26.290 kind of underacting in that movie. Right. But everybody. The Cohen seem to require 27:26.790 --> 27:30.040 from their actors either ridiculously big or 27:30.200 --> 27:33.720 almost inexplicably small performances in order to 27:34.220 --> 27:37.560 get the right vibe. And it's so great. And Frances McDormand literally bursts 27:37.720 --> 27:41.080 onto the screen and into the trailer and is just immediately 27:41.240 --> 27:44.960 captivating. She's so great, and she doesn't get a ton of screen time in 27:45.460 --> 27:49.240 this film. Yeah, she's incredible. I mean, that's why she's 27:49.740 --> 27:53.440 a legend, right? Absolutely. And then Glenn Lance McMurray at. Glenn is such a 27:53.940 --> 27:56.730 typical, like, shithead. He wants to tell, like, 27:57.230 --> 28:00.570 racist jokes to you. He wants to. He's ignoring his kids. He's. And then he's 28:01.070 --> 28:04.650 bragging about how his one kid. Oh, Buford over there, already learned his ABCs. 28:05.150 --> 28:06.730 And then it shows him writing fart on the wall. 28:08.170 --> 28:11.530 Oh, my God. Yeah. He tells a Polish joke, which is like. When I heard 28:12.030 --> 28:15.770 it, I was like, God, that's. It's so wrong in such an archaic 28:16.270 --> 28:19.570 way now. Like, nobody has done that. I feel like for 35 years. 28:20.070 --> 28:23.420 Like, nobody has told a Polish joke anywhere in the world for 35 years. 28:23.920 --> 28:26.420 And here we are. Well, in these jokes, it's not like, oh, you have to 28:26.920 --> 28:29.740 really understand Polish culture to get this. It's just like, all right, this is a 28:30.240 --> 28:34.140 joke about whoever we're going to say is the dumb class of. Yeah, exactly. 28:34.860 --> 28:38.619 But, yeah, I remember those really flying around. Oh, yeah. And especially guys 28:39.119 --> 28:43.020 like that. I Mean, he would be like the asshole uncle by marriage that shows 28:43.520 --> 28:46.900 up. And you're just like, oh, this guy. He is Uncle Rico from Napoleon Dynamite 28:47.400 --> 28:50.420 meets the boss you hate. Like, that's like, oh, 28:50.920 --> 28:52.780 yeah. So that's the other thing is that he is hired. Oh, that's right. 28:53.280 --> 28:56.740 You should mention a supervisor at work. You have to kind of 28:57.240 --> 28:59.860 put up with his bullshit jokes. And we've all been through that before where you 29:00.360 --> 29:03.580 have to sit there. I used to have this boss who would 29:04.080 --> 29:06.940 tell the worst jokes in the world. And if I didn't give him a reaction, 29:07.440 --> 29:11.100 he would tell me like, I don't get jokes. And he would have me 29:11.600 --> 29:14.420 call his clients. This is my first job out of college, and this guy was 29:14.920 --> 29:18.390 a monster. But he would have me call his clients for whatever business reason, 29:18.550 --> 29:21.750 and then he would also say and tell them this joke. 29:21.990 --> 29:25.350 And he would give me an exact joke to tell them. And sometimes I wouldn't 29:25.850 --> 29:27.630 tell him. He'd be like, oh, he didn't. He said, you didn't tell a joke. 29:28.130 --> 29:31.270 I'm like, are you kidding me? Like, seriously torture, dude. Wow. 29:31.430 --> 29:35.390 So. So, yeah, shout out to Mark. I hope he's no longer in 29:35.890 --> 29:38.710 charge of anybody. Hey, one of my first bosses I hated was named Mark. 29:39.210 --> 29:42.430 Isn't that funny? It's crazy. Anyway. Oh, 29:42.930 --> 29:46.140 okay, hold on a second. I have to bring up this line 29:46.640 --> 29:50.540 here. When they're at the house and the jailbirds are there and they're 29:51.040 --> 29:54.260 kind of watching as Ed is feeding the baby with the bottle. Oh, right. 29:54.760 --> 29:58.420 And John Goodman, I think, says, why aren't you breastfeeding? 29:58.580 --> 30:00.420 You appear to be capable. Yeah. 30:03.460 --> 30:07.180 And then they go on and talk about how they were not breastfed by their 30:07.680 --> 30:09.380 mother and look at, you know, and that's why they're the way they are. 30:09.880 --> 30:13.440 Why they're. They're jailbirds, supposedly. So. And I got a 30:13.940 --> 30:16.640 little hint that maybe they just wanted a little exhibition in front of them. 30:16.960 --> 30:20.360 Certainly seemed like it. But yeah, I don't. I don't think they're actually out 30:20.860 --> 30:23.480 there giving good pediatric advice. They're probably going to see a nipple or two. 30:23.980 --> 30:27.600 Yeah, sorry. Okay, back to Glenn and daughter there at the house. 30:28.100 --> 30:31.040 And. And Dot is really concerning Ed and asking her, well, have you done this? 30:31.540 --> 30:32.960 Have you done this? Do you have this set up? Do you have a college 30:33.460 --> 30:35.520 fund? Do you have a pediatrician? All this stuff. Do you have these shots and 30:36.020 --> 30:39.460 all? And she gets kind of like, I just found out about that. Right. 30:39.960 --> 30:42.340 Well, because she's holding a six month old. Yeah, exactly. And so, you know, 30:42.840 --> 30:46.140 from Dot's perspective, it's like, what the hell have you been doing? How do you 30:46.640 --> 30:49.420 not have a pediatrician yet you were pregnant for nine months. Going to your ob 30:49.920 --> 30:52.780 gyn, then having a bit like. Of course you have a. You don't. What. 30:52.860 --> 30:55.980 It actually. Dot's not being unreasonable, right? 30:56.220 --> 30:59.780 The expectations we like. It's funny, because I was watching this think to 31:00.280 --> 31:02.610 myself, oh, man, she is really going hard on them on the second day they 31:03.110 --> 31:04.610 have a baby. And then I thought to myself, wait, wait, wait, wait. No, 31:05.110 --> 31:07.490 no, no, she doesn't. If she knew it was the second day they had a 31:07.990 --> 31:11.210 baby, she'd have called the cops. Like, it'd be clear that they kidnapped this child. 31:11.290 --> 31:14.170 Yeah. That's the thing I love about this movie. Just like, for a second here, 31:14.570 --> 31:18.210 let's just appreciate the fact that the Coen brothers have given us a film where 31:18.710 --> 31:22.370 in our heroes and the people that we are so clearly rooting for the entire 31:22.870 --> 31:25.210 time are kidnappers. Like, 31:26.890 --> 31:30.290 it takes me a minute to, like, recognize that, but it's really true. 31:30.790 --> 31:34.350 But I think it works because, I mean, the Arizon doesn't 31:34.850 --> 31:38.350 appear to be, like, appropriately tormented by what's happened to them. They seem 31:38.850 --> 31:41.990 more offended that someone would take something from them. But I feel like he'd be 31:42.490 --> 31:45.430 just as pissed if his car got stolen. Exactly. It seemed like that. Yeah. 31:47.510 --> 31:50.150 So Glenn is telling hi. 31:51.270 --> 31:52.950 He casually suggests, 31:54.230 --> 31:57.270 hey, we're swingers. He brings this up, 31:58.070 --> 32:00.830 what about some wife swapping? And I don't know if he was trying to propose 32:01.330 --> 32:04.370 it as a solution to his own problem. Because the other 32:04.870 --> 32:08.050 thing that he has mentioned multiple times is that there's something. Something ain't right with 32:08.550 --> 32:12.370 my semen. Right. That's right. He says it several times because Dot wants a 32:12.870 --> 32:16.610 sixth, seventh, or whatever. So they have a crazy amount of kids. And he's 32:17.110 --> 32:20.850 basically suggesting wife swapping. I don't know if it's a solution so that High could 32:21.350 --> 32:24.530 maybe impregnate his wife, but either way, it's inappropriate. Hai is not interested in it. 32:25.030 --> 32:28.490 Yeah, because he says, like, Dot thinks you're pretty handsome. And I certainly 32:28.990 --> 32:30.960 think, you know, I mean, Ed's quite the looker. Whatever he's trying to say. 32:31.190 --> 32:33.350 And Hyde does not get it at first. And he goes, you know, what are 32:33.850 --> 32:36.630 you talking about? And he goes, oh, we're swingers. I'm talking about wife swapping. 