WEBVTT

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Something on your mind? Just wanna let you

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know you're sitting in my chair. Is that a fact?

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Yeah, that's a fact. Well, for a man that don't go healed,

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you run your mouth kind of reckless, don't you? No need to

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go healed to get the bulge on a tub like you. Is that a fact?

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Mm-hmm. That's a fact.

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Yeah, well, I'm real scared. Damn right

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you're scared. I can see that in your eyes.

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All right, man, go ahead. Go ahead,

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skin it. Skin that smoke wagon and see what happens.

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Listen, mister, I'm getting awful tired of your— I'm getting tired

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of your gas. Now jerk that pistol and go to work.

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I said throw down, boy.

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You gonna do something or just stand there and bleed?

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No?

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I didn't think so. Here, Milt.

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Keepsake.

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Hang it over the bar. All right, youngster, out you go.

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Don't come back, ever.

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Oh, what do you say, Milt? 25% of the house take sound

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about right? It's 2

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Dads 1 Movie. It's the podcast where 2 middle-aged dads sit around and shoot the

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shit about the movies of the '80s and '90s. Here are your hosts, Steve Paulo

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and Nic Briana. Hello everybody, welcome to another

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episode of 2 Dads 1 Movie. I'm Steve. And I'm Nic. And today we are

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talking about the 1993, like, absolute classic Western

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movie Tombstone starring Kurt Russell and Val Kilmer.

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This was my pick for us. We're done with 2 Dads, 2 Decades. We're just

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back to like going on vibes. Yeah. Or what movies

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do we want to rewatch or just think we should tackle?

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We don't really have a theme right now. We will again in October when

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we grace you all listeners with Shocktoberfest

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2: Electric Boogaloo. There's no actual meaning behind the Electric Boogaloo

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part. I'm just giving a subtitle to all of the sort of sequel theme

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months that we're doing. But yeah, so this is just like, I wanted to watch

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Tombstone. This is one of my favorite movies. Of all time. And so I was

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like, let's bring it to the pod. Let's talk about it. It's been requested by

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a few listeners. Absolutely. Something comes up when people talk about the great movies of

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the '90s in particular. They bring this up. The cast is like just loaded

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front to back. It's full of lines that have like survived the test

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of time. You know, this is a movie that's 33 years old now. And,

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and it's still, you know, really is quotable still,

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you know, and actually funny enough, I would say this real quick, quotable in a

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way that's a little different than I think a lot of the stuff that's quotable

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today in that it's not really memed that much. You don't see a lot

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of like, you know, image macros with the text. It's just that people know the

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words and say things like, I'm your huckleberry, or, you know, throw down, boy,

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or whatever. Like these things just get repeated more so than like getting

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into the current generation's way of like making everything an animated GIF. Yeah,

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the visual's not attached as much. Yeah, exactly. So it's more like people our age

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saying it to each other. Exactly. But I mean, this is ripe to be discovered

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by the young generation, and I hope it'll start getting memed more 'cause it's well

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deserving of it. So my history with Hume Stone is, I mean, I saw

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this in high school. I was probably, you know, a couple years after it came

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out. I think I just turned 14 maybe, I think, when this came out.

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And, and so I was probably about 16 or 17 when I first saw it.

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And it was just one of those movies, again, I think I saw it because

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people were saying stuff like, I'm your Huckleberry, and whatever. Like, what's that from?

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Oh dude, you haven't seen Tombstone? Like, you know, kind of thing. So I watched

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it with some friends and just fell in love with it right away. And it

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became one of those things where I would watch this movie, you know, a couple

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times a year for a while. In college, it was the thing where I think

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I actually introduced this movie to like 2 or 3 people in college who just

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hadn't gotten around to seeing it. Uh, and I was like, oh my God,

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Same thing somebody did to me. You got to see Tombstone. Come on, come come

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watch. You know, it's nice that it's only about you know a little over two

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hours. It's not like you know a lot of these westerns especially can turn into

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these epics, right? I mean, the fact that Kevin Costner wasn't involved in this

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one maybe maybe you know dials back the running time a little. It's the Costner

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cut. It's twenty minutes shorter automatically with him not in it. Exactly. So but yeah,

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so this ended up becoming one of my favorite movies of all time and some

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something that I quote all the time. My wife is a massive fan of this

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movie as well. She actually was obsessed for years. with Tombstone the place. She like

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visited it as a child with her family driving cross-country between California and Oklahoma

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and, and just kind of fell in love with just the whole mythos of it.

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And so this has been something she and I have shared as well. So all

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that having been said, Nic, what's your history with Tombstone?

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My history with Tombstone is just about as dry as all the

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water bottles in Tombstone, Arizona. I have never seen

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it before, and there's no good reason for it. It just

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Barely. It just missed me for some reason, and I definitely was aware of a

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lot of the the culture around it and the quoting of it and stuff.

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All my friends love it. It's not like I had somebody that said, "Oh,

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it sucks. Don't watch it." But I did always, like from when I was a

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kid, have in my head the idea three things about movies which all

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proved to be false. One was that black and white movies

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suck. Two is that westerns suck, and three is that anything with subtitles sucks.

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Right? So I'm shutting myself out of a lot of plots by that like declaration

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when I'm eleven years old, and I you know. live hard the rest of my

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life that way. So yeah, I'd never seen this.

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And, uh, I— funny enough, I messaged you before

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the pod. There's this rap song, uh, where one of the verses—

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it's this, this rapper's name, Necro, from the early 2000s.

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Great rapper, producer, terrible person. Don't support him financially. But,

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uh, he had this verse where every line in the verse was basically a direct

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quote from Tombstone. Wow. And I'm just like bobbing my head along with it.

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I'm like, oh, what's a smoke wagon? And then I never, you know,

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never watched the movie until 20 years after that song comes out. So I'm very

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excited to have a little context around one of my favorite jams. And this was

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an absolute ride to watch. And I'm very excited to

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talk about it with you. That's great stuff. I— yeah, it's— let's

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just get into it. Let's jump into the facts because we don't want to delay

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this any longer here. The facts on the movie Tombstone. I got to be honest

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with you before we get into it, people, a little disappointing for me. I'd just

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be totally honest with that. I said it, but let's talk about it. It was

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released on Christmas Day, 1993, December 25th, with an R rating

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and a running time of 130 minutes. It is directed by George P.

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Cosmatos. I think that's how you pronounce it. Cosmatos? Cosmatos, probably.

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Written by Kevin Jarre. Starring Kurt Russell, Val Kilmer, and Sam Elliott.

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Scores, Rotten Tomatoes, 76%. And that's my first big

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fucking problem with this shit. Like, how did 24% of

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critics who watched this movie give it an overall

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negative review? I don't understand. I just don't understand that.

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I'm not saying this movie should be like 100%. It's not that. But like,

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85, high 80s, something like that is more what I would've expected.

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Mid-70s is a travesty. The IMDb score at 7.8 is

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significantly more in line with how I think about it. Stronger. We've talked about how

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like anything over 7 is reasonable, anything over 7.5 is strong. And when you get

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to 8.0 and up, you're talking about the top, you know, 50 or 60 movies

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or whatever on IMDb. So 7.8 is solid and good quality. And then the homies

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Siskel and Ebert, well, should I say the homie Ebert and the chud Siskel?

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We got a thumbs down from Gene Siskel and a thumbs up from Roger Ebert.

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And if you look on our website, we actually have a stats page where we

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compare my, you know, sort of my, uh, reviews and Nic's reviews and ratings

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with the, the Siskel and Ebert thumbs up and thumbs down system. And you'll notice

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that for both of us, we have a significantly higher rate

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of agreeing with Roger Ebert than with Gene Siskel. Yeah. And it's very interesting to

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me, that split. It's really, really interesting. Gene had a heart filled with

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hate, and that's why he died early. There you go. Uh, 1994 MTV Movie Awards,

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got a couple of nominations, the only kind of awards activity on this movie.

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Both of them, by the way, for Val Kilmer, both nominations without a win.

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He was nominated for Best Male Performance. Okay. Totally viable.

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And for Most Desirable Male, which kind of like our—

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what was it? Brad Pitt in Seven versus Antonio Banderas in Desperado.

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It was like, this movie in particular is how Val Kilmer is seen as

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desirable? He's kind of sweaty and clammy and sick the whole time.

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He's sick the whole time? He's coughing up blood? He's coughing up blood. What are

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you gonna do? He's just really crazy. But, but this is what I

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thought was interesting. The winners, one of them made sense and one of them didn't.

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The actual winners that year, and I think I'm gonna start doing this more.

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Yeah. When we see nominees and not wins. The best male performance that year

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went to Tom Hanks in Philadelphia. No argument, no disagreement.

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Fine, absolutely. But the most desirable male at the 1994

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MTV Movie Awards was Billy Baldwin in Sliver.

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Stood the test of time. Are you kidding me? 4th of

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3 Baldwin brothers. Like, yeah, but they were really

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trying to shoehorn Billy Baldwin into our lives at some point.

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Like, he had a few-year window where they were really trying to Baldwin it up

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for us. It was, it was— I feel like, because I mean, maybe I'm wrong,

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there's just Billy, Stephen, and, and Alec, right? We're not— there's not a 4th.

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They're not actually a 4th Baldwin that's in movies. I don't think— There's probably some

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other one that uses the last name to like get on Republican fundraisers as

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like a celebrity host or whatever. Stephen Baldwin.

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There's an Adam, I think. Oh my God. Okay. Well, anyway, on a $25

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million budget, I'll point out, by the way, the exact same amount of money that

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the film we watched 2 weeks ago, Basketball, cost.

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Jesus fucking Christ. 5 years later. Oh my

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God. 5 years later, Basketball was made for the same amount of money

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that Tombstone was made for. This one, however, did quite a bit better, pulling in

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$73.2 million, almost 3 times what it cost, which, to be honest with

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you, any rated R movie, especially in the '90s, it was tough to pull

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in, you know, 3, 4, 5, 6 times what it cost. So kudos. Definitely a

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success, if not like some massive blockbuster in the in the cinemas.

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But yeah, so those are the facts on Tombstone. All right, and we'll

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just go ahead and jump in and get started here. Yeah, we start with a

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cold open. We love a good cold open here. Weird cold open. I mean,

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unconventional relates to unlike any of the other movies we've seen

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really other than I don't know Starship Troopers has kind of newsreel footage,

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but it's a different feeling for sure. Absolutely. This this starts

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off with a incredible voiceover from Robert Mitchum, who we've seen

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in, in, uh, he was in Cape Fear, and I think we've had one or

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two other movies where Robert Mitchum has showed up. One of those classic voices.

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Uh, he does the narration here. It's 1879, and he talks all about

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sort of like post-Civil War, uh, silver discovered in Arizona, you know, the,

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the march west, all this stuff, but talks specifically about the original kind

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of version of organized crime in, in the United States, at least by this claim.

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Yeah. Which was a gang of like horse thieves and bank robbers and murderers

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named the Cowboys. Um, now there, I'm not going to get into all this stuff,

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but there is actually a really long documentary, uh,

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slash fictional retelling. It's not fictional, it stays true to it,

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but it's called Wyatt Earp and the Cowboy War. I think it's on Netflix or

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Hulu, one of the two. It's well worth watching. It's like 4 or 5 episodes,

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um, and it really sticks very close to the actual history of Wyatt

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Earp and Tombstone, Arizona, and the Cowboy Gang, uh, and where it

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differs from the movie Tombstone. Because there's a heck of a lot of stuff in

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the movie that isn't really actually all that all that historically

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accurate. This movie is what you would not call this a biopic. You would

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call this historical fiction. Yeah. Um, so it's very much based with real people in

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real places, and there are lots of like keystone moments that are true and real.

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But even the way like the shootout at the O.K. Corral happens is not exactly

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how it happened in real life. Uh, Ike does run into a building and hide.

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That really happened in real life, but there's lots of it that's different. So,

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but we get a little bit of this sort of like historical background, uh,

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and then we cut very quickly to a wedding in

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Arizona Territory. This is obviously, well, pre-statehood for Arizona by a significant margin.

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And so this is a wedding that's happening. It's obviously a

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wedding of Mexican folks. I think they even say something about Mexican police.

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Yeah, it seems like, yep. And the cowboys show up and decide

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that they've got a beef with the folks here. And they,

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what do they throw the scarves down and say like, you killed 2 of us.

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Yep, so we're gonna kill all of you. Watch how we do. Yeah, and it's

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real brutal. I mean, they proceed to kill every male in sight,

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basically, except for the priest and the groom. Yeah, initially. Right.

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And then, you know, they end up just taking everybody out. And it's,

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it's really— yeah, it's really rough. And the priest,

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they spare the priest, right? Initially. So we kind of see like Curly Bill in

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his red shirt, Powers Boothe. He's like, you know, kind of the, the main psycho

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of the cowboys. And then Johnny Ringo is like the quiet, cool, but maybe more

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of a leader than him. Right? Right. Well, Michael Biehn. Yeah. So Johnny Ringo,

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played by Michael Biehn, he's definitely the right-hand man because even later in the movie,

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Curly Bill says something about like, oh, boys, yeah, yeah, I don't know what's

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gonna happen when Ringo takes over this outfit, that kind of thing. So Curly Bill

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Brocius is in charge, Johnny Ringo's his right-hand man. Ringo is

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this legendary gunslinger, fastest hand since—

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was it Billy the Kid? No, Wild Bill. Fastest hand since Wild Bill Hickok,

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right, is sort of the legend around him. And, uh, this very

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funny moment where one of the obviously Mexican members of the Cowboys

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gang is trying to translate for Curly Bill, who doesn't speak Spanish, like what

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the priest is saying, whatever. And he's like, he says something about Uh, sick horse

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or something. He talks crazy. And then Ringo's like, that's not what he said.

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Your English is worse, or your Spanish is worse than your English. Yeah, translates that

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it's basically quoting the Bible about a pale rider and death camp comes with them.

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It's from the Book of Revelation. Um, but the priest is like jawing at them

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as they go sit down to eat, and Ringo's not having any of it.

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Puts one right between the priest's eyes, which seems to actually surprise the rest of

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the cowboys. Yeah, like, oh, we wouldn't have killed the priest, dude. Like, apparently they

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have some, uh, level that they don't generally go to. But also, once Ringo

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does it, it's not like anybody actually is upset with him in any way.

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Oh boy. Oh man, it's gnarly. And, uh, the guy who plays the kind of

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Mexican member of the gang, the actor is the guy who played

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the Greek in season 2 of The Wire. Oh, okay. He's not— he's not

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a Mexican guy. He's like a Jewish guy from New York. That's so funny.

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And it just probably is one of those, like, he can Rob Schneider it up

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once in a while when needed. Exactly. Um, so great scene, a great job to

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establish, like, okay, here are the stakes, these are our bad guys, right? Yeah.

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And then we get our first appearance of Kurt Russell, Wyatt Earp,

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stepping off a train as he's arriving in town for his adventure.

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He's left his life as a lawman and he's on to

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make a fortune. Came from Kansas, from Dodge City, Kansas, where he was a celebrated

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marshal or sheriff or whatever the hell he was or whatever. And he's like,

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yeah, he's going to go. He's going to Arizona to get into silver mining and

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strike it rich. When Kurt Russell steps off that train,

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we get a glimpse at what I honestly believe is the single greatest mustache

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in cinema history. in a movie full of fantastic mustaches.

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Like, there are like so many great mustaches in this movie, but something about Kurt

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Russell's mustache in this is just perfect. The way it like slightly curls up

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and it's like nice and flat and like, I don't know, man, it's, it's beautiful.

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Um, he hears as he gets off the train, he hears a man like whipping

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a horse basically to try to get it to come off the train. Yeah.

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And he does, you know, we get a quick glimpse at what kind of man

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Wyatt Earp is when he steals the, the whip or whatever it is,

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the, the leather, uh, strap away from the guy,

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smacks him with it. It's like, hurt, don't it? You know? And it's like,

15:15.040 --> 15:18.300
okay, all right, he doesn't like when people abuse animals. So this is, this is,

15:18.800 --> 15:20.720
uh, you know, the Save the Cat moment. Oh, okay, this is our good guy.

15:21.220 --> 15:24.560
He just did something nice to an animal. So, you know, and, and he immediately—

15:25.060 --> 15:28.540
so, uh, he's immediately approached by like one of the local politicians or

15:29.040 --> 15:31.860
lawmen who's like, oh, Wyatt Earp, hey, we could really use— like, get out of

15:32.360 --> 15:34.940
here. Like, so there's a lot of this throughout the film, like, I'm not interested,

15:35.440 --> 15:38.720
like, I'm, I'm retired. I think in the first, yeah, 15 or 20 minutes,

15:39.220 --> 15:42.440
he, he turns down at least 3 job offers. Yeah. Uh, from various law

15:42.940 --> 15:46.600
enforcement officials. Um, so he's met by his brothers now and their wives.

15:47.100 --> 15:50.060
So his brother Virgil, played by Sam Elliott— so good— uh, and his brother Morgan,

15:50.560 --> 15:54.530
played by Bill Paxton, the late great. And again, just seeing all these faces,

15:54.620 --> 15:58.940
every guy that I see throughout this movie, I'm like, yeah, yeah, like it's really—

15:59.440 --> 16:01.900
it's awesome. I mean, we can't even stop. We even should mention, like, going back

16:02.400 --> 16:05.000
to the Cowboys, right? We saw there's Michael Rooker is in that gang. He plays

16:05.500 --> 16:09.020
McMasters. There's Thomas Haden Church. Yep, is in that gang. Stephen Lang. Yeah,

16:09.520 --> 16:11.720
Stephen Lang is in it. There were— yeah, there were people I didn't even realize

16:12.220 --> 16:14.897
until I looked at the credits. Yeah. Oh geez. And John John Corbett is in

16:15.397 --> 16:18.151
that. Like, I mean, this is so loaded. It's a loaded cast altogether.

16:18.744 --> 16:22.736
Oh, and then actually Wyatt's wife, Maddie, who we meet as the brothers,

16:22.912 --> 16:25.926
you know, sort of connect, their wives all walk up and Maddie arrived

16:25.974 --> 16:29.597
with Wyatt. She's played by the actress, can't remember her name now, something Delaney,

16:29.661 --> 16:33.236
whatever, but she played Gale Stanwyck in Fletch. That's right. Is the thing I actually

16:33.268 --> 16:36.891
think of her from. But she is obviously also quite the drug

16:37.391 --> 16:41.090
addict. She's already like showing very like withdrawal-like symptoms and talking

16:41.590 --> 16:44.809
about how she can't find laudanum anywhere. And laudanum was basically a mixture of like

16:44.954 --> 16:48.708
opium, alcohol, uh, cocaine and caffeine, I think, is essentially

16:48.740 --> 16:52.736
what laudanum was. Yeah, good old Long Island iced tea, but of every pharmaceutical,

16:52.752 --> 16:56.765
right? And also given to you for headaches. It was, it was like Advil for

16:57.265 --> 16:59.798
a while, especially in the Old West. So, uh, pretty wild stuff.

17:00.440 --> 17:03.810
Um, yeah, so then we— so we got all the herbs together, they're here to

17:04.310 --> 17:06.811
strike it rich, they go off together. There's a nice, like, kind of, hey,

17:07.116 --> 17:10.246
yeah, they all pause in front of a mirror and like, let's get a look

17:10.746 --> 17:13.953
at it ourselves, you know? And then someone starts

17:14.453 --> 17:15.847
to talk, and Wyatt's just like, just be quiet, let's just enjoy it. Exactly.

17:16.409 --> 17:18.511
Um, so then we got introduced to a few more characters. We cut to a

17:19.011 --> 17:22.026
poker game going on where we meet Doc Holliday, played by Val Kilmer,

17:22.106 --> 17:24.850
and his girl— his woman, uh, Kate, uh,

17:25.171 --> 17:28.413
who has this kind of hard to, uh, locate accent.

17:28.461 --> 17:31.815
But Doc does refer to her as his, like, Hungarian devil. So she's

17:31.831 --> 17:34.672
this, like, generically— I mean, the voice, the accent, I don't know what Hungarian people

17:35.172 --> 17:38.122
specifically sound like when they speak English, but, like, she just sounds Eastern European,

17:38.171 --> 17:41.560
sort of. But they are, you know, he basically— Doc gets accused

17:42.060 --> 17:45.700
of cheating and, you know, claims he isn't,

17:46.200 --> 17:48.740
whatever. But he like baits the guy into coming at him, you know, to try

17:49.240 --> 17:52.900
to attack him, stabs him, and like, and then does steal everything from the rest

17:53.400 --> 17:56.240
of the poker room. Like he's taking money and stuff. It did look like a

17:56.740 --> 17:59.900
non-fatal stabbing at least. I mean— But who the hell knows back then, right?

18:00.400 --> 18:03.840
I was gonna say, I think anything that isn't immediately— I mean, if you twisted

18:04.340 --> 18:07.120
that knife at all, you're not gonna get to a doctor in time. Well,

18:07.620 --> 18:11.040
it didn't show the guy die immediately. No, that's true. So Doc

18:11.540 --> 18:14.300
just runs off with like what's on the table, plus steals cash on the way

18:14.800 --> 18:17.140
out. I like that they stole some of the casino chips too. Like, did they

18:17.640 --> 18:19.820
really? I thought he was just gonna cash those in. It was just— it was

18:20.320 --> 18:22.700
more just to like get everything off, right? Yeah, but it was kind of like

18:23.200 --> 18:26.970
Grandma's arm just wiping everything off the table at Teddy KGB's. It was very nice.

18:27.140 --> 18:30.300
Um, yeah, so then they, they go to leave and he's like, oh honey,

18:30.800 --> 18:34.120
why don't we just forget the luggage? Yeah, he says, uh, I'll calculate that's the

18:34.620 --> 18:38.360
end of this town, right? Yeah. And he is just an absolute

18:38.860 --> 18:42.757
one-liner machine. I mean, throughout this movie, everything Doc Holliday is just

18:43.257 --> 18:45.420
pure gold. He says to the guy accusing him of cheating, he goes, if I

18:45.920 --> 18:49.833
thought we weren't friends, I don't think I could bear it. He's this

18:50.333 --> 18:53.074
sort of Southern gentleman. The accent that Val Kilmer puts on for Holliday is great

18:53.122 --> 18:56.154
too, 'cause it's not too thick and too over the top, but it just comes

18:56.654 --> 18:58.673
out in little ways. Like when he says, like, you know, Wyatt Earp is my

18:59.173 --> 19:02.395
friend, you know, it's like, it almost sounds like Bill Clinton, but it works.

19:02.748 --> 19:05.845
So now the Earps arrive in Tombstone. We see some cowboys drive

19:05.877 --> 19:08.685
through, you know, on their horses. We pass Boot Hill. We're getting sort of the

19:09.185 --> 19:11.840
sense of like, what is Tombstone? It looks like a small town. But there's a

19:12.340 --> 19:14.120
lot going on. There's a lot of people walking around, you know, at least a

19:14.620 --> 19:17.840
couple of main streets through town and different— there's saloons and there's a theater

19:18.340 --> 19:21.100
and there's a grand hotel and like all this different stuff. And when the Earps

19:21.600 --> 19:25.300
arrive, they're greeted by John Behan, who is the, I think, the county sheriff,

19:25.800 --> 19:29.620
Cochise County. And he, you know, is basically like—

19:30.120 --> 19:32.580
he's the only one, it seems like, who doesn't know by sight that Wyatt Earp

19:33.080 --> 19:35.460
is Wyatt Earp because he's surprised when the guy says— It's so funny. Yeah,

19:35.960 --> 19:39.840
like, oh. Like, I love the pre, like, readily available photograph era

19:40.340 --> 19:43.169
of just identifying someone. Be like, you're not Wyatt Earp, are you? Are you?

19:43.233 --> 19:46.566
He's like, sure am. You're like, whoa, sorry, Mr. Earp. Like, what the

19:46.615 --> 19:50.270
fuck, dude? You got the ID? I do. Okay, Bihan.

19:50.383 --> 19:53.461
I love how fucking hateable they make him within the first like

19:53.961 --> 19:57.511
10 seconds because he comes up, he looks like an absolute asshole.

19:57.576 --> 20:00.884
I think they worked with like the MIT Applied Mathematics

20:01.384 --> 20:04.811
Lab to figure out the most infuriating tilt for his hat. Yeah, it's just at

20:05.311 --> 20:07.607
this angle that makes you want to punch it off his head. And then he

20:08.107 --> 20:10.453
says he's part of the nonpartisan anti-Chinese League.

20:11.880 --> 20:15.314
I just— it's like, oh God, not— I love— I mean,

20:15.330 --> 20:18.378
obviously hate, but love that it's nonpartisan, that they're saying like,

20:18.394 --> 20:21.763
regardless of what other political disagreements we have, we can agree on one

20:21.827 --> 20:25.020
thing, right? Gosh darn it. Like, yeah, Jesus Christ. But, you know,

20:25.196 --> 20:28.437
apropos for the time, certainly accurate, uh, for the time.

20:28.517 --> 20:31.662
So yeah, so, uh, basically, uh, they get a little,

20:31.854 --> 20:35.753
uh, sort of like tour around town then from, uh, Fred White, who's the town

20:35.881 --> 20:38.770
marshal. Right. So we got— and he's the marshal, and then BN's— and Earp even

20:39.270 --> 20:41.030
says something, or maybe it was Virgil says something about like, you know, a lot

20:41.530 --> 20:44.030
of law in this town. He's like, well, BN's not law, and the only real

20:44.530 --> 20:46.410
law is the cowboys. You see it by the red sashes. We get a little

20:46.910 --> 20:49.170
bit of that intro. So now— and Virgil even says he had a run-in with

20:49.670 --> 20:52.270
them up in Frisco, which I'm assuming he means San Francisco, but he might mean

20:52.770 --> 20:55.610
Frisco, Texas. I don't know. Um, but he said up in Frisco, so I figured

20:56.110 --> 20:58.470
that's what he meant. Yeah. Um, and then they notice, you know, there's all these

20:58.970 --> 21:02.070
saloons and all these like casinos and stuff, and Fred says like, hey, everybody,

21:02.570 --> 21:05.810
you know, makes money hand over fist except here at the Oriental. Nobody goes in,

21:06.310 --> 21:08.890
like whatever. So Wyatt decides to go in, and there's a great line from Virgil,

21:09.390 --> 21:11.830
like, there he goes. Like, they just— they're so used to Wyatt just being like

21:12.330 --> 21:15.740
doing his thing immediately on his bullshit the second they get to a new town.

21:16.030 --> 21:19.510
Yeah. Yep. Um, oh my God, and this scene is just incredible,

21:19.690 --> 21:22.990
right? It's really great. So the reason that the Oriental isn't doing well

21:23.490 --> 21:26.750
is that there's one guy there played by Billy Bob Thornton. Very early

21:27.250 --> 21:30.590
appearance. Very heavy, right? Yeah, he looks very overweight. He does look like

21:31.090 --> 21:34.215
that. And, uh, and I feel like again As we say this, I would have

21:34.263 --> 21:37.507
to go to a personal trainer for 11 months to approach

21:37.603 --> 21:40.509
that. 100%. Not a personal comment.

21:41.392 --> 21:44.572
But the reason the casino is not doing business is because this

21:44.684 --> 21:48.136
guy's just bullying everybody off the table and yelling at everyone and throwing shit around,

21:48.217 --> 21:51.524
and they can't deal with them. Like, the owner of the casino seems like a

21:52.024 --> 21:54.736
nice enough guy, but he has no will to take care of this dude who's

21:55.236 --> 21:59.535
not a member of the Cowboys. No, he is not. Which seems like the

22:00.035 --> 22:03.448
Cowboys— like, this is too low-hanging fruit for the Cowboys to not kind of like

22:03.948 --> 22:07.281
take over the muscle there. But whatever. It doesn't seem like they're interested in the

22:07.313 --> 22:10.729
way that like the mafia would be, you know, 60, you know, 50, 60 years

22:10.761 --> 22:13.728
later. They don't seem that interested in, uh,

22:14.193 --> 22:17.914
running businesses or even like protection rackets and stuff. They're more just into

22:18.414 --> 22:21.491
like stealing and killing and like in the moment kind of doing whatever they want.

22:21.603 --> 22:24.650
Yeah, much more, much more frankly. Yeah, like old pirates. Yeah. And that thing,

22:24.875 --> 22:27.296
they wouldn't want a stake in a, in a business because then they got to

22:27.441 --> 22:30.850
deal with the business and like actually taking money off of people

22:31.350 --> 22:34.430
in some kind of reasonable way. And it seems like they enjoy the gambling part.

22:34.590 --> 22:38.070
True. So I guess what I'm more saying is like the guy, Billy Bob,

22:38.570 --> 22:40.590
should have been one of them. Oh, I see what you're saying. Yeah, right.

22:41.090 --> 22:45.400
But whatever. Well, he's too much of a wuss probably to join Curly Bill's outfit.

22:45.410 --> 22:48.790
Uh, but yeah, you, you want to take us through why it's a visit here?

22:49.290 --> 22:51.950
Because I, I love the entire thing. It's fantastic. He goes up, he talks to

22:52.450 --> 22:55.250
the, the bartender, he's Milt, who's the owner-operator, and he tells him kind of about

22:55.750 --> 22:57.810
the situation. Like you said, with Billy Bob Thornton's character, his name Johnny Tyler is

22:58.310 --> 23:01.150
the name of the character, and he's already Yeah, he's yelling at some guy who's

23:01.650 --> 23:04.120
playing Faro, and he's, you know, he's got this guy sitting next to him.

23:04.620 --> 23:06.950
Apparently he's like, tell him, dealer, you know, oh, you flipped that card over.

23:07.450 --> 23:11.410
Yeah, just unreasonable shit, right? Being absolutely crazy. And so, and so Wyatt walks

23:11.910 --> 23:13.910
up to him and is like, you're in my seat, which is just such a

23:14.410 --> 23:17.810
perfect, like, like, like that power move, that initial thing, be like, you're in my

23:18.310 --> 23:20.850
chair. Yeah, he says, right? And they go back and forth a little bit,

23:21.190 --> 23:24.810
and that's when, uh, Billy Bob, you know, Tyler says, like, you know,

23:25.310 --> 23:28.710
well, you sure, uh, Something about like, you talk big

23:29.210 --> 23:32.410
for a guy who don't go heel. Like, you talk a big game for a

23:32.910 --> 23:35.250
guy who don't go heel, which I think means carry a gun, right? And he's

23:35.750 --> 23:37.850
saying, well, no need to go heel and get a drop on a bulge like

23:38.350 --> 23:40.810
you or whatever. And it's like, he basically is, you know, they're talking shit.

23:41.310 --> 23:43.630
Yeah. And it's like Billy Bob gets up, Johnny Tyler gets up and is like,

23:44.130 --> 23:46.990
I'm gonna kill you. You know, like, whatever, you're making me real mad. And he

23:47.490 --> 23:49.550
goes, yeah, fine, do it. Like, he's basically just, he doesn't have a gun on

23:50.050 --> 23:52.370
him. Yeah. Like, it doesn't seem to, but he's just not afraid of this guy

23:52.870 --> 23:54.790
at all. And he can see it in his eyes, like how scared he is.

23:55.173 --> 23:57.775
And he— I might— one of my favorite lines in a movie full of great

23:57.823 --> 24:01.213
lines is, skin it, skin that smoke wagon and see what happens.

24:01.823 --> 24:05.116
I said throw down, boy. Like, when he says, I said throw down, but it's

24:05.133 --> 24:08.442
like so good. And finally he just grabs him by his ear and drags him

24:08.667 --> 24:11.703
by the end, and he's slapping him. I mean, he's beating him like,

24:11.719 --> 24:15.076
you know, uh, he draws blood. Yeah. I mean, just like it's

24:15.576 --> 24:19.237
a parental of the time type beating that he's putting on this guy who

24:19.269 --> 24:22.417
was so tough that he was driving business away from the casino in the old

24:22.450 --> 24:26.217
fucking West, which is so menacing, if nothing else. That guy around, it was

24:26.249 --> 24:28.814
really great. And he just before leaving Wyatt's like, what do you say, Milt,

24:28.830 --> 24:31.861
about quarter, quarter of the house stake sound about right? So he's now got a

24:32.005 --> 24:35.292
quarter interest in the game at the Oriental. So yeah, so him and Doc

24:35.792 --> 24:39.059
Holliday both kind of figured out ways to, to rip off casinos and different,

24:39.075 --> 24:42.089
you know, protection racket and then, uh, straight-up robbery.

24:42.827 --> 24:45.889
Um, yeah, so, so now, uh,

24:46.113 --> 24:49.336
he encounters Doc Holliday, right? And there's kind of a reunion there.

24:49.496 --> 24:53.921
Yeah. And he calls the sheriff over and the sheriff's like, what the fuck

24:54.421 --> 24:55.597
So as this is happening, uh, Billy Bob comes up with a shotgun. He's like,

24:55.902 --> 24:59.325
oh, why you— and they just like fully ignore his ass. It's really funny.

24:59.373 --> 25:02.445
It's funny. Doc yells out, Johnny Tyler, where you going with that shotgun?

25:02.526 --> 25:05.137
And clearly Tyler knows Doc, and he goes, you know, Doc, I didn't know you

25:05.637 --> 25:08.490
was in town. And he's like— and then he says like, this is Wyatt Earp.

25:08.554 --> 25:12.368
And now, now Johnny Tyler's scared. Yeah, because, because he knows Doc Holliday

25:12.818 --> 25:16.452
personally, and probably not to a point where he would count him a friend.

25:16.581 --> 25:20.180
Like, this is somebody that he's Intimidated by, scared of. He knows, and he knows

25:20.680 --> 25:23.460
Wyatt Earp by reputation, and he's not about to fuck with Wyatt Earp. So he's

25:23.960 --> 25:27.690
just completely like, okay, I'm done. But yeah, when he's just like still standing there,

25:27.760 --> 25:30.680
right? Doc looks up. Oh, Johnny, I didn't realize you were still there. You may

25:31.180 --> 25:34.440
go now. And then when Wyatt calls Fred up, and Doc is

25:34.940 --> 25:37.320
just like, like goddamn it! Oh, I love it too. There's a line here too

25:37.820 --> 25:40.960
where they're talking about how Morgan tells Doc, oh yeah, Wyatt just got us a

25:41.460 --> 25:43.620
game at the Oriental. He's like, you know, oh, like I didn't think you'd go

25:44.120 --> 25:46.740
for that. Well, didn't you always tell me like you know? Gambling is, is a,

25:47.240 --> 25:49.460
is a sport. Or is it— well, I said poker is, you know, like,

25:49.960 --> 25:52.580
but, you know, Faro is— no, nobody— you shouldn't play that. The house always wins.

25:53.740 --> 25:55.680
And Wyatt says, well, it's not like anybody's holding a gun to their head,

25:56.180 --> 25:58.440
make them play. And Doc says, it's what I love about you, Wyatt. You can

25:58.940 --> 26:02.220
convince yourself of anything. It's just like, just another classic,

26:02.720 --> 26:06.240
like, line from Doc Holliday. The sheriff and the marshal are

26:06.740 --> 26:08.760
there kind of talking to them about like, oh yeah, we got law and order

26:09.260 --> 26:12.988
in this town. Like, as this conversation's happening, And then there's a classic like shootout,

26:13.036 --> 26:16.049
like, you accused me of cheating at cards. Yeah, that's right. Cheated at cards.