32:37.130 --> 32:40.070 Yeah. And he just. And he knocks him out high. Just gives him one right 32:40.570 --> 32:42.830 to the. Right to the nose and just punches the hell out of him. 32:43.330 --> 32:46.710 And Glenn runs off and. Right into a tree. Right into it. 32:47.210 --> 32:50.470 He hurts himself way worse. Like, what are those? 32:51.270 --> 32:54.630 Saguaro. Yeah. The ones that wave goodbye 32:55.130 --> 32:58.590 to you. Yeah. So he runs right into a cactus. Like, all bad for them. 32:59.090 --> 33:00.670 But I think that's. I think that's the last we see of Glenn and Dot 33:01.170 --> 33:04.570 for a little bit. Yeah. And he's screaming high screaming, keep your goddamn hands 33:05.070 --> 33:06.690 off my wife. Which is very Will Smithy. 33:08.130 --> 33:11.130 Yeah. But much more desert. Glenn deserves it more than Chris Rock did, that's for 33:11.630 --> 33:15.130 sure. So they decide that they don't have enough. They have 33:15.630 --> 33:19.129 not prepared enough for this journey of parenthood. And among the things 33:19.629 --> 33:22.810 they need is diapers. Like, they don't have enough diapers. I don't have any diapers 33:23.310 --> 33:25.090 at the house. But they definitely have enough. They need to go get more diapers. 33:25.410 --> 33:28.940 And so they pull up to convenience store, they park and, 33:29.440 --> 33:32.220 you know, hi gets out. And the first thing we see him pick up when 33:32.720 --> 33:35.540 he's in the convenience store is some pantyhose. Yep. Because he's going to pull that 33:36.040 --> 33:39.420 over his face and stick the place up. And sure enough, he does. 33:39.900 --> 33:44.100 The clerk in there is. He's kind of like the donut shop kid from Boogie 33:44.600 --> 33:47.380 Nights. And he's sitting there reading a jugs magazine. That's right. As he comes up 33:47.880 --> 33:49.940 to him. Yeah. So he says, I'm going to take these diapers and whatever cash 33:50.440 --> 33:54.060 you have in that drawer. At which point Ed looks up and notices what hai 33:54.560 --> 33:57.340 is doing and is mad and starts, that son of a bitch. That son of 33:57.840 --> 34:01.010 a bitch. And she drives off, and she drives off and. Oh, and the clerk 34:01.510 --> 34:04.290 had a little alarm button to the cops. He was able to push when the 34:04.790 --> 34:07.250 gun came out. So she. That's, I think, why Ed looks up, she hears the 34:07.750 --> 34:10.490 sirens off in the distance and then realizes what hai's doing. And she drives away 34:10.990 --> 34:12.730 because she's like, I got the baby in the car. Like, I'm not gonna just 34:13.230 --> 34:15.810 do this. We're not going down for this. He starts running after her. Like, 34:16.310 --> 34:19.650 he runs out, runs after her. And the coolest. I swear to God, 34:20.150 --> 34:23.570 this is the coolest chase scene ever. In movie history. In movie history. 34:23.810 --> 34:27.400 First of all, it is over 8 minutes long, which is amazing. 34:27.560 --> 34:31.240 19 minutes of this movie is the cold open and this chase. 34:31.480 --> 34:34.520 Yeah. And the whole movie is only 94 minutes. Yeah. Yeah. 34:34.680 --> 34:37.800 But it's a great. So he. And there's the pieces. Some of the pieces of 34:38.300 --> 34:41.640 this I love. The cops start shooting at him immediately. 34:41.720 --> 34:45.800 They don't yell, freeze. No regard for anything. They're shooting at houses, 34:46.040 --> 34:49.640 they're shooting everywhere. It's just ridiculous. He gets into a backyard 34:50.140 --> 34:53.360 and there is the second, a primary attack 34:53.860 --> 34:56.480 dog of the 80s, the Rottweiler. That's right. Not a. Not a Doberman, not a 34:56.980 --> 34:59.760 Doberman, but one step down. But a Rottweiler comes in and of course, 35:00.260 --> 35:03.280 it's on those staked chains, right? That's just long or just short enough that it 35:03.780 --> 35:05.480 doesn't get him and he's able to get away. But, like, that little moment is 35:05.980 --> 35:08.880 one that I love. But yeah, it's like all this up until finally, 35:09.040 --> 35:12.120 I guess Ed decides that she's going to try to find him and pick him 35:12.620 --> 35:15.200 up and sure enough is able to, like, drive and see and find. 35:15.920 --> 35:18.800 Oh, no, he go to the grocery store first. He runs into the grocery store 35:19.120 --> 35:22.360 and. They'Re shooting up the grocery store in the grocery store. So insane. And he's. 35:22.430 --> 35:26.070 He's throwing diapers at the cop and stuff, like the things that he's 35:26.570 --> 35:30.070 doing. And then the grocery store worker pulls out a shotgun shooting. So everyone is 35:30.570 --> 35:34.030 just blasting at it. I mean, this is a Western, but it's set in 35:34.190 --> 35:37.230 the kind of the way that they talk and everything. 35:37.950 --> 35:41.110 It's kind of deadwoodish a little bit. The vocabulary that 35:41.610 --> 35:45.710 they use. Like a modern western. Yeah, yeah, 100%, yeah. And the 35:46.210 --> 35:50.110 soundtrack to this whole scene worked so well. And it's music I 35:50.610 --> 35:54.030 would never listen to in real life, but in this scenario, this yodeling country music, 35:54.490 --> 35:58.490 kind of pre Hank Williams style of country music that we knew 35:58.810 --> 36:02.810 in this is just, oh, my God, it works so well. And it 36:03.310 --> 36:06.090 stops for a bit and then it comes back on when the dog gets off 36:06.590 --> 36:11.010 the chain. Really, really well done, but, yeah, super, super enjoyable. 36:11.510 --> 36:14.210 And he's being chased by a mob of other dogs, too, because they all join 36:14.710 --> 36:17.370 the Rottweiler. So he's going through a house and everything. 36:17.450 --> 36:21.490 We're getting a chase similar to the Point Break chase. 36:21.990 --> 36:25.570 Oh, yeah. Where Johnny Utah is, you know, running through the apartment and the sliding 36:26.070 --> 36:29.750 door and stuff. Really, really great. And it ends with, 36:29.830 --> 36:32.950 he's in the car, she's yelling at him, she slaps 36:33.450 --> 36:37.190 him immediately. That's right. And he does a classic face when you get slapped 36:37.690 --> 36:40.910 and it turns your entire head. And she's 36:41.410 --> 36:44.990 yelling at him and he's like, turn right here, sweetie. Turn left here, sweetie. 