26:16.466 --> 26:20.249
One guy kills the other guy. Yep. And then immediately the,

26:21.115 --> 26:24.577
the punishment for killing somebody on the streets is you have to hand over whatever

26:25.077 --> 26:28.312
guns you currently have for an indeterminate amount of time. Just until—

26:28.409 --> 26:31.246
just so the judge doesn't see it. Like, that's, that's why. Until you sober up.

26:31.310 --> 26:34.740
Yeah. And it's like— and the guy even says, I think— so this is Turkey

26:35.240 --> 26:38.810
Creek Jack Johnson and Texas Jack Vermillion, or 2 of these characters. And Turkey

26:39.310 --> 26:41.750
Creek is the one who says, you know, like, it was a fair fight.

26:41.870 --> 26:43.930
Like, we, you know, we waited for them to draw. Like, he's saying, like,

26:44.430 --> 26:46.870
we didn't— essentially the gun version of a sucker punch. We didn't sucker punch.

26:47.370 --> 26:50.830
They drew and we defended ourselves. And he's claiming it should be fine. But Fred

26:51.330 --> 26:52.890
White, you know, the marshal is like, no, I got to take your guns,

26:53.390 --> 26:55.430
you know, kind of thing. At least— and again, yeah, for how long, who knows?

26:55.930 --> 26:59.230
Like, doesn't really say. Creek apparently did take a bullet to the ear. He's got

26:59.730 --> 27:02.250
his ears all bleeding. So he got lucky, it looks like. Yeah. But these are

27:02.750 --> 27:06.680
2 fairly important guys who will come back later, right? Texas Jack and future affiliates.

27:07.180 --> 27:10.800
Turkey Greek. Yes, good guys. Um, so now— oh, now we get the fancy wagon

27:11.300 --> 27:13.960
that pulls into town, which is like the theater company, right? Yeah, yeah, it's just

27:14.460 --> 27:17.680
a group of actors. And, uh, and it's— oh yeah, because, because I guess the,

27:17.720 --> 27:21.280
the theater there would show like a bunch of different stuff, so it wouldn't necessarily

27:21.780 --> 27:24.880
be like one production. No, it'd be like traveling crew. Exactly, like they would travel

27:25.380 --> 27:28.360
from town to town. Yeah. And we get Billy Dane. Billy, Billy,

27:28.860 --> 27:32.320
Billy Dane. Just fucking cut that. Uh, Billy Zane and,

27:32.820 --> 27:36.300
uh, Dana Delaney. Right, right. Here, the, uh, fancy actress who are not a couple.

27:36.800 --> 27:39.220
No, no. So it doesn't complicate anything for us there. No. It makes this part

27:39.720 --> 27:42.380
of the movie very easy for us. Right, right. But so she spots,

27:42.880 --> 27:46.060
uh, spots, you know, the, the Earps with, I think, Behan and Doc,

27:46.560 --> 27:48.170
and they're all kind of standing at the one end of the street and,

27:48.240 --> 27:51.220
and makes a comment about, you know, like, I want one, basically.

27:51.720 --> 27:54.000
Yeah. Who's that tall drink of water over there? She's on the back. And he's

27:54.500 --> 27:57.400
like, drink of water? What the hell is that? It's 1890.

27:57.900 --> 28:01.160
Um, but yeah, so, uh, they've arrived. So then we

28:01.660 --> 28:04.357
cut next to their performance, which is like this sort of, uh, a, you know,

28:04.374 --> 28:07.792
set of small sketches and skits, uh, you know, at the Birdcage

28:07.824 --> 28:11.483
Theater. That— the place is all cowboys on the ground floor. There's balconies where,

28:11.980 --> 28:14.837
you know, like, Bian and I think his woman, uh, are up there or something.

28:14.885 --> 28:17.710
Or then it's like Doc and Kate and Wyatt and, you know, all the,

28:17.870 --> 28:21.529
the couples are all kind of sitting up and watching the show. And they start

28:22.029 --> 28:24.466
off with a juggler who somebody— I don't know if it's John Corbett or one

28:24.966 --> 28:28.253
of the other cowboys— like shoots at him or whatever. And like juggling like bowling

28:28.285 --> 28:31.420
pins. Like bowling pins. And he just shoots and he just explodes the pin,

28:31.920 --> 28:35.280
so no harm. But Jesus Christ, right? This is the worst possible situation

28:35.780 --> 28:38.980
as a performer. And then Billy Zane comes on to do the St. Crispin's Day

28:39.480 --> 28:42.760
speech from Henry V, which I'll be honest, I'm actually fairly familiar with that speech,

28:43.260 --> 28:44.800
and it didn't sound right to me. I don't even think those are the actual

28:45.300 --> 28:48.280
words until the very end. Okay, like there's other stuff in there. I'm like,

28:48.780 --> 28:50.640
that doesn't sound right to me. Like, I had— I literally recently had to look

28:51.140 --> 28:53.260
it up to put it in a screenplay I'm writing, so I know like the

28:53.760 --> 28:56.060
St. Crispin's Day speech is fresh in my mind. And he says a bunch of

28:56.560 --> 28:59.770
other stuff first and then gets to the whole like, you know, All who fought

29:00.270 --> 29:02.390
with us on St. Crispin's Day. But it's like a very short version of it.

29:02.890 --> 29:06.509
But they love— the cowboys love it. Curly Bill in particular. I love the Curly

29:07.009 --> 29:10.550
Bill gets up and he's like, that's all kind of stuff. And they're all fucking

29:11.050 --> 29:13.010
shooting guns in the air. All I can think about when they do that is,

29:13.510 --> 29:15.660
what does the ceiling look like? It must just be about to come apart.

29:15.790 --> 29:19.350
Isn't part of the importance of a theater the acoustics? And you're just ruining that

29:19.850 --> 29:23.170
by putting bullets through the ceiling. 100%. Um, oh man.

29:23.670 --> 29:27.237
So then there's kind of a longer Oh, and who's, uh, what's Jason Priestley's character?

29:27.317 --> 29:30.142
I don't know if we talked about Billy yet. So Billy is an interesting guy.

29:30.431 --> 29:34.331
I think he's actually with Behan. Like, I think he's like a deputy county

29:34.909 --> 29:38.311
sheriff guy. He's like with the cowboys, but he's not

29:38.456 --> 29:41.441
one of them. He's not, right? It's an interesting position. Yeah.

29:41.746 --> 29:45.502
Later on, he loves the play though. Yes. He— oh, like, this culture

29:46.002 --> 29:47.973
come to my town. I can't believe— We also get a sense that he is

29:48.006 --> 29:51.260
quite attracted to Billy Zane's character as well. And that's obviously going to complicate

29:51.760 --> 29:54.840
things for him at this time and place. But yeah, I think later we see,

29:55.340 --> 29:58.760
uh, when the Cowboys have been deputized later on in the storyline, he decides to,

29:59.260 --> 30:02.260
to leave them. And it's like, so if he was also deputized but not a

30:02.760 --> 30:05.460
member of the Cowboys, I mean, that's why I'm guessing he's actually with BN at

30:05.960 --> 30:08.640
this stage as well. But he's friends with Curly Bill, uh, for sure. And,

30:09.140 --> 30:11.060
and, you know, Curly Bill has him come over and sit down with him.

30:11.560 --> 30:14.000
Billy, um, a lot of really simple names. And there's a lot of guys named

30:14.500 --> 30:17.390
Bill or Billy or John or, you know. And I know it's like historical,

30:17.580 --> 30:19.920
but I'm like, Curly Bill, if I was trying to think of a really bad,

30:20.420 --> 30:24.020
bad guy, which he is, and he's Sure. That's not that tough of

30:24.520 --> 30:27.520
a name. Curly Bill Brocius. Yeah. I mean, just Bill Brocius sounds— Bill Brocius is

30:28.020 --> 30:31.220
like Bill Brasky. It sounds good as hell, right? Bill Brasky? I know Bill Brasky.

30:31.720 --> 30:35.180
Bill Brocius is 13 feet tall. Um,

30:35.680 --> 30:39.560
so, so the final performance that they have from the theater company is, is Faust.

30:40.060 --> 30:43.380
Right, right. The deal with the devil, like, right. So that's all happening, you know,

30:43.880 --> 30:47.510
very much, uh, like, uh, Sun Tzu's The Art of War appearing in Wall Street,

30:47.540 --> 30:50.680
you know. It's just like, hey, we're not, we're not foreshadowing. Very subtle,

30:51.180 --> 30:54.750
very subtle. Yeah. But whatever, this is a— it's a fucking dumb guy, basically a

30:55.250 --> 30:58.570
dumb guy explosion movie, which I love. And you get a— but it's

30:59.070 --> 31:01.730
a little culture. So they're leaving and then you got them kind of talking on

31:02.230 --> 31:05.750
the way out. And oh, the one who's playing the devil in the play is

31:06.250 --> 31:10.050
this woman, Janet Delaney. Josephine Marcus. Yeah, yeah, who's like— and she's a well-known

31:10.550 --> 31:14.250
actress, right? I guess they— it's a big deal that she's in town. She's the

31:14.750 --> 31:17.550
draw. Yeah, like she's known. People know her by name in this, in this time

31:18.050 --> 31:21.390
and place and everything. And it's very funny too, before she unmasks and bows,

31:21.873 --> 31:24.599
Wyatt says kind of just to no one in particular, he says, well, who played

31:25.099 --> 31:27.535
the devil? And, and, you know, so she takes off her mask and is looking

31:27.567 --> 31:31.047
straight at him, which Maddie even notices. And, and, and Wyatt says,

31:31.095 --> 31:34.464
well, I'll be damned. And Doc leans over and goes, you may indeed,

31:34.688 --> 31:37.736
if you're lucky. That's so good.

31:37.912 --> 31:40.816
He's on fire, dude. It's great. So yeah,

31:41.056 --> 31:44.489
um, yeah, so, you know, he's obviously like, whoa, when he sees her.

31:44.569 --> 31:48.322
Yeah. Uh, on the way out, we've got Morgan again, a great like

31:48.822 --> 31:52.120
kind of plot device being like You guys believe in God? 'Cause I sure do.

31:52.510 --> 31:55.850
You know? What do you think happens when you die? Always beware the character

31:56.350 --> 31:58.930
that has like a very, like a lot of plans for the future and a

31:59.430 --> 32:03.010
strong belief in the afterlife. And also like any youngest sibling, that's just

32:03.510 --> 32:06.550
never a good place to be if you're in a large group of family.

32:07.050 --> 32:10.350
Like don't be the youngest sibling. You're toast. Yeah, so yeah, so they're

32:10.850 --> 32:13.290
talking. And so basically Morgan and Wyatt go off to the Oriental to run the

32:13.790 --> 32:16.770
Pharaoh game for the night. But it's a big, big crowd, partly because they got

32:17.270 --> 32:19.470
rid of Johnny Tyler. So it's just the place in general is getting more attention.

32:19.610 --> 32:23.310
I think because the Earps are involved, that probably attracts a certain amount of talent.

32:23.810 --> 32:27.310
And then the actors are deciding to, to kind of post-show there. Yep.

32:27.810 --> 32:30.200
And so that becomes— So people wanna hang where they're at. Exactly. So it's big.

32:30.290 --> 32:33.010
You got a lot of the cowboys are there. It's just like when Mike The

32:33.510 --> 32:36.990
Situation from Jersey Shore is at a bottle service type event. It's the exact same

32:37.490 --> 32:40.390
thing. Only if he's with Sammi Sweetheart though. Like, um, yeah, no, but, uh,

32:40.890 --> 32:43.970
so the, the actors show up and like people are dancing with Josephine. And,

32:44.470 --> 32:46.350
and it was funny, Doc says something about, you know, if she showed up,

32:46.850 --> 32:48.970
how— what would you do? And, you know, do you consider yourself a married man,

32:49.470 --> 32:52.650
Wyatt? forsaking all others? He goes, yeah, I guess, like, whatever. Which is a shitty

32:53.150 --> 32:55.530
fucking answer, by the way. Like, I get that you're married to a drug addict,

32:55.610 --> 32:58.710
but like, you know. But it is funny where it's like, why it's just

32:59.210 --> 33:02.810
like, well, it looks like my wife is a drug addict. Not that my

33:03.310 --> 33:06.490
wife has a problem that she could use help with. It's like, well, she has

33:06.990 --> 33:09.630
become this thing. What can I do? How could I have had anything to do

33:10.130 --> 33:12.410
with this? How could I? It couldn't possibly be all good. First night in a

33:12.910 --> 33:15.370
new town, she asked me to stay with her. Well, better go out with the

33:15.870 --> 33:18.670
boys. And, and, and, and I couldn't possibly have added to her stress being a

33:19.170 --> 33:19.550
law enforcement officer for decades. That couldn't possibly have been a problem for her.

33:21.965 --> 33:25.918
But anyway, so, so, because I love that when Josephine comes up then to sort

33:26.418 --> 33:29.903
of offer Wyatt a dance, basically he just turns around drinking his coffee or whatever.

33:30.194 --> 33:33.941
And Doc says, I stand corrected, Wyatt, you're an oak. Which comes back because—

33:34.053 --> 33:37.090
Yeah. But yeah, so, so this is basically it. And it's just a lot of

33:37.590 --> 33:40.721
things. But this is, I think, when Curly Bill— yeah, Curly Bill and Ringo

33:41.221 --> 33:44.944
show up to play a little faro and they recognize Doc

33:45.073 --> 33:48.652
Holliday, I think. Or do they know they recognize— there's some chitchat between all

33:48.781 --> 33:51.885
of them at this point. They're all kind of well-known. Why Curly Bill and

33:52.385 --> 33:54.980
Johnny Ringo and Doc Holliday are all kind of known to each other by reputation,

33:55.028 --> 33:58.765
at least. Yeah, yeah, they definitely, they definitely are aware of each

33:59.265 --> 34:02.405
other. And oh, one thing it says, you know, Doc Holliday, the reason that he

34:02.533 --> 34:06.254
made this move is that he thought the heat would be better for his tuberculosis.

34:06.318 --> 34:09.958
Yes, or the dry weather. So basically starting here,

34:10.487 --> 34:11.722
he is Bubba from,

34:13.117 --> 34:16.100
or what's the name from Con Air? Like he is sweaty.

34:16.180 --> 34:19.380
He is like The sweatiest man for the rest of this movie,

34:19.510 --> 34:22.950
which is funny why we talk about the most desirable male. Yeah, because you'd

34:23.450 --> 34:26.390
slide— Slip Inside was big then. Maybe you jump on Val Kilmer and whoop,

34:26.890 --> 34:29.390
right off. It's just so pallid in most of this. It's just, I don't see

34:29.890 --> 34:32.570
it. But anyway, I'm also not the target audience for the most desirable male award.

34:32.869 --> 34:36.220
Uh, but this is okay. This is great. And this is like our first,

34:36.350 --> 34:39.190
our first good like encounter between the two, right?

34:39.690 --> 34:42.330
Groups. And it's interesting, Curly Bill and Ike, uh, Ike Clanton's with them as well.

34:42.830 --> 34:45.460
So Ike and Johnny and Curly Bill are all kind of menacing a little bit

34:45.960 --> 34:48.170
and kind of threatening. But Earp's just like, Wyatt's just like, well, let's just play,

34:48.200 --> 34:50.920
play cards. Like, I'm not here to be a lawman, whatever. I'm here to play

34:51.420 --> 34:55.320
cards. And so, and sure enough, Curly wins $500 real quick.

34:55.820 --> 34:59.240
$500 in 1879 was like a year's wages for like

34:59.740 --> 35:02.940
the average person. Yeah. Uh, you could buy a house for $500. Like, I've seen

35:03.440 --> 35:06.860
some estimates depending on if you're looking at like regular inflation, you know, Consumer Price

35:07.360 --> 35:10.440
Index, like what you could actually buy with it. $500 in the mid— in mid-19th

35:10.940 --> 35:14.440
century was anywhere between several thousand and nearly a million dollars. Just depending

35:14.940 --> 35:18.260
on exactly how you want to, right, you know, determine value. Real estate.

35:18.760 --> 35:21.680
Yeah, because you could buy a house for $500, right? So, so it's very wild

35:22.180 --> 35:23.720
that he wins that on like a single hand of— I don't even know,

35:24.220 --> 35:26.640
by the way, no clue how you play the game Faro. So Faro, I looked

35:27.140 --> 35:30.420
it up. Okay, it's almost like war kind of, but you have like, uh,

35:30.920 --> 35:33.540
there's like 5 cards on each side, so you're trying to like beat the dealer's

35:34.040 --> 35:37.540
card or whatever. Okay. Um, so it's a very simple like higher card type.

35:38.040 --> 35:41.000
Oh, interesting. And I think— I forget how the odds slightly favor the house.

35:41.500 --> 35:45.320
Yeah, but I mean, it's one of those Like you know 52-48 type game.

35:45.820 --> 35:48.520
Probably a draw to the house probably does it or something like right? Yeah,

35:49.020 --> 35:52.260
yeah. Interesting. And it is funny when it shows how successful the casino is and

35:52.760 --> 35:55.940
they're winning like deeds to mines and stuff like that. It's really cool. Very good

35:56.440 --> 35:59.570
stuff. Yeah. So the cowboys they encounter the table there and it's a little tense.

35:59.600 --> 36:02.820
It's a little tense. Bill is playing and he won but they're still the fucking

36:03.320 --> 36:06.580
cowboys. He's still Bill's Bill's fine because Bill wins and he's like

36:07.080 --> 36:09.500
and he even said because Ike's been like John like you're law dog we don't

36:10.000 --> 36:12.310
want no law around here law dog you start. And so then Bill wins $500.

36:12.810 --> 36:14.750
He goes, shut up, Ike. Like, this is good. You know, we're kind of cool.

36:15.030 --> 36:18.310
But Ringo and Doc Holliday start talking to each other, and I love it

36:18.810 --> 36:22.730
is that like, you know, Ringo— Doc says something about Ringo, whatever, and Wyatt goes,

36:23.230 --> 36:26.070
don't worry about him. He's drunk. He goes, in vino veritas. And I don't know

36:26.570 --> 36:28.050
the rest of it, but they then speak back and forth to each other in

36:28.550 --> 36:31.790
Latin several times. I was disappointed in the subtitles because I really wanted

36:32.290 --> 36:35.210
to see what they were saying. But he then says to Kate, Doc does,

36:35.710 --> 36:38.930
he goes, oh, it would appear that Mr. Ringo is an educated man.

36:39.300 --> 36:43.030
Now I really hate him. Yeah. Oh, first he said he hated him because

36:43.530 --> 36:47.040
he reminded him of him or something, right? Reminds me of me.

36:47.630 --> 36:51.170
But then, so Ringo decides to pull his gun and do the, like,

36:51.670 --> 36:54.310
you know, sort of, I'm twirling around and back and forth and spinning it and

36:54.810 --> 36:57.590
doing this, which I'm always thinking to myself, man, you know, the amount of pressure

36:58.090 --> 37:01.310
you need, if maybe if the hammer's not cocked back, it takes more. But like,

37:01.810 --> 37:04.850
that seems dangerous. I don't think that gun had a safety on it back then.

37:05.350 --> 37:07.890
There's no such thing. So it's like, that's gonna potentially go off in any direction.

37:07.900 --> 37:11.100
But he does this really impressive stuff. Everyone loves it. Who's cheering?

37:11.600 --> 37:14.520
And it's like very much like, wow, this is the entertainment of 1879. Like,

37:15.020 --> 37:18.500
you know, um, and so then Doc, not armed, uh, has his little,

37:19.000 --> 37:21.900
uh, tin cup that he's got, you know, whiskey or whatever he's got in it,

37:22.400 --> 37:25.300
tequila or something, and he starts flipping it around using the little like handle of

37:25.800 --> 37:28.520
the mug. And everybody loves that as well. I love that. But it also diffuses

37:29.020 --> 37:32.520
the situation completely, and Bill laughs about it, and it's like, all right, come on,

37:33.020 --> 37:35.359
let's go. And so it's really great. Great. We get a scene real quick in

37:35.859 --> 37:38.486
this moment too. We're showing how prepared Wyatt is. He's got a— it's like a

37:38.986 --> 37:42.719
sawed-off shotgun attached to the bottom of the table that he can reach and shoot

37:42.735 --> 37:45.926
at somebody who's across from him. So he is, you know, prepared for, for the

37:45.942 --> 37:48.861
worst to happen. But luckily he doesn't have to deal with it because, uh,

37:49.069 --> 37:52.212
Doc actually both started the shit and defused the

37:52.712 --> 37:56.958
shit. And as unpredictable as Doc was, that was a big kind

37:57.458 --> 38:00.614
of moment because like he could have turned that into a bloodbath and probably taken

38:01.114 --> 38:05.120
out all those Like the idea is that as good as Johnny Ringo is,

38:05.620 --> 38:09.180
Doc is so legendary and good that like he's like unfuckwithable, you know, even if

38:09.680 --> 38:13.240
there's multiple people there. So Wyatt is kind of like

38:13.740 --> 38:17.080
the next day he's on a little I'm gonna go on a ride up and

38:17.580 --> 38:20.410
he encounters Josephine, yes, who's on a pale horse.

38:21.220 --> 38:24.860
Dun dun dun. But they've

38:25.360 --> 38:28.240
kind of a nice, you know, little flirty get to know each other. And the

38:28.740 --> 38:31.220
thing is that the horses want to fuck each other. So it's like springtime.

38:31.720 --> 38:34.140
It's like hey, I can't help it. I'm on top. of this thing that wants

38:34.640 --> 38:36.470
to fuck the thing that you're on top of. So we just gotta go.

38:37.220 --> 38:40.440
Well, he suggests that they just go their separate ways. And she's like,

38:40.940 --> 38:44.280
let's run it out of them. And she's sidesaddle. So the amount of like crazy

38:44.780 --> 38:48.280
horse racing she's doing sitting sidesaddle is impressive. 'Cause that would

38:48.780 --> 38:51.260
have to be very easy to fall off. You know what I mean? Like,

38:51.760 --> 38:54.860
but she's able to not fall off. So they go and they find a little

38:55.360 --> 38:57.560
picnic spot, sort of, not really with like food, but they sit down and like

38:58.060 --> 39:00.740
the horses water. It's really cute too when the horses are— They're like, they're tall.

39:01.240 --> 39:03.160
Their little heads are like next to like their horse kissing or whatever. Luckily they're

39:03.660 --> 39:05.750
not actually banging, but you know, You know, that would have been a lot more

39:06.250 --> 39:09.090
graphic. It would have got it the NC-17 instead of R here. Um, and we

39:09.590 --> 39:12.390
would have had a link to Boogie Nights too. Exactly right. But, uh, but yeah,

39:12.890 --> 39:15.010
so they're just chatting and, you know, she's asking him questions about what he wants

39:15.510 --> 39:17.970
out of life. Are you happy? And he thinks it's even ridiculous to ask yourself

39:18.470 --> 39:21.030
questions like that. And yeah, he comments that he's never met a woman who talks

39:21.530 --> 39:22.870
like you and all this stuff. And so he's like, well, I'm happy as the

39:23.370 --> 39:26.340
next man, I guess. Which is like, oh man, that's not a great answer.

39:26.610 --> 39:29.790
Yeah. Uh, and but this is clear, this is the romance building. You know,

39:30.290 --> 39:33.970
we— it was made clear right away Josephine wanted him. Like, yeah, we've seen several

39:34.470 --> 39:37.557
things of that. And he's obviously finds her attractive. But now we're getting

39:37.589 --> 39:41.426
to where he recognizes that life might not be the same if

39:41.926 --> 39:44.557
he were with Josephine as it is that he's with Maddy, right? And that's,

39:44.798 --> 39:48.395
and that's sort of the real first sort of seed

39:48.571 --> 39:51.846
of my marriage is not going to last forever kind of

39:51.879 --> 39:55.266
thing, right? Well, and she's, you know, in his world, like, he's a lawman

39:55.766 --> 39:59.521
in Kansas, and then to him, the greatest possibility for the expansion of

39:59.569 --> 40:03.140
his universe was going to Tombstone and striking it rich there with his wife

40:03.640 --> 40:06.940
and his brothers, right? And he now has shown him that the world is millions

40:07.440 --> 40:10.440
of times bigger than even that. So he's just like, what the fuck? Yeah.

40:10.940 --> 40:14.220
And, uh, he's— oh, and she says that she's with, like, since they

40:14.720 --> 40:18.200
can't be together, she's with B-Man right now. Just for now. Can you fucking untilt

40:18.700 --> 40:22.380
his hat, please? And she just says he's handsome and he's charming and

40:22.880 --> 40:24.680
that's it. But he, you know, she does— she makes it clear she doesn't have,

40:25.180 --> 40:28.420
like, long-term interest in B-Man. Like, you know, whenever her troupe moves

40:28.920 --> 40:31.180
on, right, they're obviously there for a little while to do some shows in town.

40:31.230 --> 40:34.530
she's not gonna bring him with her or come back to him.

40:35.030 --> 40:37.610
That's just while they're there. It's a good guy to connect yourself to, honestly,

40:38.110 --> 40:40.410
when you're in a new town, like the lawman. And like you said, like,

40:40.910 --> 40:44.780
he's a good-looking guy. He's well-dressed, except for one fucking thing.

40:45.490 --> 40:47.890
We could lose the cane on top of the hat. We could lose both the

40:48.390 --> 40:50.270
cane and the hat. We could use the cane to knock the hat off his

40:50.770 --> 40:52.590
head, then he's wonderful. Then I'll marry him.

40:53.210 --> 40:57.190
So yeah, this is really a nice little encounter.

40:57.690 --> 41:00.950
And she's like, you know, I'm not a lady. And Doc's like, oh, you're a

41:01.450 --> 41:04.080
wife. It's like, you're a lady, all right. You know, it's very— It's, it's,

41:04.580 --> 41:07.600
it's cute while we're also making it clear we are talking about adultery here.

41:08.100 --> 41:10.740
Oh, 100%. But it's still somewhat cute. So— That's why they had to show him

41:11.240 --> 41:14.470
save the horse from getting slapped early on, because they're like, remember, good guy here.

41:15.140 --> 41:19.090
So then, uh, he goes home and Maddie is just destroyed,

41:19.260 --> 41:22.540
wasted on Laudanum, uh, giggling in bed,

41:23.040 --> 41:26.800
sweating, just like— it's a real nightmare. And he tries to like sort of—

41:27.300 --> 41:29.600
oh, like they talked about room service, Wyatt and Josephine. So he goes to Maddie

41:30.100 --> 41:32.330
and is like, why don't we just just pick up stakes. So apparently they've already

41:32.830 --> 41:35.590
made a ton of money. There's not a real clear sense of how much time

41:36.090 --> 41:38.269
has passed since their arrival in Tombstone. If you told me it was 5 days

41:38.769 --> 41:40.990
or you told me it was 5 months, I'd probably believe you either way,

41:41.030 --> 41:44.930
right? Sure. But apparently it's enough that they've already made a ton of money

41:45.430 --> 41:48.770
just running the game at the Oriental. They're only getting a quarter of the profits

41:49.270 --> 41:51.790
as well. But he says, why don't we just pull up stakes and keep going

41:52.290 --> 41:54.230
and we'll get room service, whatever? And she just thinks this is the most ridiculous

41:54.730 --> 41:57.210
thing. She laughs at it, but then— but is also like laughing in the way

41:57.710 --> 41:59.910
you laugh at someone because you think they told a joke. You know what I

42:00.410 --> 42:03.190
mean? Like, she's not really laughing at him so much as she's laughing at the

42:03.690 --> 42:06.510
funny joke she thought he told, and he was being serious. And she seems so

42:07.010 --> 42:10.230
out of it anyway that her response to a lot of things will just be

42:10.730 --> 42:14.190
laughing at it. Like, something that she doesn't want to have to seriously consider is

42:14.690 --> 42:18.150
something she's just gonna laugh at. Yep. Um, yeah, so she's really out of

42:18.650 --> 42:22.250
it, and that's disappointing for, for Wyatt. Yeah. Because he's like, man, you know,

42:22.750 --> 42:26.110
comes home from meeting Josephine, and it's not even quite in his head yet,

42:26.610 --> 42:29.799
like, I'm gonna run away with Josephine. No, but— Hey, what if we did this?

42:29.895 --> 42:33.487
Yeah. Hey, what if you became this different chick? He's trying— like, that's— see,

42:33.503 --> 42:35.058
that's a good point at the end. What you just said at the end there

42:35.106 --> 42:38.041
is why it doesn't work for him in sort of a good guy way.

42:38.378 --> 42:41.729
But he thinks he's being the good guy by falling for this other

42:41.825 --> 42:44.968
woman, and instead of just leaving his wife for her off the bat,

42:45.273 --> 42:49.057
he tries to twist his wife into her. Yeah. And in his mind, that's like

42:49.282 --> 42:52.184
more noble, better. That's like— it's like, no, no, no, no, no,

42:52.264 --> 42:56.140
dude. That's still cheating, still emotional, whatever. whatever it

42:56.640 --> 42:59.480
is. It's all bad, but yeah, betrayal of some kind. So, um, later that night

42:59.980 --> 43:02.940
we're back at the Oriental. Uh, Doc is playing piano, Kate's sitting against him,

43:03.440 --> 43:06.220
and a couple of cowboys including Thomas Haden Church and Ike Clanton are both there.

43:06.360 --> 43:09.910
And, uh, and I love Thomas Haden Church so much.

43:10.340 --> 43:13.380
Uh, he's great in this. I— it— again, we're talking about the

43:13.880 --> 43:16.640
lack of name diversity. Yeah, yeah. It's like, it's like the wedding at Goodfellas,

43:17.140 --> 43:20.860
right? Everyone's either named Billy or Bill. Yeah. Or, well, like, he's another

43:21.360 --> 43:24.680
young Billy, but he's not Billy the Kid. Nope.

43:25.180 --> 43:28.760
He is Billy A. He's also not the Jason Priestley Billy. He's not Bill—

43:29.260 --> 43:32.260
well, he's not Curly Bill. He's not Wild Bill. He's not— yeah. And Jason Priestley

43:32.760 --> 43:36.160
has a curly mustache. He's not Curly Bill. That's correct. Powers Boothe with a

43:36.660 --> 43:40.140
straight mustache is Curly Bill. Um, but anyway, so yeah, so this is another— this

43:40.640 --> 43:43.800
is Billy Clanton. I think this is Ike's brother, I think, is who this is.

43:44.300 --> 43:47.720
I'm not 100% sure, but, but they're, they're, uh— he basically— Doc is playing

43:48.220 --> 43:52.040
Chopin. He's playing Nocturne by Chopin on the piano, and, and Thomas Haden Church doesn't

43:52.540 --> 43:54.787
like this, and he's like, you know, why don't you play some Oh, Susanna,

43:54.803 --> 43:58.335
Camptown Races, you know, uh, Stephen Foster, you know, Stephen Stinking

43:58.367 --> 44:01.267
Foster. And Doc looks at him and goes, well, this is Nocturne. He's like,

44:01.348 --> 44:04.239
what? You know, Frédéric fucking Chopin.

44:05.060 --> 44:07.702
This is so good. This is really good. And I love that they had their,

44:07.718 --> 44:11.277
like, Stephen Foster was like their, uh, like New Kids on the

44:11.777 --> 44:15.534
Block of the day. Exactly. If you're like a cultured guy, you're like, Stephen Foster,

44:15.550 --> 44:19.099
you piece of shit. Uh, yeah, really fun. He's like, look,

44:19.164 --> 44:22.900
man, I only know 4 songs. Like, we're gonna be here all

44:23.400 --> 44:27.140
night. I'll get to it. I don't know, Doc probably does know a lot.

44:27.640 --> 44:29.920
He probably does like Mozart and Beethoven and Bach and shit. Like, I could see

44:30.420 --> 44:33.720
all that. I kind of like the pre-recorded music era is so interesting

44:34.220 --> 44:37.200
because like you had to know a guy who could play like a piano or

44:37.700 --> 44:41.060
guitar, whatever the fuck, or sing, or be okay with someone who's

44:41.560 --> 44:44.520
trying who's not that good. Yeah, you know, if you're lucky there was a player

44:45.020 --> 44:47.180
piano. That was like the first, the first type of recording, right?

44:47.786 --> 44:51.472
Right? Uh, so we've got, uh, we've got Curly Bill in

44:51.972 --> 44:55.317
an opium den, right? And he's out of his mind,

44:55.493 --> 44:58.682
right? Looking like Matty. And he comes out of there, yeah, and he's like,

44:58.762 --> 45:02.191
oh, this actually— she's correct, I feel fucking

45:02.319 --> 45:06.325
great. Like, and he has this crazy— I mean, I love how they

45:06.825 --> 45:10.843
make him like 25% Captain Hook in this movie. Like, there's some goofiness to

45:11.343 --> 45:16.534
him that they add that really— I love Powers when he says, I feel Capital.

45:16.710 --> 45:20.370
Yes, I love it. It's so good. And he comes out

45:20.498 --> 45:23.291
and he's like shooting it, and then there's a great camera shot of him like

45:23.791 --> 45:26.356
firing his guns at the moon, but he's coming straight at the camera. Yeah,

45:26.452 --> 45:29.534
really good stuff. I will say though, this is the first, uh, one of many

45:29.566 --> 45:33.241
indicators in this movie that, uh, all guns— no gun ever

45:33.741 --> 45:37.109
needs to be reloaded. Nope. Because he has 2 6-shooter revolver

45:37.609 --> 45:41.025
pistols and he fires 20 shots. I counted 5 from the gun in

45:41.525 --> 45:43.690
his left hand, 7 from the gun in his right hand, and 8 that we

45:44.190 --> 45:47.396
can't see him when he's firing, so we don't know which hand it came

45:47.445 --> 45:50.830
out of. But that's 20 shots, and there's no— there's no way in his state

45:51.330 --> 45:54.649
that he's sitting there carefully reloading the little cylinder. Here's the thing,

45:54.938 --> 45:58.613
Steve does not need to be a ballistics expert to understand how many shots

45:58.677 --> 46:01.645
a 6-shooter would have available to it.

46:02.367 --> 46:05.625
Yeah. I love it. This would be a good analysis someday,

46:05.898 --> 46:09.139
is, uh, which movie has the most, like, superfluous gunshots that,

46:09.187 --> 46:12.412
like, couldn't have been possible. There's so many later in the

46:12.912 --> 46:15.269
movie too. But, but yeah, a lot of— a lot of shotguns that clearly have

46:15.365 --> 46:19.150
2, barrels and 2 shells that get fired 7, 8, 9 times without

46:19.650 --> 46:23.210
being opened. Yeah, it's pretty funny. Uh, but basically, uh, Fred White, the marshal,

46:23.710 --> 46:26.470
comes out to try to take Curly Bill's guns away because— Very reluctantly, because all

46:26.970 --> 46:29.750
the lawmen are kind of like— the sheriff and the marshal are looking at each

46:30.250 --> 46:33.310
other. He's like, oh, someone should do something. The sheriff's like, oh, this is not

46:33.810 --> 46:36.970
a county issue, this is a town. It's like, be in, you punk. So he

46:37.470 --> 46:40.150
goes out, uh, to try to take the guns away from Curly Bill, and Bill

46:40.650 --> 46:42.590
at first is kind of like, oh hey, Fred, sure. And he's like, you know,

46:43.090 --> 46:45.510
you know, sort of like does that thing where you haven't dropped the guns,

46:46.010 --> 46:49.370
but you're not holding the, uh, the handles anymore, you know, the, the whatever.