36:45.490 --> 36:48.630 While he's absorbing everything she's saying. And he ends up scooping the diapers 36:48.870 --> 36:52.550 up off the road. A foreshadow to a future scene 36:52.870 --> 36:55.430 where someone has to scoop something off the road as well. But we'll get to 36:55.930 --> 36:59.880 that when we get to it. Yeah. From going into the store to 37:00.380 --> 37:03.160 picking up the diapers off the street. I timed it as eight minutes, which is, 37:03.660 --> 37:06.840 like, so insane, but so much fun. 37:07.320 --> 37:10.360 Oh, my God. Like, just a great scene. Absolutely great. 37:10.860 --> 37:14.840 Oh, he had the nylon on. And he tried to get into another guy's truck 37:15.080 --> 37:17.760 at one point. That's right. He gets in there and the guy looks at him, 37:18.260 --> 37:20.200 he goes, son, you got a panty on your head. 37:23.190 --> 37:26.950 Oh, man. Oh, man. So fantastic stuff. Yes. 37:27.030 --> 37:30.990 So we get back to the trailer, I believe, and the brothers are 37:31.490 --> 37:34.910 there. And I've got a note here that basically says 37:35.410 --> 37:37.790 one of them, Cohen, I think it's William Forthsize to go. What? He need his 37:38.290 --> 37:41.030 dip tet. Like, he knows what the shot is. But I can't remember the context 37:41.530 --> 37:44.590 of what happened there, but it was very funny. That was really what dipted. 37:45.090 --> 37:48.910 It was. And they're just surrounded by empty beer cans 37:49.410 --> 37:52.230 and stuff. And Ed basically takes the baby into the bedroom. She's like, I'm. 37:52.460 --> 37:55.900 You know, we'll fight about this tomorrow, but I gotta go to bed. Yeah. 37:55.980 --> 37:59.420 And they're trying to convince High that, you know, hey, 38:00.140 --> 38:03.620 you're a criminal, right? Yeah. This is not for you. You shouldn't be a dad. 38:04.120 --> 38:07.220 But you can at least send money to this family, Right. You know, that's the 38:07.720 --> 38:11.340 plan. And we have this plan to heist this bank, right? There's a bank. 38:11.840 --> 38:15.060 It's like all farmers and hillbillies and hayseeds, they say. But it's like on the 38:15.560 --> 38:18.790 whatever day of the month, every month there's more money in the bank because people 38:19.290 --> 38:22.390 come in and check their farm cash, their farm subsidies, checks. So the bank has 38:22.890 --> 38:25.310 to have more cash on hand at the time. And that's when they're going to 38:25.810 --> 38:28.750 rob it is the idea is they'll go knock it over when it's extra flush 38:29.250 --> 38:32.750 with cash, which makes a lot of sense. One thing I did notice, while they 38:33.250 --> 38:36.670 were chatting with Hai in the front seat, we kept cutting to ostensibly 38:37.170 --> 38:40.830 Ed and the baby sleeping in the next room. But that baby is never asleep. 38:41.470 --> 38:44.590 Not once. Are any of the babies in this movie actually shown sleeping. I don't 38:45.090 --> 38:47.990 know if it was a thing about not being able to get one to fall 38:48.490 --> 38:51.890 asleep with cameras and lights around or what, but they're definitely never asleep. 38:52.390 --> 38:54.810 They did shoot it from behind, and it doesn't move Around a whole lot, 38:55.310 --> 38:56.610 so you kind of get the feel. But it's like, if you look closely, 38:57.110 --> 38:59.770 it's like, oh, no, no. That little bugger still moving around. Yeah. 39:01.370 --> 39:04.610 So at this point, when John Goodman's telling them, you know, 39:05.110 --> 39:08.410 how they found out about this bank, he has kind of a funny anecdote about 39:08.570 --> 39:12.610 some guy that we met in prison who used to be Richard Nixon's 39:13.110 --> 39:15.130 secretary of Agriculture or whatever. And he says, 39:15.930 --> 39:19.210 ordinarily, we don't associate with that type. 39:19.710 --> 39:23.190 Yeah, right. That's so much worse than the pet criminals they are. 39:23.350 --> 39:26.590 Yeah. So high. Basically writes a, you know, goodbye letter. Hey, 39:27.090 --> 39:30.670 I. I'm a criminal. I'm out. Like, I'd rather have you resent me 39:31.170 --> 39:34.270 while I'm sending you money than me fail to be, you know, what I need 39:34.770 --> 39:36.870 to be when I'll. When I'm around here. I mean, they know, you know, 39:37.370 --> 39:39.750 he's basically, at this point, he hasn't talked to Glenn yet, but he's figuring he's. 39:40.250 --> 39:42.870 He's lost his job. Right. He punched his supervisor in the nose, so that's done. 39:42.950 --> 39:46.310 And he wondering, how is he even gonna, you know, support the family 39:46.810 --> 39:49.070 and, like. And, like, make money for them to buy food and stuff? So right 39:49.570 --> 39:52.030 in his mind, this is like the next right move. 39:53.390 --> 39:57.390 And I think that's when Glenn shows. Up at the door, I believe so. 39:57.890 --> 40:01.710 First we have a flash to another character 40:02.210 --> 40:05.310 that we haven't brought up yet. Oh, yeah. Who just showed up a little bit 40:05.810 --> 40:09.430 earlier. And we're kind of unsure if this is just a figment of hai's 40:09.930 --> 40:13.030 imagination or if this is a real guy. But hai said that kind of when 40:13.530 --> 40:17.110 I did a bad thing, then it's almost like he summoned this biker of the 40:17.610 --> 40:20.600 apocalypse is what he referred to him as. Like he dreamed him into existence, 40:21.100 --> 40:24.680 almost. Yeah. Yeah. And it's this great, great character actor from the 40:25.180 --> 40:28.640 time, Randall Texcoff, who is this big. I guess he used to be a boxer 40:29.140 --> 40:31.640 or something like that. Ended up being an actor. 40:31.880 --> 40:35.000 Very good at being, like, a goofy, intimidating guy. 40:35.160 --> 40:38.480 Yeah. And he's on his motorcycle, he's filthy. 40:38.980 --> 40:42.640 He's smoking the worst looking cigars I've ever seen in my life. He's got shotguns, 40:43.140 --> 40:46.840 grenades, all this stuff. And he's just, like, killing small animals as he travels the 40:47.340 --> 40:51.080 travels across the country. So at this point, we see that he 40:51.580 --> 40:54.960 has arrived now at Arizona's office. That's right, at the unpainted 40:55.460 --> 40:59.240 Arizona offices. And he's basically there like Nathan Arizona's secretary 40:59.740 --> 41:01.680 Somebody says, oh, sir, I don't know why he's here. Like, he didn't. He just 41:02.180 --> 41:04.999 came right in kind of thing. And this character, and his name is Leonard Smalls, 41:05.499 --> 41:09.040 he tells Arizona, like, you know, basically, there's a reward out for 41:09.540 --> 41:11.720 your baby. I know how to find it. That's what I do. I find things. 