46:49.870 --> 46:51.950
And so he goes up, but he still ends up kind of pointing the guns

46:52.450 --> 46:54.610
upside down at Fred and shooting one of them right in his chest. I mean,

46:55.110 --> 46:57.670
because that's gonna kill you instantly. Yeah, especially back then. I mean, if not instantly,

46:58.170 --> 47:00.230
it's not like it's recoverable, right? You know, that kind of thing. And so he

47:00.730 --> 47:04.350
shoots, and it seems like Curly Bill's even surprised. He goes, Fred? Like, he almost

47:04.850 --> 47:07.310
like he didn't mean to or something. Yeah, was he that fucked up, or was

47:07.810 --> 47:10.650
he just messing with him? Yeah, because it gave us a real good blast of

47:11.150 --> 47:13.990
like the Cape Fear score dramatic music. It was like, yeah,

47:14.490 --> 47:16.990
like really, uh, really hit you hard. So Wyatt comes out of the Oriental and

47:17.490 --> 47:20.230
slams Curly Bill in the head, knocking him out with a gun. And, and everybody

47:20.730 --> 47:23.210
out now, all these townspeople are like, he killed Fred White, get a rope,

47:23.790 --> 47:26.250
like go hang him up. And Wyatt's like, no, no, he'll stand trial. He'll go

47:26.750 --> 47:29.590
before a judge, he'll stand trial, you know, whatever. There'll be justice, but it's not

47:30.090 --> 47:33.290
going to be street justice. Of course, all the cowboys, Thomas Haden Church, Ike Clanton,

47:33.790 --> 47:35.910
they're saying like, cut him loose, let him go, he's a cowboy, not none of

47:36.410 --> 47:39.820
your business, like whatever. Wyatt's not gonna do that either. I love when he gets—

47:40.320 --> 47:42.420
Ike comes and kind of rushes at him and he gets his pistol, Wyatt does,

47:42.920 --> 47:46.060
right up against Ike's forehead. And it's like, he's like, you die first,

47:46.560 --> 47:48.540
you get it? Your friends may get me in a rush, but not before I

47:49.040 --> 47:51.480
turn your head into a canoe. Do you understand? Like, I mean, he's just like—

47:51.980 --> 47:53.550
and you know, they're all like, oh, he's bluffing. And Ike's like, you're not bluffing.

47:53.680 --> 47:56.560
Yeah. He's not bluffing. Back off, back off. He's not bluffing.

47:56.820 --> 47:59.480
Um, and then I love Doc comes out to help and Thomas Haden Church is

47:59.980 --> 48:02.320
like, oh, it's the drunk piano player. You're probably so drunk you're seeing double.

48:02.700 --> 48:05.980
And Doc just pulls a second gun and goes, I've got a gun for the

48:06.480 --> 48:09.550
both of you. Oh my God. I think that would work, actually.

48:10.050 --> 48:12.930
Yeah, right? I think so. Yeah, both. You probably hit one or the other,

48:13.430 --> 48:15.810
right? Maybe it would just go to either side of the actual target though.

48:16.310 --> 48:19.810
I don't know. Oh my God, it's so good. And so luckily,

48:20.310 --> 48:22.270
you know, they were able to get them to, to take off. Well, Morgan and

48:22.770 --> 48:24.810
Virgil show up and kind of, you know, disperse the crowd. They got their own

48:25.310 --> 48:28.150
guns, whatever. And it's whatever. But the very next scene is we find the Urp

48:28.650 --> 48:31.730
Boys all talking to each other, and White's explaining how the judge said,

48:32.230 --> 48:34.530
well, did you see White get shot? He goes, no, by the time I got

48:35.030 --> 48:37.290
there, White was dead. He's like, well, then there's no crime if there's no witness,

48:37.350 --> 48:40.850
which is like Like the most amazing legal argument I think I've ever heard in

48:41.350 --> 48:44.750
my entire life. Dude, it's totally a like I don't it's Friday

48:45.250 --> 48:48.390
at four forty-five p.m. and I don't feel like doing the paperwork kind of thing.

48:48.890 --> 48:51.570
Like B plus B plus B plus Ednik Roboppel like just trying to end her

48:52.070 --> 48:55.790
day. Yeah, so great billiards room by the way for the

48:56.290 --> 48:59.010
time. I mean how great of a spot would that have been to hang out?

48:59.510 --> 49:01.750
Absolutely. Looks like maybe it's a side room at the Oriental, not the same room

49:02.250 --> 49:05.750
with the Pharaoh tables in it, but and Bill passed. Oh, I love this game.

49:06.250 --> 49:07.750
You know someday when I have me my own big house, I'm gonna build me.

49:08.740 --> 49:11.950
my own billiards table. You know why? Because I believe in God and

49:12.450 --> 49:14.570
I'm gonna live forever. And I wonder if anything bad will happen to him while

49:15.070 --> 49:17.790
playing billiards later on. Okay, so, um, this is actually also— this is a good

49:18.290 --> 49:20.150
scene though because they're talking about how much money they're making on this stuff,

49:20.650 --> 49:23.650
and you start seeing Virgil not being super comfortable with it.

49:24.150 --> 49:27.090
Yeah, he's sitting, he's kind of hanging his head, he's drinking pretty hard. It's clear

49:27.590 --> 49:30.030
that he is struggling a bit, and he's the first one to really start commenting

49:30.530 --> 49:33.510
to them about, you know, that the town is in trouble. Like, the people who

49:34.010 --> 49:37.170
just live here and want to just live their lives are hurting. Yeah, the cowboys

49:37.670 --> 49:40.030
are hurting them, and we're just making money off this town, and that sucks.

49:40.530 --> 49:42.930
Like, I don't— I'm not happy about that. I don't like that. Um, when he

49:43.430 --> 49:46.070
goes outside, Virgil goes to go home, he like pulls a kid out of the

49:46.570 --> 49:49.250
street before he's about to get run over, you know, gives him back to the—

49:49.750 --> 49:51.030
I can't tell if it's the mother or the schoolteacher, but it's a woman with

49:51.530 --> 49:53.730
a bunch of kids with her. Yeah, she's got a huge scar down her face,

49:54.230 --> 49:56.250
and it's all these things reminding Virgil like, this is a fucking hard place to

49:56.750 --> 49:59.850
live. Yeah, this is like a terrorized population here, and we just happen to have

50:00.350 --> 50:03.288
like one of the few profitable types of businesses, right? And, and are,

50:03.481 --> 50:06.372
are men who are— which is no problem defending themselves. On the population, like,

50:06.693 --> 50:10.001
how many women with a scar in their face like that is because their husband

50:10.501 --> 50:12.844
lost at fucking Faro the night before? Or got super drunk at a bar,

50:13.117 --> 50:16.088
right? Like, right, yeah, between alcohol and gambling, that's, that's, you know,

50:16.425 --> 50:19.637
who knows what else is happening at that place too. Um, so then we cut

50:20.137 --> 50:22.704
to the next scene and Virgil is now the town marshal. Town needed a new

50:23.204 --> 50:26.558
marshal, Frank White died, uh, and he's now town marshal and he's putting up a

50:26.607 --> 50:30.460
decree that says you cannot carry guns in And people are

50:30.960 --> 50:32.960
up in arms with this. And it's not just the cowboys. This is like townspeople

50:33.460 --> 50:35.380
are pissed about it, right? They're kind of like, this is stupid. And he's like,

50:35.430 --> 50:39.220
well, my— They're calling him Virgil Hussein Earp. Exactly. You know,

50:39.720 --> 50:43.000
thanks Obama, Virgil. But he says, we're not saying you can't own a gun.

50:43.500 --> 50:45.360
We're not saying you can't carry a gun. We're just saying you can't carry a

50:45.860 --> 50:48.720
gun in town. The world's first gun-free zone, apparently.

50:49.220 --> 50:52.980
Yeah. And you know, it doesn't really— But what am I gonna put my holsters?

50:53.480 --> 50:56.840
Right. So, but then, and then Wyatt shows up and

50:57.340 --> 50:58.780
is pissed. He's like, I told you we're staying out of it. Like the whole

50:59.280 --> 51:01.752
thing he's arguing with him with, with Virgil. And then Morgan, he's like, Morgan,

51:01.768 --> 51:04.720
back me up. And Morgan, you know,

51:04.881 --> 51:08.715
you back your brother's play. So they're now both marshals, and Wyatt is pissed

51:08.763 --> 51:12.100
about it. He is just not happy about it at all. Um, but yeah,

51:12.116 --> 51:15.213
that's, that's it. Yeah. And Morgan's response is like, you know what, Wyatt, I did

51:15.245 --> 51:17.315
the thing that I thought you would do, and I backed my brother up.

51:17.363 --> 51:20.716
There you go. So we got some good conflict between them. Yeah, exactly.

51:20.925 --> 51:23.909
Um, so, uh, so Doc, and, uh,

51:24.214 --> 51:27.506
Doc is now He's still at the Oriental. He's still playing at the

51:28.006 --> 51:30.799
Oriental. And they say he's been going 36 hours. 36 hours, which, you know,

51:30.992 --> 51:35.265
not great for anybody. Mike McD

51:35.313 --> 51:38.269
would have a tough time. I would say it's not a great idea to be

51:38.285 --> 51:41.739
awake gambling, drinking, and smoking cigarettes for 36 hours, no matter who you are.

51:41.819 --> 51:45.016
If you have tuberculosis, I think in particular, maybe don't.

51:45.659 --> 51:49.145
Yeah. I'm not a medical professional, but that's my thing.

51:49.209 --> 51:52.197
So he's playing— And depending on when your monthly glass of water was.

51:53.288 --> 51:56.753
You only get a couple. But yeah, but Ike

51:57.253 --> 51:59.913
is playing poker, actually. That's right, he's not playing Faro, they're playing poker. And,

51:59.945 --> 52:03.073
uh, Ike accuses Doc of cheating. Doc gets accused of cheating a lot.

52:03.394 --> 52:06.201
Yeah. So either he does cheat, which it seems like is very likely, or he's

52:06.218 --> 52:09.682
very good at cards and just gets accused of it a lot. Um, but you

52:10.182 --> 52:13.500
know, I'm trying to see here. So Ike basically threatens, uh, Doc.

52:14.062 --> 52:17.896
Uh, they kind of defuse it, but then Doc starts coughing

52:17.928 --> 52:20.304
up blood and falling down, and they gotta get get— like, White and a couple

52:20.320 --> 52:22.344
people got to get Virgil, got to get him out of there to get him

52:22.844 --> 52:26.264
to like a doctor or something. Um, and then before Ike leaves, he like slaps

52:26.280 --> 52:29.205
Milt the bartender and is all talking shit about the Earps, whatever. And so Virgil

52:29.253 --> 52:32.209
just knocks him out and arrests him, um, puts him in the drunk tank or

52:32.709 --> 52:36.081
whatever they've got there at Tombstone County City Jail or

52:36.581 --> 52:39.214
whatever the fuck it is. And Ike is accusing the Earps of like,

52:39.375 --> 52:42.476
you're in league with Doc Holliday. Yeah, yeah, like you're, you're all

52:42.492 --> 52:45.737
working here like helping to rip me off. And he kept calling them

52:45.770 --> 52:49.070
And I remember, like, when my friends were all watching this movie in the

52:49.570 --> 52:51.370
late '90s, if someone was like, you're a pimp, you're a pimp, I'd be like,

52:51.870 --> 52:54.030
no, thank you. It had a very similar phrase. P to the I to the

52:54.530 --> 52:57.930
M to the P. Um, so, so yeah,

52:58.430 --> 53:00.690
Ike wants to kill them, and they're able to take him into jail. Uh,

53:01.190 --> 53:04.610
in the meantime, the doctor is visiting Doc Holliday and being like, all right,

53:05.110 --> 53:08.610
bro, like, you have to rest hard as hell. Like, you're not going to get

53:09.110 --> 53:11.930
better unless you do that. Also, you're not allowed to fuck. Yeah, exactly. Don't,

53:12.430 --> 53:15.310
don't drink, don't smoke, don't gamble, don't stay up late, don't have sex, all this

53:15.810 --> 53:19.310
stuff. And, and he's like, No, that's not

53:19.810 --> 53:23.350
gonna happen. And Kate, by the way, is a horrible enabler as well, because she

53:23.850 --> 53:27.350
walks over, you know, look, frankly, looking all good and like getting on the bed

53:27.850 --> 53:30.150
with him, but then gives him the cigarette to smoke. And it's just like,

53:30.650 --> 53:32.810
man, that, that, you know, he even says something about, I think you'll be the

53:33.310 --> 53:36.250
death of me or something. Yeah, it's like, no shit, dude.

53:37.530 --> 53:41.010
Um, but now the, the, the Clantons, Billy and Ike

53:41.510 --> 53:43.490
Clanton, and a couple other cowboys, about 6 of them altogether, have come back into

53:43.990 --> 53:47.240
town and are telling everybody that they're gonna kill the Earps. Yep. They're just making

53:47.740 --> 53:51.400
sure everybody knows, we're gonna kill the Earps. And so they all hang out at

53:51.900 --> 53:55.840
the sort of this area behind the O.K. Corral. And initially

53:56.340 --> 53:59.800
Wyatt's like, let's just let 'em sober up, it'll be fine. And Virgil's

54:00.300 --> 54:01.680
like, no, it won't. Like, they're just gonna, you know, even if they don't do

54:02.180 --> 54:04.180
anything today 'cause they're drunk and they sober up and don't do anything, they're just

54:04.680 --> 54:07.320
gonna be back. Like, it's not anything. He goes, and this is the important part

54:07.820 --> 54:10.240
about Virgil's sort of decree about town is that they're carrying guns, they're breaking the

54:10.740 --> 54:13.280
law, we can arrest them. We're not shit unless we're enforcing these laws that we

54:13.780 --> 54:14.660
just put in. Like, no one's gonna respect us if we say this is the

54:15.160 --> 54:18.540
law Yeah, and then let these guys do whatever the

54:19.040 --> 54:21.580
fuck they want. Exactly. Wyatt's argument is like, oh, that's a misdemeanor, like whatever,

54:22.080 --> 54:24.500
you know. But it's like, you know, Virgil's pointing out, look, they're threatening our lives.

54:25.000 --> 54:27.860
We're law enforcement. They're threatening our lives and they're doing this. They're carrying guns,

54:28.360 --> 54:31.640
they're breaking laws. Like, we need to go enforce the laws. Yeah. And so Wyatt

54:32.140 --> 54:34.120
acquiesces and goes, all right, well, you might as well swear me in then.

54:34.620 --> 54:37.400
So now he's a marshal as well. Uh, I feel like at that time,

54:37.900 --> 54:40.500
it's funny, like the misdemeanor talk. I feel like there were 3 punishments you could

54:41.000 --> 54:44.190
have. You could have get out of town, You could have one night in

54:44.690 --> 54:47.770
jail or you can have hanged. Yeah, pretty much. Like, just nothing else. Maybe there

54:48.270 --> 54:51.590
was a duel in there somewhere. I don't know. Yeah. But basically they swear Wyatt

54:52.090 --> 54:54.430
in and then Doc shows up with a shotgun. Or no, he doesn't show up

54:54.930 --> 54:56.070
with a shotgun. He just shows up and they're like, shouldn't you be in bed?

54:56.570 --> 54:59.470
And he's like, no, I heard what was going on. I'm here, you know?

54:59.500 --> 55:01.870
And so they give him the long gun and they all, just the 4 of

55:02.370 --> 55:04.550
them, the 3 Earps and Doc decide to walk down to the O.K. Corral.

55:05.050 --> 55:07.790
And what a shot. What a scene. It's really great. It's so, it's so— There's

55:08.290 --> 55:10.750
a building on fire for some reason. I'm not really sure what got set on

55:11.250 --> 55:14.480
fire, but something got set on fire. Yeah. And, and, you know, again, I'm just—

55:14.980 --> 55:17.020
I haven't done it yet, but almost certainly the, the COVID art for the episode

55:17.520 --> 55:20.500
today will be some form of them walking down the street with that burning building

55:21.000 --> 55:23.200
behind them. It's a classic look. Um, but they're heading to the O.K. Corral.

55:23.700 --> 55:26.020
This is like— this is the kind of thing that you've heard of even if

55:26.520 --> 55:28.600
you've never seen the movie Tombstone. For sure. Like, if you have any— have had

55:29.100 --> 55:31.860
any education in the history of the Old West at all, the shootout at the

55:32.360 --> 55:35.380
O.K. Corral, or the showdown at the O.K. Corral, whichever it's referred to, is a

55:35.880 --> 55:39.480
famous real-life event that occurred in Tombstone, Arizona. It's not made up.

55:39.980 --> 55:43.040
So they get there, and luckily for them, immediately 2 of the cowboys run off.

55:43.540 --> 55:46.080
Like, they basically are like, we're here to arrest you. Well, the sheriff— as they're

55:46.580 --> 55:50.240
walking there, the sheriff runs by them, right, and is like, uh, I just disarmed

55:50.740 --> 55:53.560
them, so don't even worry about it. It's like, what the fuck? And then he

55:54.060 --> 55:56.600
goes and like hides in some, you know— Oh yeah, he hides in what appears

55:57.100 --> 56:00.560
to be like a boudoir photo shoot for Josephine. Um, but yeah, so,

56:01.060 --> 56:03.200
so there's that. And they're right— that's right there. So they're kind of watching through

56:03.700 --> 56:06.220
the window, and there's all this stuff that's like everybody's kind of And I just

56:06.720 --> 56:10.130
paused, right? There's 4 on 4. Everybody's like, nobody's pulled their guns yet.

56:10.220 --> 56:13.800
Although, although obviously, uh, Doc's holding the shotgun. Yeah. But again, everybody else is holstered

56:14.300 --> 56:17.880
and there's kind of whatever. But then Doc winks at Thomas Haden Church's character,

56:18.380 --> 56:22.540
who then reacts, and Wyatt like clocks it and is like, oh damn, or whatever.

56:23.040 --> 56:26.340
It's like, and they just start shooting and everybody's, you know, left, right, center.