41:11.960 --> 41:15.960 But here's the thing. That price is not enough. Nathan Arizona has offered $25,000 41:16.460 --> 41:20.040 for the return of his baby, and he basically says, healthy, white baby. 41:20.540 --> 41:23.180 I can get a lot than that from somebody else. So if you're not willing 41:23.680 --> 41:27.260 to pay 50,000, somebody else will. Yeah. And I'm going to find the baby either 41:27.760 --> 41:30.460 way. Like, I'm going to get the baby either way. I don't see that in 41:30.960 --> 41:34.180 many. I mean, I like this. This device of being like, well, I'm. 41:34.680 --> 41:38.020 I'm stealing the baby no matter what, either for you or it's gone. 41:38.520 --> 41:41.980 So happy to return the baby to their rightful place, but only if you give 41:42.480 --> 41:45.620 me what I want. Yeah. It's like second kidnapping. And the way he. 41:45.860 --> 41:48.300 The way he talks is very funny as well. Yeah. 41:49.490 --> 41:53.410 So he says to Mr. Arizona's, like, the rewards. $25,000. 41:53.910 --> 41:56.330 He says, the price is not what you say it is. It's what the market 41:56.830 --> 42:00.610 will bear. All these different, like, it very Lebowski 42:01.110 --> 42:05.250 ish, the way that randomly a character will have some very prescient thought. 42:05.330 --> 42:08.890 We just got a very brief lesson on Adam Smith's invisible hand of the market. 42:09.390 --> 42:10.370 Right. Exactly. 42:12.770 --> 42:16.130 So. So now Glenn. Now we're back at the trailer. 42:16.630 --> 42:19.170 Right. So Glenn has showed up basically to first to tell. Hi. That he's fired. 42:19.670 --> 42:23.290 Yep. Right. You're fired. There's that. But then they realize he's got a newspaper, 42:23.790 --> 42:26.930 and it shows, like, that, you know, Nathan Jr. Or Nathan Arizona Jr. 42:27.430 --> 42:30.650 Has been kidnapped. And Glenn said, I know. 42:31.150 --> 42:33.690 Like, we dot and I know that who that baby is. That's not your baby. 42:34.190 --> 42:36.970 That's the Arizona baby. And here's the thing. We're not going to turn you in 42:37.210 --> 42:39.290 because you're going to give that baby to us, and we're going to raise that 42:39.790 --> 42:42.650 baby because Doc wants a baby. And so they're basically like, same idea, but it's 42:43.150 --> 42:44.650 basically like, if you. You've got. I think he says two days. You've got two 42:45.150 --> 42:47.490 days, like, hand over the baby, or we're going to go to the cops and 42:47.990 --> 42:50.370 turn you in. Yeah. Which is like, there's not a whole lot of ways out 42:50.870 --> 42:53.090 of that. It seems like. Right. Initially, at least. No, no. 42:54.610 --> 42:57.890 Yeah. Really, really brutal. So Glenn takes off, and I think this is the 42:58.390 --> 43:00.690 last we see of Glenn. So in the meantime. Not quite. There's a little bit. 43:01.190 --> 43:03.250 There's a little scene with Glenn later. He gets himself in some trouble, but that's 43:03.750 --> 43:07.210 okay. Oh, okay. So. So this is funny 43:07.710 --> 43:10.740 here. So now. Now High is back in there, and we've got the jailbirds there, 43:11.050 --> 43:13.610 and they seem to have changed their plan and they're kind of like. 43:14.090 --> 43:16.890 Because they heard Glenn say who this. Baby is, 43:17.050 --> 43:20.450 so they know this baby is valuable as hell. So we're doing our crime 43:20.950 --> 43:24.290 spree still, but we're taking this baby with us, and we don't need High as 43:24.790 --> 43:27.490 any part of this. Well, I think it's mainly they're. They're. I think initially they're 43:27.990 --> 43:30.490 like, we can still knock that bank over, but, like, we'll return this baby and 43:30.990 --> 43:33.650 get the $25,000 reward. I mean, that's what they're thinking, which is like, guys, 43:34.150 --> 43:37.250 you are fugitive, so you need to be careful about trying to collect on a 43:37.750 --> 43:40.630 legitimate reward. Seriously, they're gonna put you back in jail, guys. 43:41.030 --> 43:44.910 But they basically. So they. There's this huge fight that happens mostly between Goodman 43:45.410 --> 43:49.150 and High while Forsyth holds the baby. Yeah. And one of my favorite moments in 43:49.650 --> 43:52.110 it is that they're both such big guys. Cage and Goodman are both very tall. 43:52.610 --> 43:55.950 Yeah, they scrape. I think it's Kate scrapes his knuckles on, like, the popcorn ceiling 43:56.450 --> 44:00.230 dude. And he goes for like a double. Ax handle attack and scrapes 44:00.730 --> 44:03.910 his knuckles. And he's screaming like crazy. And I wrote 44:04.410 --> 44:07.840 down at this point point that up till this point, because there's been 44:08.340 --> 44:11.560 a lot of it. Some of the best man screaming I've ever seen in a 44:12.060 --> 44:14.320 movie. And we haven't even scratched the surface yet. 44:15.920 --> 44:19.360 But, yeah, I love that Popcorn ceilings came into play. That's a. It's a 44:19.860 --> 44:23.520 very nice detail. Very classic. Very classic. And so basically, 44:23.920 --> 44:27.320 they beat the hell out of High and they leave with, you know, 44:27.820 --> 44:30.160 whatever car that they stole to show up in. Right. But they leave with the 44:30.660 --> 44:34.310 baby, and it's like almost immediately they're falling in love with the baby, too. 44:34.810 --> 44:36.790 They talk about the baby and wanting to keep it. And, like, look at him. 44:37.290 --> 44:39.230 He's so great and he looks so perfect. Whatever. So these guys are now. 44:39.630 --> 44:41.910 They've now changed their plan again. They're not going to turn the baby in. 44:42.410 --> 44:44.830 Yeah. The 25,000 reward, they're going to go rob the bank, but that baby's going 44:45.330 --> 44:48.190 to be in our crew. He's in the crew now. You know, maybe in a 44:48.690 --> 44:50.390 couple of years, he'll be able to, like, you know, he'll. He'll be the River 44:50.890 --> 44:53.390 Phoenix sneakers character. He'll go through. Yeah, right. You know, that kind of thing. 44:54.030 --> 44:57.640 But yeah, so they go. And they go. This is when they go to get 44:58.200 --> 45:01.440 some baby stuff, I think, at a convenience store, and then stick 45:01.940 --> 45:05.320 it up instead of paying for it. But they're asking the old timer behind 45:05.560 --> 45:09.120 the counter advice on what to get. And he 45:09.620 --> 45:12.760 gives them advice. Then they pull the gun. Okay, thanks very much. We're gonna go 45:13.260 --> 45:15.640 now. And I love it because this is something. We haven't mentioned this earlier in 45:16.140 --> 45:20.000 the episode, but several characters, especially in the very beginning segment, said okay 45:20.500 --> 45:23.240 then. But they all said it, okay then. I think the parole board does it. 45:23.740 --> 45:26.680 I think that's what the priest or the minister for the wedding says it that 45:27.180 --> 45:29.430 way. And this old timer is like, all right, you get down now, this William 45:29.930 --> 45:32.790 Forsythe. You get down and you count to 500, and then you count back down 45:33.290 --> 45:35.190 for 500, and I'm going to come back in five minutes and make sure you're 45:35.690 --> 45:38.830 counting, if not, blow you away. Yeah. And he goes, okay, then. 45:39.330 --> 45:42.550 And, like, gets down on the ground. One, two, three. 