56:26.840 --> 56:30.380
Ike runs off into the same building Behan's hiding in. Uh, I think, was it

56:30.880 --> 56:33.540
like, uh, Virgil gets— catches one in the leg. Morgan catches one in the arm.

56:33.602 --> 56:37.359
But the Earps do prevail. Doc does a great move where there's a guy kind

56:37.859 --> 56:41.149
of taking cover behind a horse, and Doc shoots the shotgun to spook the horse

56:41.649 --> 56:44.055
so the horse like does a wheelie, and then he fucking shoots the guy.

56:44.119 --> 56:47.604
It was really great. It was really smart stuff. And I feel like if— I

56:47.732 --> 56:51.008
like that this happens so quickly because I think, you know, in real life it

56:51.508 --> 56:53.256
was one of those things that all was over in a minute, minute and a

56:53.756 --> 56:56.918
half. Exactly. And I— if this movie was made 5 years later,

56:57.046 --> 56:59.551
there would have been so much slow motion in this scene, I feel like.

56:59.615 --> 57:02.579
So I kind of like the straightforwardness this. 100%. Yeah,

57:02.724 --> 57:06.362
that's— it's good stuff. So, uh, Billy, uh, got killed,

57:06.426 --> 57:09.582
I believe. Yeah, Thomas Haden Church gets shot. THC gone. And a couple

57:10.082 --> 57:13.124
others— Ike survives. Um, yeah, this is one of the times also when I

57:13.624 --> 57:15.975
said no one ever reloads a gun in this movie, because like the shotgun in

57:16.475 --> 57:19.455
particular that Doc has, he probably fires 5, 6, 7 shots that we see in

57:19.568 --> 57:22.718
order. And this is not— there's no drum barrel associated

57:23.218 --> 57:25.852
with this, with this shotgun. It should be like a 2-shot thing at most.

57:25.949 --> 57:29.620
And so, yeah, so there's that. Um, oh, oh, someone was about to

57:30.120 --> 57:32.740
kill Doc. Yeah. And he's like, I'm gonna— I'm gonna take you out. And he's

57:33.240 --> 57:36.620
like, you're a daisy if you do. And then Morgan ended up saving the day

57:37.120 --> 57:39.440
and shooting that guy. Morgan saves the day. But, uh, but so then they got

57:39.940 --> 57:43.500
to go in and, uh, uh, Virgil is getting worked

57:44.000 --> 57:47.020
on because he, he took that shot to the leg. Or no, no, he took

57:47.520 --> 57:50.780
the shot— he got shot in the arm. The arm, right. Um, well, we've got

57:51.280 --> 57:53.900
a— no, no, sorry, I've got 2 different things. That's right. So now, uh,

57:54.400 --> 57:57.741
we have this later. the funeral of the guys who got

57:58.241 --> 58:01.977
killed in that shootout going through town in these horrific

58:02.477 --> 58:06.085
caskets that have like sunroofs in them. Miss me with that forever,

58:06.166 --> 58:09.375
dude. I want to be in the most opaque casket that's

58:09.875 --> 58:12.729
ever existed. It's like a permanently open casket. Yeah, out of here, right?

58:12.825 --> 58:16.259
And they've got like really ridiculous like makeup on. Yeah. Like the coroner or whatever,

58:16.339 --> 58:19.388
like put them in, you know. The mortuary guy.

58:19.548 --> 58:23.063
Um, and they're carrying a sign that says like— the cowboys are leading this

58:23.159 --> 58:26.576
funeral procession and they're carrying a sign that says murder in the streets of Tombstone,

58:26.688 --> 58:29.382
you know, as they go to bury their buddies. Hey, look at that, every accusation

58:29.430 --> 58:32.749
is a confession. Seriously, go all the way back there. Uh,

58:32.877 --> 58:36.741
and then come, you know, next scene, drunk Ringo is stumbling through the streets

58:36.805 --> 58:40.124
and, you know, there, and he says, I want your blood, I want

58:40.156 --> 58:43.827
your souls, and I want them both right now. And he basically

58:43.859 --> 58:47.130
threatens the Earps, and then Curly Bill drags him away, like, not, not the time,

58:47.146 --> 58:49.920
not the time, whatever. But this is when he says, oh boys,

58:50.337 --> 58:53.479
I'm scared of what'll happen with this outfit once Ringo's in charge. Like,

58:53.543 --> 58:56.896
yeah. Because he is a crazy person. But clearly

58:56.928 --> 58:59.928
the cowboys are going to get their revenge. This is not something they're just gonna

59:00.217 --> 59:03.795
let sit here. Well, and Doc says, I'm like, Doc's like, I'm your Huckleberry during

59:03.827 --> 59:07.822
this Johnny Ringo kind of meltdown. So it's like, it doesn't happen, but it

59:08.322 --> 59:11.047
shows us like, dude, Doc is the only one who's down to fight this guy

59:11.547 --> 59:14.881
who's wildly waving his guns around, right? Yeah. So, so yeah,

59:14.898 --> 59:18.523
so now it's a dark and stormy night, uh, lightning off in the distance,

59:18.572 --> 59:21.893
etc. And the ladies, uh, uh, all 3 of the Earp wives

59:22.393 --> 59:26.130
are hanging out, uh, in one of the houses together. Um, doing tarot cards.

59:26.630 --> 59:28.910
That's right, doing tarot cards, and it's the death card, etc., you know, all the

59:29.410 --> 59:32.550
bad stuff. Uh, Behan goes to see Josephine, who doesn't want anything

59:33.050 --> 59:35.310
to do with him anymore because of the way he like hid during the gunfight.

59:35.510 --> 59:38.790
Fucking Uvalde'd it up there, dude. What a fucking coward. But yeah,

59:39.290 --> 59:41.590
so, so she's basically like, fuck off. And he says something like, well, after tonight,

59:42.090 --> 59:45.690
like, everything, you know, I'll be the only law in, in Tombstone,

59:46.190 --> 59:49.050
or some shit like that, whatever it is, basically talking about how the Earps are

59:49.550 --> 59:53.057
in trouble, right? So she actually runs and goes to the wives, the Earp wives,

59:53.138 --> 59:55.707
and even says to Mattie, like, I know it's terrible that I'm here, don't— but

59:56.028 --> 59:59.046
I think something awful is gonna happen. At which point a masked, you know,

59:59.063 --> 01:00:02.306
sort of hooded figure bursts through the door and fires a shotgun into

01:00:02.806 --> 01:00:05.453
the house. Now, it doesn't hit anybody. Yeah. But like, they tried to kill their—

01:00:05.662 --> 01:00:08.954
the wives, which is like, again, there are not a lot of sort

01:00:09.454 --> 01:00:13.353
of mores and rules around, you know, frontier justice, but it does seem like

01:00:13.851 --> 01:00:16.677
that's a line a lot of people wouldn't cross. They mostly don't seem to be

01:00:16.741 --> 01:00:19.904
going after family members, right? Yeah, wives and kids, just in general.

01:00:20.404 --> 01:00:23.140
person you have the beef with. Yeah, it doesn't seem like this is a,

01:00:23.380 --> 01:00:26.260
uh, everybody, you know, gets killed along with you. It's, it's more like, no,

01:00:26.760 --> 01:00:29.580
no, you did wrong, so we'll kill you. We'll leave everybody else alone. And in

01:00:30.080 --> 01:00:32.800
particular, women and children seem to be off limits for most. So this is a

01:00:33.300 --> 01:00:37.060
surprising thing. Yeah. And, and now, uh, Wyatt and Morgan, I think, are at

01:00:37.560 --> 01:00:41.020
the bar, like at the billiards area. Uh, Wyatt keeps going and filling

01:00:41.520 --> 01:00:45.120
himself like the tiniest drops of beer. Like, fill yourself a full fucking beer.

01:00:45.620 --> 01:00:48.760
How was beer then, do you think? Pre-refrigeration? It's like cask.

01:00:49.260 --> 01:00:51.510
Like you've had that cask beer. It's like, that's gotta be terrible. That's rough.

01:00:52.010 --> 01:00:54.490
Yeah. I mean, at the time it must have been like, whoa, this is amazing.

01:00:54.990 --> 01:00:58.210
But I mean, a little, you know, easier drinking than liquor. So that's nice.

01:00:58.710 --> 01:01:02.150
And, you know, uh, more portable and less fragile than wine,

01:01:02.650 --> 01:01:05.730
right? Wine would've gone bad easily. Wine's a rough one to transport. Exactly. So,

01:01:06.230 --> 01:01:09.010
you know, um, you do what you gotta do. So they're playing there and they're,

01:01:09.510 --> 01:01:11.550
you know, just after the shooting has happened at the women's thing and the door

01:01:12.050 --> 01:01:15.030
opens and Virgil comes in and they're just kind of like, hey Virgil, how you

01:01:15.530 --> 01:01:18.100
doing? Yeah. Yeah. What'd you forget? Dry enough out there for you? Just kind of

01:01:18.600 --> 01:01:21.920
bullshitting, but he clearly has been shot badly in the arm real

01:01:22.420 --> 01:01:25.740
bad. Yeah, uh, missing or artificial limb, can we

01:01:26.240 --> 01:01:28.540
call it? We haven't had it in a while. See, because they do say in

01:01:29.040 --> 01:01:31.400
the epilogue that Virgil didn't have the use of his arm. That's right. So that's

01:01:31.900 --> 01:01:34.340
what I would argue. I would argue, is it actually missing if it's still physically

01:01:34.840 --> 01:01:38.040
there? Yeah, uh, because it's definitely not artificial. Like, we're too— we're too early in,

01:01:38.540 --> 01:01:41.980
in world history really for artificial limbs. It would have been quite the thing.

01:01:42.480 --> 01:01:45.130
That would have been that Wild Wild West movie with Kenneth Branagh and Will Smith.

01:01:45.200 --> 01:01:49.396
Yeah, but, uh, nice steampunk arm for him. Exactly. Um, all right, well, we We

01:01:49.896 --> 01:01:51.973
were close. We haven't added it in a while. It's one of our favorite hashtags

01:01:52.473 --> 01:01:56.030
on, uh, 2 Dads 1 Movie. Yeah. Um, so, uh, so like while

01:01:56.530 --> 01:01:59.688
they're kind of tending to Virgil, like they're under attack now by the cowboys,

01:02:00.350 --> 01:02:03.545
uh, Morgan gets shot in a very gnarly way in the back,

01:02:03.691 --> 01:02:06.903
deep, just lower back. There's no— and they're trying to get the,

01:02:07.225 --> 01:02:10.502
the bullet out of him and really like, it looks awesome. What hope? I mean,

01:02:10.599 --> 01:02:13.972
this is the crazy thing about this era is you can have these injuries which

01:02:14.069 --> 01:02:18.015
would be minor and treatable in the present day. Yeah. Yeah, where it's

01:02:18.047 --> 01:02:20.947
like, oh no, you're just fucked. Oh, you got a cut there? Well, you got

01:02:20.963 --> 01:02:24.713
a week. Yeah, it's wild. And, and, and, you know,

01:02:24.793 --> 01:02:28.126
Wyatt's got Morgan in his arms as Morgan is basically just, you know,

01:02:28.142 --> 01:02:30.545
the doctor says like, I can't do anything, the bullet's too deep, there's no way

01:02:31.045 --> 01:02:33.670
to fix this, like this is it, you know. And they got the, the,

01:02:33.766 --> 01:02:36.554
you know, his wife, Morgan's wife, and Maddie, they're all screaming at the door and

01:02:37.054 --> 01:02:39.775
stuff. And, and, you know, Morgan turns to Wyatt and is saying, hey, you know,

01:02:39.839 --> 01:02:42.803
like, he goes, you know, they say about that thing about a light when you're

01:02:43.303 --> 01:02:46.702
dying, I can't see that I can't see shit. Like, and then

01:02:46.734 --> 01:02:50.122
he dies. So we got all that. We paid off all that foreshadowing about Morgan

01:02:50.186 --> 01:02:53.494
and the near-death experience. We did. We did. Yeah. And I, and I

01:02:53.994 --> 01:02:56.400
put in my notes, never be a true believer with plans for the future.

01:02:56.464 --> 01:02:59.852
There you go. You're signing your own death ticket there. So now the Earps

01:03:00.352 --> 01:03:04.331
are leaving town. Oh well, first when Wyatt runs out to react

01:03:04.831 --> 01:03:07.639
to Morgan's death. This— so there are 2 parts of this movie, uh,

01:03:08.168 --> 01:03:11.619
where when I was watching it, I kind of thought like, I feel like

01:03:12.119 --> 01:03:15.854
this was a replacement director. Like, I feel like this wasn't the original director,

01:03:16.046 --> 01:03:19.832
just because I know the other movies that I know of George P. Cosmatos are

01:03:20.040 --> 01:03:23.489
Rambo: First Blood Part 2, right? And, uh, Cobra,

01:03:23.585 --> 01:03:27.323
Sylvester Stallone, right? And this scene of Kurt Russell out in the rain,

01:03:27.515 --> 01:03:30.563
and then later on a scene which I'll mention, yeah, seems like they were

01:03:31.063 --> 01:03:34.509
directed by a guy who knows how to direct Sylvester Stallone. It was like

01:03:34.573 --> 01:03:37.941
a little insane. It was like, I think we could have done a little

01:03:38.441 --> 01:03:41.230
better here. But I like Wyatt's reaction to it. Yeah. And then he has to

01:03:41.294 --> 01:03:44.860
rappel his mistress as he's like reacting to his brother dying.

01:03:45.360 --> 01:03:48.460
He's like, get away from me! It's a good meltdown, but it was very over

01:03:48.960 --> 01:03:51.360
the top. It's the sort of like— no pun intended— you know, look right there,

01:03:51.860 --> 01:03:54.680
over the top. Oh, that's such a good movie. Anyway, uh, it's sort of the,

01:03:55.180 --> 01:03:58.800
you know, everybody around me gets hurt, so get away, right? You know,

01:03:59.300 --> 01:04:02.040
but the problem is he turns the other direction and there's his wife. Oh,

01:04:02.540 --> 01:04:04.800
okay. I thought he was like, bitch, my wife is right there. No, no,

01:04:05.300 --> 01:04:08.920
it's, it's, it's, it's, it's, I'm toxic. That makes his

01:04:09.420 --> 01:04:11.944
character a little better of a Yes, it's, it's, it's, it's, don't you see?

01:04:12.040 --> 01:04:14.851
Like, look, because he's got his brother's blood is all over his hands. Literally,

01:04:15.172 --> 01:04:18.448
he's like, my— his blood is on my hands. It's not a metaphor, it's literally

01:04:18.464 --> 01:04:22.463
here. You should go away or you'll get hurt too. But then that caring sort

01:04:22.963 --> 01:04:25.820
of, you know, thing that he gives to, to Josephine, he turns around and Maddie

01:04:25.916 --> 01:04:29.337
witnessed it. So now Maddie knows, well, clearly you care about this woman enough to

01:04:29.385 --> 01:04:32.726
say that to her. And this was a time when I feel like adultery

01:04:32.742 --> 01:04:35.424
was like— the bar was low. Oh yeah. Like, it was, it was like,

01:04:35.553 --> 01:04:38.667
you know, you were meant to be not even looking at other women or other

01:04:38.715 --> 01:04:42.310
men if you were, you know, in a relationship. Unless you were somebody who just,

01:04:42.454 --> 01:04:45.006
you know, went to whores. Like, there were only 2 levels, it seemed like.

01:04:45.102 --> 01:04:48.312
Yeah, it's weird. It seems like, yeah, the best of times

01:04:48.812 --> 01:04:52.645
and the worst of times for adultery, right? If you're like someone with the status

01:04:52.725 --> 01:04:56.031
of a sheriff or like a Wyatt Earp type guy, it almost seems like,

01:04:56.496 --> 01:04:59.241
oh yeah, it's a no-brainer that these guys go and cheat on their wives.

01:04:59.465 --> 01:05:03.558
They have hard jobs, they travel a lot or whatever. But also biblically, you can't

01:05:04.058 --> 01:05:06.382
even look. You can't look at an ankle or you're gonna get shot. Exactly.

01:05:06.767 --> 01:05:10.470
Um, but yeah, so now it's time for the Earps. Oh, and during this scene

01:05:10.970 --> 01:05:13.403
where he's out in the rain, this is like— my wife was watching, not making

01:05:13.419 --> 01:05:16.769
a lot of comments during the movie, which she really enjoyed, but while he's yelling,

01:05:16.946 --> 01:05:20.408
and she just says at the end of it, to me, the wet mustache

01:05:20.472 --> 01:05:23.518
was the funniest part. It does hang a bit,

01:05:23.534 --> 01:05:27.157
doesn't it, when it gets really sopping? Um,

01:05:27.686 --> 01:05:30.283
all right, so now it's the next day. They're leaving town. They've packed up.

01:05:30.363 --> 01:05:33.681
They got Morgan's casket in the back. Virgil's got that arm in a sling.

01:05:33.777 --> 01:05:37.368
He can't use it anymore. And they roll past Ringo and Curly Bill are sitting

01:05:37.384 --> 01:05:40.563
on a porch, and this is that really is definitely a very common meme or

01:05:40.675 --> 01:05:44.208
animated GIF that gets used a lot, right, is Wyatt rides up

01:05:44.224 --> 01:05:46.954
and says to Curly Bill, I want you to know that it's over. Like he's

01:05:47.454 --> 01:05:50.696
saying, like, we're not doing anymore. And Curly Bill looks

01:05:51.196 --> 01:05:54.791
at him and goes, well, bye. So good.

01:05:55.385 --> 01:05:58.757
But as they leave town, Curly Bill says to Ike,

01:05:58.821 --> 01:06:01.327
hey, grab a couple of— he says a couple of people, go grab 'em,

01:06:01.487 --> 01:06:05.133
go finish it. Yeah. You know, go take 'em down, whatever. And this

01:06:05.245 --> 01:06:08.940
is— And Curly Bill and Ringo and the crew were were sitting in

01:06:09.440 --> 01:06:12.740
front of the oysters and beer place. It was weird. So maybe Wyatt was just

01:06:13.240 --> 01:06:15.220
like, you know what? Those oysters will kill him in 2 days. I don't need

01:06:15.720 --> 01:06:19.120
to kill this. This is a landlocked state, uh, landlocked territory.

01:06:19.620 --> 01:06:22.040
We're getting them from Lake Mead. Where are these oysters coming from?

01:06:22.540 --> 01:06:25.860
Havasu? Um, oh man. Can you imagine what the, uh, what the

01:06:26.360 --> 01:06:29.060
crabs and clams and oysters and horrible things inside Havasu are? Oh my God,

01:06:29.560 --> 01:06:32.980
right? A lot of crustaceans. So, so Virgil— he gets

01:06:33.480 --> 01:06:36.380
Virgil to leave town with his wife, you know? So he's on his way out

01:06:36.880 --> 01:06:40.234
on the train, and like immediately at the train station, you know, Wyatt is attacked.

01:06:40.491 --> 01:06:43.622
He ends up taking out one of the henchmen. Yep. And then, uh, Ike,

01:06:43.638 --> 01:06:47.781
I think, is remaining. And instead of killing Ike, he does this sick— he slices

01:06:47.797 --> 01:06:50.751
his face with the spur. Oh, I love it. And he says,

01:06:50.879 --> 01:06:53.834
you tell him I'm coming and hell's coming with me.

01:06:54.155 --> 01:06:57.221
Again, I see a red sash, I kill the man who's wearing it. Oh man.

01:06:57.270 --> 01:07:01.396
So this is Wyatt's rampage. Oh, he's flipped now. We get a

01:07:01.460 --> 01:07:04.960
big, uh, sort of montage of just hunting down cowboys,

01:07:04.992 --> 01:07:08.380
shooting them in opium dens, and killing them on horseback. And just

01:07:08.508 --> 01:07:12.390
all kinds of stuff. Um, we get to— they've killed

01:07:12.890 --> 01:07:15.615
a ton of cowboys. Oh, by the way, I say they, uh, the night that

01:07:15.647 --> 01:07:18.984
they attacked Virgil and Morgan and the women, McMasters,

01:07:19.032 --> 01:07:22.658
played by Michael Rooker, he came up along with Turkey Creek and, uh, Jack,

01:07:22.866 --> 01:07:26.572
uh, Texas Jack, and told Wyatt they went after your women. I'm not

01:07:27.072 --> 01:07:29.059
okay with that. Like, I'm out. Like, yeah, that was too far for me.

01:07:29.203 --> 01:07:31.914
Yep. Well, I don't even know that Turkey Creek and Texas Jack were actually in,

01:07:32.010 --> 01:07:35.880
but the Rooker was. McMasters, Rooker He threw down his sash like, I'm done,

01:07:36.380 --> 01:07:38.520
I'm out. Uh, and they all say, Wyatt, if you need us, you let us

01:07:39.020 --> 01:07:42.640
know. So now we've basically— the posse is Wyatt and Doc and McMasters and

01:07:43.140 --> 01:07:46.260
Turkey, you know, Creek, and, uh, and Texas Jack. And so it's— that's who,

01:07:46.760 --> 01:07:49.400
by the way, both guys named Jack. It's another thing. You got Turkey Creek Jack

01:07:49.900 --> 01:07:53.100
Johnson and Texas Jack Vermillion. Like, they're all named Jack. I don't even— I'll bet

01:07:53.600 --> 01:07:56.190
you Doc's hollering. I think Doc's first name is John or Jack as well.

01:07:56.280 --> 01:07:59.420
Yeah. So, but anyway, um, so they're, you know, doing the ones— they're the ones

01:07:59.920 --> 01:08:02.530
hunting down the cowboys, killing and stuff. They get to a river where it looks

01:08:03.030 --> 01:08:05.590
like they're gonna even possibly just stop for a little bit, water their horses and

01:08:06.090 --> 01:08:08.250
stuff, but they start getting fired at from across the river and they have to

01:08:08.750 --> 01:08:11.010
duck. And it's Curly Bill and a bunch of his guys, and they got them

01:08:11.510 --> 01:08:15.310
on both sides. Yeah. They're coming on both sides of them and pinning them in.

01:08:15.510 --> 01:08:18.320
And this is, you know, a little, um, maybe a little unrealistic.

01:08:18.610 --> 01:08:21.460
I think this is where the historical fiction part of the movie really kicks in,

01:08:21.590 --> 01:08:25.110
is Wyatt just says, no! And he like gets

01:08:25.610 --> 01:08:28.990
up and walks into the river. Uncovered. He just like starts walking across the

01:08:29.490 --> 01:08:33.325
river, shooting straight. And again, uh, George P. Cosmatos learned this when

01:08:33.825 --> 01:08:38.072
he made Rambo: First Blood Part 2. If you're determined enough to

01:08:38.572 --> 01:08:42.081
shoot who you're shooting at, then you will not get shot yourself if you

01:08:42.581 --> 01:08:45.610
fully expose yourself. This is Rambo standing in the river with his bow and arrow

01:08:45.834 --> 01:08:48.833
while he's got like 9 machine guns missing him, right? Exactly.

01:08:48.961 --> 01:08:52.666
So yeah, this is the other scene where I was like, that's a Stallone director

01:08:53.166 --> 01:08:56.403
right there. So, uh, Wyatt does kill Curly Bill

01:08:56.675 --> 01:09:00.450
there in the river, uh, and And, you know,

01:09:00.950 --> 01:09:04.390
basically, like, they win, basically. The cowboys who aren't dead run

01:09:04.890 --> 01:09:08.850
off. Yep. And so, uh, Turkey Creek and Jack and Doc

01:09:09.350 --> 01:09:11.290
are all standing around kind of cleaning stuff up. He goes, you ever seen anything

01:09:11.790 --> 01:09:14.830
like that? I've never seen anything like that. And, you know, they're basically like,

01:09:15.330 --> 01:09:18.550
what do we do? And I think it's, uh, you know, like, well, I can't

01:09:19.050 --> 01:09:22.430
remember exactly how Turkey Creek opens it up, but Doc's response

01:09:22.930 --> 01:09:25.530
is, Wyatt Earp is my friend. Yeah. And Turkey Creek goes, well, I got— hell,

01:09:26.030 --> 01:09:28.455
I got a lot of friends. And Doc's like, I don't. I love it.

01:09:28.504 --> 01:09:31.694
It's so good. It's such like a— for such a testosterone

01:09:31.806 --> 01:09:35.926
movie, that's such a sweet like realization for a character to have

01:09:36.426 --> 01:09:38.747
on screen. And so, uh, I think the next thing we see is, uh,

01:09:38.939 --> 01:09:42.851
so B.N. has deputized the Cowboys. So Ringo

01:09:43.107 --> 01:09:47.002
and, and the remaining Cowboys, they're actually, I guess, county sheriff

01:09:47.131 --> 01:09:50.802
deputies, right? Because the way you become a sheriff is to have the

01:09:50.882 --> 01:09:54.264
badge. Yeah, that's what it seems like in this. Yeah, if you— and you

01:09:54.328 --> 01:09:57.294
kill the sheriff, you take his badge, you are the new sheriff. It is like

01:09:57.794 --> 01:10:01.100
the WWF. Intercontinental champion. But nobody even killed the sheriff. Behan's with them. That's the

01:10:01.600 --> 01:10:04.540
thing. Like, he's just hanging out. He's like, he's on their side. Like, yeah,

01:10:05.040 --> 01:10:07.980
he's just got a ton of badges. Uh, Billy Zane has been killed.

01:10:08.480 --> 01:10:11.160
Yes, exactly. And, you know, basically, uh,

01:10:11.660 --> 01:10:14.520
Josephine's like, what the fuck? Someone tried to steal my watch and he called them

01:10:15.020 --> 01:10:17.200
cowards and they killed him. This is out of control. You guys suck ass.

01:10:17.700 --> 01:10:20.960
Yeah. And this is when Jason Priestley's Billy quits and he says like, I'm not

01:10:21.460 --> 01:10:24.640
gonna be a part of this, whatever. Um, and, uh, and yeah.

01:10:25.140 --> 01:10:27.640
And then, uh, I think while they're riding, or that while the posse is riding

01:10:28.308 --> 01:10:31.551
Doc like passes out and sort of almost falls off his horse or whatever.

01:10:31.712 --> 01:10:35.645
So they have to find somewhere to stop with him. And yeah, they end up

01:10:35.694 --> 01:10:38.311
at Hooker's Ranch, which is run by Hooker,

01:10:39.226 --> 01:10:42.871
who's played by Charlton Heston. Yeah, that's right. And what I read about the director

01:10:43.371 --> 01:10:47.238
switching, the original director of this film did direct these Charlton Heston scenes.

01:10:47.415 --> 01:10:50.016
Oh, and they left him in. So it's weird that like that was in there,

01:10:50.145 --> 01:10:52.473
and then they had the other guy— like all the other stuff is the other

01:10:52.489 --> 01:10:55.829
guy. Really? Yeah. Yeah, so maybe they only had Heston for a very

01:10:55.942 --> 01:10:58.328
brief period of time or something like that. Certainly not in a lot of scenes.

01:10:59.000 --> 01:11:02.172
So, um, yeah, so, uh, so Johnny Ringo— like,

01:11:02.188 --> 01:11:05.797
they come to announce, like, Johnny Ringo wants a one-on-one with Wyatt.

01:11:05.894 --> 01:11:09.335
Yeah, like, we'll tell him where to meet. And they— the Cowboys got

01:11:09.383 --> 01:11:13.073
McMaster basically and dragged his dead body. I mean, like, mutilated him, it seems like.

01:11:13.234 --> 01:11:16.445
If you turn on your gang, you're never gonna survive in a movie. So they

01:11:16.461 --> 01:11:20.817
got McMaster. Doc is holed up there at Hooker's

01:11:21.317 --> 01:11:23.728
Ranch. Actually, Josephine stops there and they chat a little bit. Like her stagecoach stops

01:11:23.761 --> 01:11:27.228
to water the horses, so they chat a little bit. Wyatt and Josephine do.

01:11:27.277 --> 01:11:30.721
And of course, Wyatt at this point, like Maddie's gone. Whether or not he and

01:11:31.221 --> 01:11:34.585
Maddie are actually done, she's definitely not around, right? Right. She she went off with

01:11:35.085 --> 01:11:38.760
Virgil. But yeah, so they chat for a little bit, and then Ringo challenges Wyatt.

01:11:39.341 --> 01:11:43.150
And then you know Wyatt's asking Doc. He's like, you know,

01:11:43.779 --> 01:11:46.954
I can't beat him, can I? Like like what makes what makes Ringo do the

01:11:46.971 --> 01:11:48.094
things he does? A man like that. And and Doc's got this great little kind

01:11:48.143 --> 01:11:52.124
of mini monologue where he's like. Like he's got a hole in him

01:11:52.316 --> 01:11:55.222
that just has been there forever, and he doesn't know how how to fill it.

01:11:55.270 --> 01:11:58.561
Everything, all the killing, all the drinking, all the women, like he doesn't fill the

01:11:59.061 --> 01:12:02.638
hole. You know what does he want? He wants revenge for what? He goes for

01:12:02.654 --> 01:12:06.378
being born. Yeah, and it's cool. You see like Wyatt because

01:12:06.507 --> 01:12:09.782
earlier in the movie, like when Doc and Ringo encounter each other, Doc is telling

01:12:10.376 --> 01:12:13.714
everyone like Ringo reminds me of me. Yeah, like Doc is talking about

01:12:13.731 --> 01:12:17.487
himself. Oh yeah, in that moment you see Wyatt getting like a little heartbroken

01:12:17.519 --> 01:12:20.891
over it as Doc. is like, again, like you didn't expect like

01:12:21.391 --> 01:12:24.746
a Mikey and T sweetness of like a male friendship in, in a movie like

01:12:25.246 --> 01:12:28.601
this. But yeah, a really great scene between them. Yeah. And then, uh, Doc asks

01:12:29.101 --> 01:12:32.584
Wyatt for his badge. He's never, he's never known what it's like to wear one,

01:12:33.082 --> 01:12:35.700
you know. And Wyatt's thinking, well, I'm off, I'm walking off to my death now,

01:12:35.764 --> 01:12:38.831
so yeah, have my badge. It doesn't matter anymore. I'm gonna die.

01:12:39.024 --> 01:12:42.333
Ringo's going to kill me. And so, uh, so he gave— he

01:12:42.833 --> 01:12:46.190
gives Doc his badge and then Uh, you know,

01:12:46.690 --> 01:12:50.470
basically Wyatt goes to where he's supposed to meet Ringo, and, and Jack—

01:12:50.970 --> 01:12:52.530
Texas Jack and Turkey Creek are there, and they tell him, like, hey, he's up

01:12:53.030 --> 01:12:55.930
around the bend or whatever, you know, waiting at this oak tree. And so Wyatt's

01:12:56.430 --> 01:12:58.910
gonna go, and then we see from Ringo's perspective, a man in an overcoat and

01:12:59.410 --> 01:13:01.370
a hat shows up, and he's like, you know, I didn't think you'd show,

01:13:01.870 --> 01:13:04.950
whatever. And like, you know, Doc, this is his arm, you Huckleberry, you know.

01:13:05.450 --> 01:13:08.110
And it's— I love Doc coming out of the shadows. So good. Oh my God.

01:13:08.610 --> 01:13:10.990
And he's basically like saying, hey, it's not your— I don't have a problem with

01:13:11.490 --> 01:13:14.766
you, you know, I was just joking or whatever. And Doc's like, I wasn't Let's

01:13:15.266 --> 01:13:17.945
do this. Yeah, you know, and it's a great— they circle each other and,

01:13:18.201 --> 01:13:21.846
and, and, you know, like, it's just fantastic because it's

01:13:22.346 --> 01:13:25.844
like, it's so menacing and kind of, um,

01:13:25.940 --> 01:13:29.777
it doesn't look like a duel. It doesn't look like the duels that like we

01:13:30.277 --> 01:13:33.358
like learn about. No, you know, it's almost like a sword fight more. The Aaron

01:13:33.470 --> 01:13:36.810
Burr, Alexander Hamilton shit. It doesn't, it doesn't feel like that. It's so much

01:13:36.922 --> 01:13:40.860
more— yeah, like there's so much more strategy and sort of of like agility

01:13:41.360 --> 01:13:43.360
and things that are part of it. Yeah. And sure enough, Doc's the one that

01:13:43.860 --> 01:13:47.360
gets the shot off and puts it right in between Ringo's eyes. And he's like,

01:13:47.860 --> 01:13:50.580
come on, come on, as he's like about to fall down. He's really, you know—

01:13:51.080 --> 01:13:53.740
Definitely did not turn his head into a canoe. No, it did not. The,

01:13:54.240 --> 01:13:56.140
the bullet kind of seemed like it just went in and maybe even rattled around

01:13:56.640 --> 01:13:59.680
in there a little bit. Uh, yeah. And yeah, and then Doc seemed to— he

01:14:00.180 --> 01:14:03.100
really needed Ringo to get his shot off before he died, right? Like, that seemed

01:14:03.600 --> 01:14:06.420
like an important— like, for Doc's honor, I can't shoot a guy who wasn't Even

01:14:06.920 --> 01:14:10.240
able to shoot back. Yeah, that's what you know. By that time, it didn't really

01:14:10.740 --> 01:14:14.359
matter. But yeah. So yeah, that was super

01:14:14.859 --> 01:14:18.760
great. And and then Wyatt shows up. Right, right. Well, Doc had put the the

01:14:19.260 --> 01:14:22.880
badge like on Ringo, and so Wyatt comes and sees it and realizes what

01:14:23.380 --> 01:14:25.140
happened. Whatever. But Doc's not there. I don't think. Is he or does he still

01:14:25.640 --> 01:14:28.620
there? Oh, I can't remember. Still there. Yeah, I forget. Yeah, but but anyway,

01:14:29.120 --> 01:14:31.840
now it's the four. It's it's just oh no no because Doc's there because yeah

01:14:32.340 --> 01:14:34.875
it's like Wyatt and Doc and Turkey and Turkey Creek and and Dex and Jack,

01:14:34.923 --> 01:14:38.354
they go on their kind of final ride. Their little montage of taking out the

01:14:38.854 --> 01:14:41.416
rest. I wrote down the last charge of Wyatt Earp and his immortals. You know,

01:14:41.496 --> 01:14:44.445
it's sort of what it is. Yeah, let's go get the rest of them.

01:14:44.526 --> 01:14:47.651
Even to the point where they get Ike Clanton to just drop his sash from

01:14:47.668 --> 01:14:51.178
horseback, and Doc and Wyatt kind of shake hands like, well, that was it.

01:14:51.419 --> 01:14:54.929
I love that they're shaking hands mid-horse ride, which I love so much.

01:14:55.026 --> 01:14:58.632
I really— and this scene, it is cool.

01:14:58.713 --> 01:15:02.624
I mean, they could have manipulated the timeline to have Curly

01:15:02.720 --> 01:15:05.413
Bill be the final death of the movie in like a big dramatic thing,

01:15:05.510 --> 01:15:08.108
whatever. But it's kind of cool that it's like, oh, you know, the job of

01:15:08.608 --> 01:15:10.996
a lawman's never done, and we're always chasing this. So we have this kind of

01:15:11.496 --> 01:15:14.477
like triumphant, like finishing the job kind of thing. It sort of— it feels more,

01:15:14.765 --> 01:15:17.861
quote, realistic to have— yeah, you killed the 2 big bad guys,

01:15:17.894 --> 01:15:20.380
but then really the end of the job is mopping up. Yeah, you know,

01:15:20.781 --> 01:15:24.599
getting rid of all the other folks. So yes, then we cut to basically

01:15:24.872 --> 01:15:27.663
one of our final scenes. There's another one after this, but you know, we would

01:15:28.163 --> 01:15:30.534
call this the coda, right? This is after the climax, like the, you know,

01:15:30.582 --> 01:15:34.063
the main story is done. Let's just wrap up the bits. We're at the Glenwood

01:15:34.079 --> 01:15:38.072
Sanatorium in Colorado where Doc Holliday is, uh, actually receiving last rites,

01:15:38.088 --> 01:15:41.327
it sounds like. Yeah. In Latin, so, uh, from a Catholic priest.