45:43.050 --> 45:46.830 And it's like, so. So the things that they get from the store, he gets 45:47.330 --> 45:49.990 the diapers. And he asked the clerk, you know, how do you attach the diapers? 45:50.310 --> 45:53.550 The thing that I loved is there's this bag of 45:54.050 --> 45:56.830 balloons. And he sees this bag of balloons and he goes. 45:57.390 --> 46:01.190 He goes, these blow up into funny shapes. And then the guy. And then 46:01.690 --> 46:04.110 the clerk goes, not lest you think round is funny. 46:06.590 --> 46:09.870 But he takes the balloons and he takes the diapers and whatever. And so then. 46:10.370 --> 46:13.150 So they go. And they. You know, I think. I think even Goodman's filling up 46:13.650 --> 46:15.630 the car with gas or whatever. They're ready to go rob this banks, get in 46:16.130 --> 46:19.430 the car and they head off, and not too far, 46:19.930 --> 46:22.780 but, like, actually apparently pretty far away. They realized that car seat is not in 46:23.280 --> 46:26.700 the back of the car. They left the baby, as it turns out, in the 46:27.200 --> 46:29.660 middle of the damn street, which is, like, pretty wild. 46:30.140 --> 46:33.100 Well, they left him on the roof of the car when they drove. That's what 46:33.600 --> 46:36.940 it was, right? And somehow he fell. They're freaking, didn't get hurt, which is great. 46:37.440 --> 46:40.660 But, like. And they are losing their minds. Both of them screaming. 46:41.160 --> 46:44.540 It's very funny, the male screaming. Just absolutely 46:45.040 --> 46:48.470 losing their minds. And they end up getting back and they. They have the Baby. 46:48.970 --> 46:52.310 Yeah, and they, you know, and then they go towards 46:52.810 --> 46:56.030 the bank. And at the same time, now Ed and High are looking. Looking to 46:56.530 --> 46:59.270 retrieve the baby. Yeah, they've also. And they're on the road. Ed came home, 46:59.350 --> 47:02.990 found High, whatever, and they're out looking for the other. They. They know, obviously, 47:03.490 --> 47:05.230 the twin, you know, the brothers took the baby, so they're out looking for it. 47:05.730 --> 47:08.510 At which point, I believe this is where Leonard shows up at the double wide 47:09.010 --> 47:12.550 and sees the chaos and all of the, like, you know, mess and everything with 47:13.050 --> 47:15.070 the fight that happened. But he knows now, okay? Now the baby. Baby's not here. 47:15.570 --> 47:18.310 He's got to go looking for the baby. But he's a tracker, right? You got 47:18.810 --> 47:22.150 to figure he probably can follow a couple sets of car tracks. 47:22.790 --> 47:26.750 Well, earlier, when he first encountered the 47:27.250 --> 47:30.750 pomade in the bathroom, he sniffed like he was picking up 47:31.250 --> 47:34.430 the actual scent of it. Interesting thing, that bathroom where they put the pomade 47:34.930 --> 47:38.470 on their hair had graffiti on the door, and it said Poe 47:38.870 --> 47:42.400 was the top thing that it said. And then it said eop. It said it 47:42.900 --> 47:46.720 in, like, a different thing, but it says po. So once again, Con Air prequel. 47:47.220 --> 47:49.640 See, I'm such a nerd. I heard Poe. I immediately thought power over Ethernet. 47:50.140 --> 47:53.360 I was like, I don't think that existed in 87. But anyway, yeah, so now. 47:53.860 --> 47:56.200 So now Leonard is on the trail. So everybody is heading, and the brothers have 47:56.700 --> 48:00.920 gone to this hayseed bank, this farmers and mechanics bank or something like that that 48:01.420 --> 48:03.720 they're going to go stick up. And I love their outfits. They got the big 48:04.220 --> 48:06.760 trench coats on. They look very much the part. They still have. Their hair is 48:07.260 --> 48:10.820 still ridiculously green, greasy and everything. And they go in, and they bring the baby 48:11.320 --> 48:14.260 in with them, right? They have a discussion before they go in. They say, 48:14.760 --> 48:16.740 well, if we leave him in the car and something happens to us, it might 48:17.240 --> 48:21.380 be hours before somebody finds him. That's too dangerous. So let's just bring him into 48:21.880 --> 48:25.340 our gunfight. Potential gunfight. You know, I mean, I got to give him respect for, 48:25.840 --> 48:29.100 like, kind of recognizing that, like, a baby left alone in a car for hours 48:29.600 --> 48:32.140 could be very dangerous. Like, maybe not. You know, that could be all bad. 48:32.540 --> 48:35.800 But the alternative being bring him into the bank robbers does 48:36.300 --> 48:39.200 not seem like the right call at all. But that's okay. 48:39.680 --> 48:42.920 So they go in and they put the baby down. And this scene is excellent. 48:43.420 --> 48:47.520 It's really amazing. And they start off with John Goodman yells, all right, everybody freeze. 48:47.680 --> 48:51.400 Get down on the floor. And, like, nobody moves. And finally, this, like, old Guy 48:51.900 --> 48:55.560 closes and goes, well, son, which is it? You want me to freeze or you 48:56.060 --> 48:58.760 want me to hit the ground? Because if I hit the ground, I'll have stopped 48:59.260 --> 49:02.590 freezing. If I freeze, ain't no way I'm reaching the ground. Just like, 49:02.750 --> 49:06.510 so explanatory. And then they're like, where'd the tellers 49:07.010 --> 49:10.350 go? And then they're like, we're down here. They dropped like you 49:10.850 --> 49:14.110 told them to, buddy. Like, yeah, really good. 49:14.430 --> 49:18.070 And they call each other by their real name. And then he's kind of like, 49:18.570 --> 49:21.830 oh, why did you use my real name? He's like, code name. You mean your 49:22.330 --> 49:24.910 code name? Oh, that's right. Code name. That's right. We're using code names. 49:26.910 --> 49:30.190 Such an excellent scene, though. And they end up getting their bag filled 49:30.690 --> 49:34.160 with money, and then the teller puts one of those, like, exploding dye canisters in 49:34.660 --> 49:37.240 there. Yeah. So the dye packs, they've gotten much smaller. They used to be. 49:37.740 --> 49:41.040 Yeah, it was like a whole canister. Enormous. It would have been easier to 49:41.540 --> 49:44.480 ditch, you think. If you look for half a second. You know, that's like a. 49:44.980 --> 49:48.080 A Coors Light pint can, you know. Yeah. 49:49.680 --> 49:52.680 So they're driving away and they're like, oh, we got the money. Yeah. Like, 49:53.180 --> 49:55.760 we're good. Yeah. How much is this split? Three ways. Kind of like because. 49:56.260 --> 49:58.820 Because they're going to give the baby. Yeah, yeah. And they turn back and then 49:59.320 --> 50:02.620 they realize. We did it again. Right. That baby's not there. 50:03.120 --> 50:06.460 And pretty much at the same time, they realize that the dye explodes and it's 50:06.960 --> 50:10.100 just blue that they can't wipe. Off the windows and stuff inside the windshield. 50:10.180 --> 50:13.620 They can't see anywhere. So they crash. Right. Like, and. Yeah. 50:13.700 --> 50:16.780 And they encounter Ed and. Hi. Oh, that's right. 50:17.280 --> 50:20.180 That's right. Who are like, where's the baby? What'd you do back at the bank? 50:20.680 --> 50:24.295 So then they take off after him, and William Forsyth is like, I'm worried. 50:24.795 --> 50:28.280 That sick about him. It's our baby, too. So good. 50:30.440 --> 50:33.600 So. So they go back to the bank, and now, of course, 50:34.100 --> 50:35.960 they didn't leave the baby inside the bank. They kind of, once again, either put 50:36.460 --> 50:38.560 it on the roof and then drove off, or they left it. So it's in 50:39.060 --> 50:42.280 the street. So High and Ed are racing in their car towards the baby, 50:42.780 --> 50:44.720 and I got a little nervous at this point, just thinking, like, they might want 50:45.220 --> 50:47.520 to slow down at some point here because you don't want to run the baby 50:48.020 --> 50:51.240 over or whatever. Yeah. But they go and. But before they can reach the baby, 50:51.690 --> 50:54.890 they See off in the distance, coming from the other direction, this motorcycle. 50:54.970 --> 50:58.730 And it's Leonard Smalls. And he actually is able to swipe the baby 50:59.230 --> 51:02.410 up just like high, grabbing the diapers off the road and kind of stick the 51:02.910 --> 51:05.250 car seat on the handlebars, I guess. Yeah, just sort of the bikes have that 51:05.750 --> 51:09.490 built in baby seat. And like, it's like he was prepared. We had those when 51:09.990 --> 51:12.210 our kids were little. We had the little like a carrying thing that, yeah, 51:12.710 --> 51:14.850 like clicked into the base, would stay in the car. You click it in and 51:15.350 --> 51:17.410 out. It's like. But that was pretty advanced. They don't have that 87, I don't 51:17.910 --> 51:21.650 think. But yeah. So now Leonard's got the baby and. Basically they're 51:22.150 --> 51:25.450 driving the car at him. He pulls out a shotgun. Excellent blast out of the 51:25.950 --> 51:29.890 windshield. One of my favorites that I've seen in a film. Really good windshield blast. 51:30.390 --> 51:33.849 They kind of crash their car. So he has the baby and Ed 51:34.349 --> 51:37.890 just kind of marches up to him like, no weapon. Just like, fuck you, 51:38.390 --> 51:41.690 buddy. That is my baby. I'm taking it. That's when she delivers the 51:42.010 --> 51:45.890 famous line, right? Like, it's not just. It's, I want that baby. Give me 51:46.390 --> 51:48.810 that baby. You give me that baby, you warthog from hell. 51:50.650 --> 51:52.890 He does look like a warthog. He's all furry. He does. 51:54.250 --> 51:57.610 And then he has a couple like, knives ready. That's right. Basically, 51:57.690 --> 52:01.130 High is able to shoot him directly in the hand, which really good accuracy. 52:01.610 --> 52:04.250 And then with his other hand, he throws the knife and knocks the gun out 52:04.750 --> 52:08.010 of his hand. Perfect shot. So lots of accurate action. Yeah, really nice. 52:08.510 --> 52:11.790 Yeah. Dead eyes. Even with all like the bad cigar smoke and dirt in his 52:12.290 --> 52:16.550 eyes, he really does it in the sun and everything. So Hai and 52:16.630 --> 52:20.030 the biker end up in this great fistfight. And this 52:20.530 --> 52:23.830 is again, Nic Cage's faces while he's getting beat up 52:24.330 --> 52:27.910 are just this amount of overacting that make it so perfect 52:28.790 --> 52:32.430 and it's really, really funny. So his physical comedy 52:32.930 --> 52:35.430 chops are excellent. In this movie. As he's getting beat up, 52:36.780 --> 52:40.300 it turns out that the biker is able to get him in some sort 52:40.800 --> 52:44.500 of a bear hug. And he's just crushing it, Right. And he has 52:45.000 --> 52:48.380 this vest on with all these grenades. He's like a bandolier across his chest. 52:48.780 --> 52:52.180 And Hai is able to pull the pin from one of those grenades before 52:52.680 --> 52:55.980 he gets away a little bit. Yeah. I would recommend separate 52:56.480 --> 53:00.220 grenade storage. Maybe not on your person. Maybe have a grenade duffel 53:00.720 --> 53:03.460 bag in a blast proof trunk or something like that. It really should be in 53:03.960 --> 53:06.310 a box with a biometric scanner to make sure. And the kids can't get a 53:06.810 --> 53:08.990 hold of the grenade. And that's really important. You don't want the kids in your 53:09.490 --> 53:13.390 grenade stash. Before Leonard Smalls blows up, we do. 53:13.890 --> 53:17.590 See, on his chest is the same tattoo that High has on his 53:18.090 --> 53:21.870 arm. Right? That looks vaguely like the Looney Tunes Roadrunner character, but not exactly. 53:22.370 --> 53:25.710 I can't quite tell what that image is supposed to be or why they have 53:26.210 --> 53:29.270 the same tattoo. Yeah, I don't know if it's like a car thing, like a. 53:30.070 --> 53:33.150 We'll have to look at. We'll add a correction next. Next year 53:33.650 --> 53:37.330 when we do this again, Right? Yeah. So he notices the tattoo. 53:37.830 --> 53:40.530 And I thought for a second, like, oh, maybe that they'll come to some sort 53:41.030 --> 53:44.050 of affiliation buddies. Look, you and I, we're not so different. 53:45.410 --> 53:48.810 Nope. He just pulls the pin, blows Leonard up. And before he 53:49.310 --> 53:52.850 blows up High looks at him and he's just like, I'm sorry. 53:53.810 --> 53:55.650 Blows his ass up. I'm sorry. 53:57.250 --> 54:01.470 So Leonard's gone. The brothers are Sol and High and 54:01.870 --> 54:05.270 Ed have got Nathan Jr back. And they decide 54:05.770 --> 54:09.590 to do the right thing. So they drive to the Arizona house and 54:10.090 --> 54:13.390 climb up the ladder into the nursery and go put the baby back 54:14.110 --> 54:17.790 in the thing. But I think that's when. With the burnt out copy of 54:18.290 --> 54:21.510 the Dr. Spock's book, which is really funny how that travels with the baby wherever 54:22.010 --> 54:25.550 he goes. When hai first took the baby, he grabbed that and 54:26.050 --> 54:27.870 he said, oh, look here, hon, I got the instruction manual. 54:29.430 --> 54:31.910 But yeah, so. So they are bringing them back and there's this really great sort 54:32.410 --> 54:34.390 of conversation between. Because basically, hi. And Ed. 54:35.430 --> 54:37.990 Ed's so mad that hai got the baby re. 54:38.490 --> 54:41.950 Kidnapped by the. By the jailbird brothers, that. That she's basically telling them, like, 54:42.450 --> 54:45.750 we're not sticking together. You know, we're done. And. And so there's 54:46.250 --> 54:50.270 this really great scene between. Between hai and Ed and. And Nathan 54:50.770 --> 54:54.310 Arizona about, like, what it takes to keep people together. And I'm so sorry 54:54.810 --> 54:57.230 you can't have babies. But, like, maybe there's something else, you know, that will keep 54:57.730 --> 54:59.910 you two together. You gotta, like, talk to each other. It was a very interesting 55:00.280 --> 55:03.360 kind of nice thing. And yeah, and we did. I did leave. We know. 55:03.860 --> 55:07.440 Obviously, with the sense. I think that High and Ed are fine. 55:07.940 --> 55:10.560 You know, we get a little bit of an epilogue that kind of just, 55:11.060 --> 