01:15:41.456 --> 01:15:45.256
And, uh, Wyatt shows up and is ready to play cards with Doc,

01:15:45.304 --> 01:15:47.950
and Doc does not sound good. You know, he's barely able to talk. You hear

01:15:48.450 --> 01:15:51.398
him wheezing through every breath. Um, and he basically begs Wyatt, you know, hey,

01:15:51.414 --> 01:15:53.643
if you've ever felt any affection for me, if you've ever loved me at all,

01:15:53.659 --> 01:15:56.449
like, leave. Like, I don't want you to see me like this anymore, and I'm

01:15:56.949 --> 01:16:01.148
almost done, right? Kind of thing. So Wyatt leaves him a book he wrote

01:16:01.648 --> 01:16:05.250
Apparently he self-published in the 1880s the book My Friend Doc Holliday, and he gives

01:16:05.750 --> 01:16:07.808
it to Doc, but Doc does not have time to read it because as soon

01:16:08.308 --> 01:16:11.713
as Wyatt leaves, basically Doc gives that death rattle, you know, that final

01:16:12.213 --> 01:16:15.560
exhale. Doc is, uh, as he's talking to Wyatt, he's like,

01:16:15.737 --> 01:16:18.860
I don't want to play cards, like, let me just talk. And this is where

01:16:19.360 --> 01:16:22.758
he starts giving his, like, deathbed thing. He's like, oh, I was in love once.

01:16:22.823 --> 01:16:26.468
And Wyatt's like, hey, buddy, that's awesome. them with my cousin.

01:16:26.628 --> 01:16:30.458
He's like, hey, well, why don't we get some— she was

01:16:30.570 --> 01:16:33.759
15. All right, buddy. Hey, well, look, there's lots of crime down there in

01:16:34.259 --> 01:16:37.269
Tombstone. I better get out of here. But didn't she like join a convent because

01:16:37.301 --> 01:16:41.291
of the scandal or something too? So now she's— oh, so you ruined your 15-year-old's

01:16:41.791 --> 01:16:44.960
life. Um, whatever, normal for the time. But yeah, really,

01:16:45.377 --> 01:16:48.005
really sweet scene between them. And that he had written the book— I mean,

01:16:48.021 --> 01:16:50.921
imagine how hard it was for a guy to even like look at another guy

01:16:51.421 --> 01:16:54.610
and be be like, you are my son, you know, let alone write a whole

01:16:55.110 --> 01:16:59.169
like ode to your pal. So, uh, I like that. And Doc dies,

01:16:59.669 --> 01:17:02.630
and now, uh, Josie is backstage for her performance.

01:17:03.130 --> 01:17:06.830
Josephine and Wyatt shows up there backstage. Yeah, they're in Denver, so not far obviously

01:17:07.330 --> 01:17:10.850
from wherever, uh, in Colorado Doc was. And Wyatt basically shows up and is like,

01:17:11.090 --> 01:17:13.610
I want to do room service, I want to be with you forever. And then

01:17:14.110 --> 01:17:16.330
I always love this little part of Josephine at the end, you know, she's like,

01:17:16.830 --> 01:17:19.310
don't worry, Wyatt, my family's rich. And it's like, oh well, fuck, all right,

01:17:19.810 --> 01:17:21.170
it all just landed in such a fun— landed in place for Wyatt Earp,

01:17:21.670 --> 01:17:25.162
didn't it? Jesus. Like, because Maddie apparently died. Like, we get a

01:17:25.210 --> 01:17:28.480
little more narration from Robert Mitchum at the end, and it was like Maddie

01:17:28.512 --> 01:17:32.663
died and Josephine and Wyatt lived off happily ever after. So that's right.

01:17:32.904 --> 01:17:36.511
Uh, great. The voiceover does— it sounds great. Oh yeah,

01:17:36.527 --> 01:17:40.294
it sounds so cool. And then it's funny that they connect it— like,

01:17:40.310 --> 01:17:44.750
it seemed important to the filmmakers to like connect it to early

01:17:44.862 --> 01:17:48.084
Westerns, right? Because they were talking about when Wyatt Earp died,

01:17:48.132 --> 01:17:50.280
you know, and he was very old when he died and had a very long

01:17:50.328 --> 01:17:53.924
successful life. These Hollywood and Western actors were there.

01:17:54.309 --> 01:17:58.578
Then the last words of the movie are, Tom Mix wept, which is just

01:17:59.078 --> 01:18:01.644
like— I don't even know who Tom Mix is. Some Western actor. Yeah, yeah,

01:18:01.708 --> 01:18:05.175
obviously. Uh, but the end credits where we have

01:18:05.383 --> 01:18:08.979
the most ass-kicking music and the credits are playing

01:18:09.075 --> 01:18:12.140
over the 4 of them doing an endless walk to the OK Corral

01:18:12.640 --> 01:18:16.602
is so fucking cool. So yeah, that is Tombstone,

01:18:16.618 --> 01:18:19.925
man. Holy moly. Yeah. Um, all right, I'll give my thoughts first. I brought

01:18:20.425 --> 01:18:22.752
this to the table, and like, I'll just be honest, I, I know I've told

01:18:23.252 --> 01:18:25.547
you this, Nick, but I'll say it to the listener as well. Um, this is

01:18:26.047 --> 01:18:28.052
like one of my top 5 movies of all time. I think that this is

01:18:28.116 --> 01:18:31.939
the greatest Western that was released in the '90s, in a decade that frankly had

01:18:32.276 --> 01:18:35.745
few Westerns, but the ones it had were fantastic. When you look at Dances with

01:18:36.245 --> 01:18:39.504
Wolves, Unforgiven— well, those are the '80s, uh, or at least Young Guns 1 I

01:18:40.004 --> 01:18:42.346
think was. Young Guns 2 might have been the early '90s. But like, you know,

01:18:42.427 --> 01:18:45.494
thinking in the '90s, you had, uh, uh, Dances with Wolves, you had Unforgiven,

01:18:45.847 --> 01:18:48.912
You had this, you had Wyatt Earp. Like, there were a lot of really— there

01:18:49.412 --> 01:18:51.785
weren't a lot, but the ones that we had were very good westerns. Yeah.

01:18:52.266 --> 01:18:55.091
This to me is the top. And I know it didn't win Best Picture like

01:18:55.591 --> 01:18:58.814
Dances with Wolves. I know Unforgiven didn't. Like, it didn't win awards the way those

01:18:58.862 --> 01:19:02.425
other movies did. But to me, this is like the crux of what

01:19:02.617 --> 01:19:06.051
like a Hollywood western is, right? It's a star-studded

01:19:06.083 --> 01:19:09.261
cast. It's got a great screenplay. It's got tons of action.

01:19:09.309 --> 01:19:12.871
It's got that particular brand of gore that

01:19:12.903 --> 01:19:15.965
feels very apropos to the time. There's sort of the way like

01:19:16.189 --> 01:19:19.860
the gore in Braveheart feels very appropriate because it's like,

01:19:20.181 --> 01:19:23.210
yeah, at this time war was fought with like, you know, this is the 15th

01:19:23.226 --> 01:19:26.689
century or whatever. War is fought with like heavy metal things being slammed into human

01:19:27.189 --> 01:19:29.157
skulls. Right. Like that's what war was. And it's like, this was like, yeah,

01:19:29.174 --> 01:19:32.508
like, you know, iron, you know, disgustingly dirty

01:19:32.604 --> 01:19:35.954
balls of iron getting thrown into your body at rapidly high speeds

01:19:36.131 --> 01:19:39.561
would kill you. Even if somebody could dig the fucking thing outta you, you would

01:19:39.577 --> 01:19:42.559
just die from the poisoning or whatever. You know, there's just all kinds of like

01:19:43.059 --> 01:19:46.570
horrificness about this is just accurate to like the middle of the 19th century.

01:19:46.635 --> 01:19:50.392
And so that part's great. I love the cast. I love the screenplay. I love

01:19:50.440 --> 01:19:53.764
the dialogue. I don't think the movie— the movie doesn't lag.

01:19:53.812 --> 01:19:56.654
It's a little over 2 hours, but I feel like it earns it. I don't

01:19:56.670 --> 01:20:00.540
really think personally for me, there aren't really slow parts to this movie. I'm a

01:20:01.040 --> 01:20:03.238
5 out of 5 on Tombstone. I've been giving out a lot of 5s lately,

01:20:03.270 --> 01:20:05.534
but fuck it. We just haven't really— we've had a lot of really good movies.

01:20:05.999 --> 01:20:09.050
And this one to me is another clear 5. Awesome. Yeah.

01:20:09.773 --> 01:20:13.097
Like I said, dude, I had never seen this before. I'm so excited that I've

01:20:13.597 --> 01:20:17.076
seen it now. I watched it twice in the, in the weeks leading up to

01:20:17.576 --> 01:20:20.412
us, uh, recording here, and I'm glad that I did. Um,

01:20:20.989 --> 01:20:24.774
yeah, so enjoyable. Every member of the cast I thought

01:20:25.274 --> 01:20:28.222
was fantastic. It was great just being able to recognize so many. Oh my God,

01:20:28.286 --> 01:20:30.580
oh, like, who's that behind the mustache and everything?

01:20:31.253 --> 01:20:34.092
Um, I got a couple things that I need to talk about here. Yeah.

01:20:34.156 --> 01:20:37.027
Uh, one, one thought that I had that really delighted me, and then if you

01:20:37.527 --> 01:20:40.747
could indulge me for a minute, every morning the actors have to

01:20:40.812 --> 01:20:44.071
You arrive at set, 6:30 in the morning, and you're there and you're getting

01:20:44.571 --> 01:20:48.005
your fake mustache put on and everything. About 11 AM every morning,

01:20:48.117 --> 01:20:51.104
Sam Elliott walks in just with the mustache he woke up with,

01:20:51.152 --> 01:20:54.701
holding a Budweiser, and he goes, morning, ladies, and walks into his trailer.

01:20:55.038 --> 01:20:57.527
So I picture that, that like added in my head. I don't think there was

01:20:58.027 --> 01:20:59.839
a single fake mustache in this movie, to be honest with you. I knew you

01:21:00.339 --> 01:21:02.986
would, I knew you would no-butt it with your improv skills, but you know what,

01:21:03.002 --> 01:21:06.570
I'm allowed to make my jokes. Number 2 is that Powers

01:21:07.070 --> 01:21:10.530
Boothe. Okay, greatest name in the history of actors, I think.

01:21:11.030 --> 01:21:14.370
I love it so much. Fantastic. I think that because he died does not

01:21:14.870 --> 01:21:17.150
mean that that name should die. I think that it should be like the Dalai

01:21:17.650 --> 01:21:20.230
Lama. Powers Boothe should be a title, and it should be a new guy.

01:21:20.730 --> 01:21:22.689
So we gotta find someone who has like a subpar name that could be the

01:21:23.189 --> 01:21:26.150
new Powers Boothe. So if anyone wants to write in, tell me that. Uh,

01:21:26.650 --> 01:21:28.230
well, should it be somebody that is in any way like Powers Boothe? Do we

01:21:28.730 --> 01:21:32.390
just give that name to Stacy Keach? Ah, I mean,

01:21:32.890 --> 01:21:35.570
he's a— oh, he's a good Powers Boothe. Yeah, he'll have a short reign as

01:21:36.070 --> 01:21:39.237
Powers Boothe because he's pretty old, but I like that though. Good one. Yeah.

01:21:39.318 --> 01:21:42.203
So we'll think of which Powers booths might be out there for us.

01:21:43.658 --> 01:21:46.951
The way I would have ended this movie after the whole Wyatt Earp,

01:21:47.016 --> 01:21:50.615
like, and Josephine, like, hey, I got nothing to offer you, but let's

01:21:51.115 --> 01:21:53.474
go live like rich people for the rest of our lives. She's like, hey,

01:21:53.828 --> 01:21:57.202
guess what? My dad's rich. All right, perfect. They should have ridden off

01:21:57.282 --> 01:22:00.656
on like a just-married, like, stagecoach with like cans tied to it

01:22:01.156 --> 01:22:04.781
and shit and splashed Maddie with a huge-ass mud puddle as they were driving

01:22:05.281 --> 01:22:08.614
out of town. Oh, yeah. That would have been perfect. This is the most fuck

01:22:08.678 --> 01:22:11.932
my bitch wife movie that I've ever seen in my life. It's really bad.

01:22:12.365 --> 01:22:15.860
It's really bad. Look, and I gotta say, this movie has everything

01:22:16.052 --> 01:22:19.595
that I wanted from it. I love it. It's changed my mind on Westerns.

01:22:19.739 --> 01:22:23.106
I enjoyed the shit out of it. There's a couple things that might just keep

01:22:23.606 --> 01:22:26.360
it from being perfection for me when I'm looking at the other 5s. This is

01:22:26.376 --> 01:22:29.630
a 4.5 for me. I'm gonna watch this again within 2026,

01:22:29.678 --> 01:22:33.221
most likely. Great movie. Beautiful. Great pick. Thank you, Steve. 9.5 out

01:22:33.721 --> 01:22:38.144
of 10 on Tombstone from the 2 dads. So again,

01:22:38.256 --> 01:22:41.114
we're not doing any theme or whatever. You can go any which way, any direction,

01:22:41.146 --> 01:22:45.465
any year you like, Nic. So what spectacular peak

01:22:45.481 --> 01:22:48.339
of cinema are you bringing to the table for next week? Well,

01:22:48.836 --> 01:22:52.432
you know, it's funny when we, when we did the 2 Dads, 2 Decades thing,

01:22:52.545 --> 01:22:55.114
we kind of, we planned it all in advance. So I was thinking like,

01:22:55.178 --> 01:22:58.453
you know, back what, months and months ago, like, okay, what am I going to

01:22:58.485 --> 01:23:02.258
pick? Like, what needs to come up? And this is, I know some pitchers who

01:23:02.758 --> 01:23:05.936
are normally like fastball pitchers, once in a while, once in a while they'll throw

01:23:06.436 --> 01:23:10.096
you a curveball. Sure. This is an eephus that I'm throwing underhanded and, and kicking

01:23:10.192 --> 01:23:12.971
off my back heel like a hacky sack. All right. Before it gets to home

01:23:13.100 --> 01:23:16.200
base, because I picked a movie that my

01:23:16.296 --> 01:23:19.910
wife and my daughter really liked during the pandemic. Okay. And I thought this was

01:23:20.410 --> 01:23:22.801
like a cute movie, and I didn't know how many people had seen it before,

01:23:22.817 --> 01:23:26.351
were familiar with it. It's like a fun— there's a lot of '80s in it.

01:23:26.416 --> 01:23:29.885
It's very like visible '80s, like really funny over-the-top '80s rich

01:23:29.949 --> 01:23:33.225
people stuff. And, uh, this is just a goofy, lighthearted movie.

01:23:33.883 --> 01:23:37.367
Uh, we're going to watch, uh, we're going to Beverly Hills and we're

01:23:37.867 --> 01:23:41.221
gonna hang out with the local Girl Scouts and we're gonna watch Shelley Long and

01:23:41.721 --> 01:23:45.347
a bunch of other— hey, I remember that person— in, uh, Troop Beverly Hills.

01:23:45.476 --> 01:23:48.799
Nice. I don't know if you've seen this one before. I absolutely have. This is

01:23:48.832 --> 01:23:51.979
definitely one I saw several times as a kid. Like, it was,

01:23:52.059 --> 01:23:55.420
it was one of those movies I think my mom liked and It was PG,

01:23:55.920 --> 01:23:57.140
and so it was just like we had it at the house and it was

01:23:57.640 --> 01:24:00.800
just on. Yeah, a lot. We would watch it fairly often. I had a huge

01:24:01.300 --> 01:24:05.660
crush on Carla Gugino in this in this movie because we were kids. You know,

01:24:06.160 --> 01:24:09.220
still think Carla Gugino's gorgeous in everything she's done since. But like yeah, like it

01:24:09.720 --> 01:24:12.720
was definitely a movie I watched many many times. So very much looking forward to

01:24:13.220 --> 01:24:16.600
watching Troop Beverly Hills again. I think it's been thirty years or

01:24:17.100 --> 01:24:19.080
something since I've seen it. Probably. I really was a kid. Probably still the same

01:24:19.580 --> 01:24:23.346
about it. It might be. But yeah, I'm super excited

01:24:23.730 --> 01:24:26.599
to watch that with you. So very cool. So next week, Troop Beverly Hills.

01:24:27.176 --> 01:24:30.846
All right. So that's a wrap. If you like what you hear, please consider heading

01:24:30.862 --> 01:24:34.034
over to Apple or Spotify and leaving us a 5-star review. It helps new

01:24:34.067 --> 01:24:37.640
folks find the show. Be sure to check out our website at twodads1movie.com.

01:24:37.688 --> 01:24:40.637
That's the number 2 and the number 1. There you can explore the movies we've

01:24:41.137 --> 01:24:43.986
covered, sign up for our newsletter, The Rewind, and even get sneak previews of upcoming

01:24:44.034 --> 01:24:47.413
episodes. Once again, this has been Tombstone. another episode of 2 Dads

01:24:47.462 --> 01:24:50.450
1 Movie. I'm Steve. And I'm Nic. Thank you so much for listening, and we'll

01:24:50.466 --> 01:24:51.424
catch you next week. Thanks,