55:13.840 you know, talks about them still being together. And that's a good thing. Yeah. 55:14.340 --> 55:18.680 And the epilogue, I mean, the speech by Nathan Arizona. Because the 55:19.180 --> 55:22.960 tone of this movie, it's still. Even though it's like outlaws on the 55:23.460 --> 55:26.680 run, it's a very sweetly intentioned movie in a 55:27.180 --> 55:30.480 lot of ways, you know, if misguided. But it's like, at its 55:30.980 --> 55:33.420 heart, it's like somebody who's doing what they think the right thing is in a 55:33.920 --> 55:38.060 stupid way. Yeah. And. And the Nathan Arizona conversation 55:38.560 --> 55:41.660 really kind of ties it together. And he even empathizes with them when they 55:42.160 --> 55:45.220 say, we can't have kids of our own. And he kind of alludes to fertility 55:45.720 --> 55:47.860 treatment, it seems like, because he's like, oh, my wife and I couldn't. And now 55:48.420 --> 55:52.020 look at this shit. Yeah. Although they mentioned that they did some kind of fertility, 55:52.180 --> 55:55.620 even at the beginning of the movie when they first announced that. That the quintuplets 55:56.120 --> 55:58.750 were born, there was some comments about. About they were trying. And they used to 55:58.900 --> 56:02.380 like this new fertility drug. And suddenly, boom, five kids. So that 56:02.880 --> 56:05.540 is part of it. So I thought this was kind of funny. So after this 56:06.040 --> 56:09.700 conversation, and Nathan's like. He lets them say goodbye, and he's like, well, why don't 56:10.200 --> 56:14.020 you go out. The way you came? And then he goes. Just leaves the room 56:14.260 --> 56:16.740 with them with the baby that they just kidnapped, 56:17.780 --> 56:21.100 just unsupervised. I can't co sign that. 56:21.600 --> 56:24.180 Action. Mr. Arizona. You should have at least waited for them to leave and then 56:24.680 --> 56:28.380 lock the window behind them or something. Yeah. So. 56:28.880 --> 56:31.860 Yeah. So the movie ends with a voiceover. By, 56:32.340 --> 56:35.500 like, it started. Yeah, just like it began. And he's talking about 56:36.000 --> 56:38.900 a dream that he had, which is like, kind of a theme that's come through 56:39.140 --> 56:42.340 a couple times in this film. And part of 56:42.840 --> 56:45.980 the dream is that his jailbird buddies, like, went back to prison through 56:46.480 --> 56:49.300 the hole that they escaped. Climbed back in, put themselves back where they belong. 56:50.100 --> 56:53.140 And he's thinking about other people in his life. He's thinking about his friend Glenn. 56:54.680 --> 56:57.800 And he says, yeah, maybe people finally got tired of hearing his jokes. 56:58.300 --> 57:01.680 And it shows him too many Polish jokes. And it shows him being pulled over 57:02.180 --> 57:05.160 by an officer who has a badge that says Officer Kowalski. Kowalski. 57:06.280 --> 57:10.320 Sergeant, I believe. And then he goes to this scene 57:10.820 --> 57:14.560 of the Arizona family on Christmas morning. He's like, well, maybe Nathan Junior opens a 57:15.060 --> 57:18.040 gift from a couple he's never met before. And it shows him getting a football. 57:18.120 --> 57:21.680 And maybe this football inspires him in some way later in life, 57:22.180 --> 57:25.130 he's star. And he's dreaming and talking about how, 57:25.630 --> 57:28.410 I've never dreamed this far into the future. And it wasn't super clear to me, 57:28.910 --> 57:31.530 but it was an old couple who I thought was me and Ed and Dude, 57:32.030 --> 57:35.290 I mean, really kind of a tearjerker. That last scene, it was very, very sweet. 57:35.690 --> 57:39.770 Talking about how I envision kind of no matter what, we're still 57:40.270 --> 57:43.410 okay. We're still together. We have all this happiness in our lives. We have a 57:43.910 --> 57:47.490 family who's okay. We have grandkids who are okay. Kind of everything's 57:47.990 --> 57:51.420 gonna be okay. I can't see for sure that that's what this is, but that's 57:51.920 --> 57:54.500 what this feels like to me. And that's kind of like how it wraps. 57:55.000 --> 57:57.580 And it certainly looks like the intimation or what he's dreaming ahead, whatever, is that 57:58.080 --> 58:00.620 they do end up having. Through adoption or something else. I don't know. I mean, 58:01.120 --> 58:03.820 they do try adoption early in the movie, but because of High's criminal past. 58:03.900 --> 58:07.420 Right. It's denied. But it looks like two kids because there's like two adult 58:07.920 --> 58:11.180 couples at their Thanksgiving table. And then like they've each got five kids. So, 58:11.680 --> 58:14.020 you know, so even if Hai and Ed can't have a ton of kids, 58:14.520 --> 58:17.090 they end up with a couple and then 10 grandkids or something like that. 58:17.590 --> 58:20.370 So, you know, it's a very much like that. That is as happy an ending 58:20.870 --> 58:23.330 as two kidnappers could possibly ask for, frankly. Like, that is. 58:23.890 --> 58:27.610 But. But that's. That's Raising Arizona. Very, very fun 58:28.110 --> 58:30.930 movie. Really great to. To look back at a very, 58:31.430 --> 58:34.970 very early Coen Brothers film. This also marked, by the way, one, this was the 58:35.470 --> 58:39.010 last year pretty much until Leaving Las 58:39.510 --> 58:43.010 Vegas, where Cage was in really good movies. Because in 87, both this 58:43.510 --> 58:46.410 movie and Moonstruck came out okay. And then there was like, he had. Like the 58:46.910 --> 58:50.330 guarding test era, like all that kind of stuff. Something someone like 58:50.830 --> 58:54.090 you in Vegas. Was that before leaving? That was before, yeah. But it's like there, 58:54.590 --> 58:57.209 there's this. He did this stretch of like kind of romcoms and just kind of 58:57.709 --> 59:00.970 crap until Leaving Las Vegas, which, you know, regenerated his career. 59:01.470 --> 59:04.490 But this was sort of the, the end of. Of kind of an era of 59:04.990 --> 59:08.160 Cage's career. Yeah. And he really got sucked into kind of really 59:08.320 --> 59:11.720 just crappy mainstream rom com stuff that weren't even all that 59:12.220 --> 59:15.560 good for the most part, for at least the next five, I think seven or 59:16.060 --> 59:19.120 eight years. Right. Until. Until leaving Las Vegas in 95. So. 59:19.520 --> 59:22.999 But, you know, a lot of fun and a very different look at Nicholas 59:23.499 --> 59:27.240 Cage, which I think is. It's great for our cagevember episodes. Absolutely. Yeah, 59:27.740 --> 59:31.280 well, this was my pick. Should I go ahead and rate this first? Go for 59:31.780 --> 59:34.960 it. All right. So, yeah. I mean, and such a fun case. What a great 59:35.460 --> 59:38.240 look, by the way. Yes, this is a fun. Like, I'd like to. I don't 59:38.740 --> 59:40.280 know if I talked about it on the pod, but I like to do. 59:40.780 --> 59:43.800 I like to paint. And a lot of the stuff that I've done is just 59:44.300 --> 59:46.640 kind of like, you know, fan art type stuff, like a painting of a scene 59:47.140 --> 59:50.360 from a movie or a character or whatever. And I think this character is definitely 59:50.860 --> 59:53.400 on my list as someone that would be really fun to paint. I just love 59:53.900 --> 59:56.880 the look. I love the way this movie looks and feels in general. 59:58.080 --> 01:00:01.890 It's almost 40 years old. It doesn't feel super out 01:00:02.390 --> 01:00:05.250 of place. I mean, it obviously doesn't take place now, but you're not like, 01:00:05.750 --> 01:00:08.450 oh, this doesn't hold up. There's a couple lines where you're like, okay, maybe you 01:00:08.950 --> 01:00:11.450 tweak that a little now, but a lot of time has passed. 01:00:12.810 --> 01:00:16.610 All the performances were bangers. And this really helped 01:00:17.110 --> 01:00:20.450 hopefully launch, like, part of the long and successful careers of some of the people 01:00:20.950 --> 01:00:24.730 that we love so much that are in this movie as a Cage. I mean, 01:00:25.230 --> 01:00:28.250 this isn't the Cage. Iest Cage has ever been, but it was early in his 01:00:28.750 --> 01:00:32.310 career, and you definitely see glimpses of his range and, like, his ability. I don't 01:00:32.810 --> 01:00:35.950 know. His face is really magical. Jim Carrey gets credit for being rubber face. 01:00:36.450 --> 01:00:40.230 Cage is, like, secondary rubber face, I feel. Absolutely. Yeah. So, 01:00:40.730 --> 01:00:43.310 yeah, I enjoyed the shit out of this movie. There's a lot of laughs in 01:00:43.810 --> 01:00:46.630 here. I'm going to go ahead and give the Coen brothers and Nick Cage a 01:00:47.130 --> 01:00:51.190 four and a half out of five. Wow. For Raising Arizona. Fantastic. Yeah. I also 01:00:51.690 --> 01:00:54.070 really enjoyed it. I thought it was really great to watch. Like I said kind 01:00:54.570 --> 01:00:58.030 of earlier in Nicholas Cage's career, not. Not earliest. I mean, he definitely. He started 01:00:58.530 --> 01:01:01.560 in the 70s, but, like, you know, very, very early part of the Coen brothers 01:01:02.060 --> 01:01:05.360 filmmaking career. And it was a really interesting way to look at this. Holly Hunter 01:01:05.860 --> 01:01:08.200 is a delight. She's an absolute delight. Didn't even talk about her. I mean, 01:01:08.700 --> 01:01:11.240 like, she's. Yes. So good. So good in this. It's really, really a lot of 01:01:11.740 --> 01:01:14.840 fun. And. And. And looks great. She's gorgeous, too. And. And the whole thing that 01:01:14.920 --> 01:01:18.200 all the character actors that are in it, you know, from Glenn and Dot to 01:01:18.700 --> 01:01:22.360 the jailbird brothers to. To Nathan Arizona, like, and Leonard Smalls, like, all the whole 01:01:22.860 --> 01:01:26.180 cast is just A really great group, really great ensemble. Had a 01:01:26.680 --> 01:01:29.460 lot of fun with it. Didn't, like, was not head over heels for it. 01:01:29.960 --> 01:01:32.140 Definitely wasn't, like, oh, my God, that's amazing. Like, if I don't watch it again 01:01:32.640 --> 01:01:34.340 for a while, it's not going to, like, bother me kind of thing. But I 01:01:34.840 --> 01:01:36.540 really enjoyed it. And I'm going to give it a three and a half out 01:01:37.040 --> 01:01:39.300 of five. So that makes us an eight out of ten. The two dads are 01:01:39.800 --> 01:01:43.300 an eight out of ten on Raising Arizona. Yeah. Which is, I think, 01:01:43.540 --> 01:01:46.900 pretty fair. Yeah, totally. Absolutely. Yeah. If you haven't seen this, 01:01:47.400 --> 01:01:49.620 I mean, this is really worth putting on your list. And again, it's only an 01:01:50.120 --> 01:01:53.270 hour and a half long, so it's a breeze. It's really fun. 01:01:53.770 --> 01:01:56.270 Yeah. And it looks good and sounds good and everything. 01:01:56.750 --> 01:01:59.630 And, man, I'm kind of sad, Steve, that we're already, like, three quarters of the 01:02:00.130 --> 01:02:03.510 way through cagevember. We are. We are. We have one more cagevember movie to 01:02:04.010 --> 01:02:07.866 do. And I am going to take us back away from the 80s 01:02:07.954 --> 01:02:10.910 cage. Yes. And we're going back to the mid-90s, and we're going to go a 01:02:11.410 --> 01:02:14.910 little full circle. And I've got a whole timeline of 01:02:15.310 --> 01:02:18.280 a theoretical kind of, how did we get to this point that we'll go into 01:02:18.780 --> 01:02:22.080 in the episode, but basically we're going back to 1997, 01:02:22.580 --> 01:02:26.360 the same year Con Air came out. In fact, 21 days after 01:02:26.440 --> 01:02:29.400 Con Air came out, this movie came out. 01:02:30.040 --> 01:02:33.320 Nicholas Cage in yet another. Hey, we got to put two big stars 01:02:33.820 --> 01:02:36.560 in an action movie together. Hey, we got to have a great action director do 01:02:37.060 --> 01:02:40.680 this. We put together John Woo, the director, with John 01:02:41.180 --> 01:02:45.190 Travolta and Nicholas Cage, and we are going to do some acting 01:02:45.690 --> 01:02:49.070 like each other in Face Off. And Face off, 01:02:49.570 --> 01:02:53.230 to me, is the culmination of this era of Nicolas Cage. 01:02:53.310 --> 01:02:56.630 And it's. It's going to be so much fun. It's. You know, John Woo is 01:02:57.130 --> 01:03:01.070 a fantastic action director. The premise is insane, just absolutely 01:03:01.390 --> 01:03:04.950 ludicrously bonkers. And, you know, this is right after Travolta had 01:03:05.450 --> 01:03:08.680 his career resurrected. This is still just a couple years after actually one year after 01:03:09.180 --> 01:03:12.080 Nicolas Cage won the Oscar for leaving Las Vegas. And here they are doing just 01:03:12.580 --> 01:03:16.360 the most absolute, batshit crazy thing either of them would ever be in until Battlefield. 01:03:16.920 --> 01:03:20.640 So, yeah, I realize now I need to react audibly to what you're saying because 01:03:21.140 --> 01:03:24.280 I just have this huge grin on my face and the listeners cannot see this. 01:03:24.780 --> 01:03:28.080 I cannot wait. Dude, I love Face off. I loved it so much when it 01:03:28.580 --> 01:03:31.600 came out and oh yes, this is going to be a fun one. 01:03:32.100 --> 01:03:35.530 So next week we will wrap up Case Agevember with Face Off. That about 01:03:36.030 --> 01:03:38.250 wraps it up. So if you like what you hear and we hope you do, 01:03:38.750 --> 01:03:41.730 please consider heading over to Apple or Spotify and leaving us a five star review. 01:03:41.970 --> 01:03:44.850 It really helps new folks find the show. If you want to drop us a 01:03:45.350 --> 01:03:47.890 line, share your thoughts on an episode, tell us what we got wrong or suggest 01:03:48.390 --> 01:03:52.810 a movie we should do next, you can do so@theshowdadsonmovie.com 01:03:53.310 --> 01:03:55.850 that's the number two and the number one. You can also follow us on Instagram 01:03:56.350 --> 01:03:59.750 @2dads1movie. Once again, this has been raising your hand, Arizona. Another episode 01:04:00.250 --> 01:04:03.590 of 2Dads1movie. I'm Steve. And I'm Nick. Thank you so much for listening and we'll 01:04:04.090 --> 01:04:04.870 catch you next week. Thanks everyone.